44 Royalty-Free Audio Tracks for "Affection"

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00:33
Female pigeon advertising coo (calling for affection from her partner). Recording device: cheap omnidirectional lavalier microphone.
Author: Ro
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01:22
This sound is an amalgamation of sounds to represent the suffering of the world.
Author: Hans
00:00
01:21
Sound i made with some voice thing online and added the sounds affects.
Author: Skullblits
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00:44
An affected electric piano.
Author: Techyactor
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07:53
The sound has more to it, like static, weird sounds, something that sounds crazy and more! these are more glitches for you! this was created using the same software. You might also hear buzzing sound.
Author: Bryce
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00:04
Santa claus ho ho ho line delivered with a flat or disaffected affect, voice a bit gravelly. Inspired by the fleshtone's version of "super rock santa".
Author: Cognito Perceptu
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00:02
If you like this message me.
Author: Nukemjustin
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00:12
Cat purring after some affection.
Author: Miekyj
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00:05
An mp3 recording of an appreciative hug between two people, slapping of backs included. Recorded with a black sony digital ic voice recorder.
Author: Funwithsound
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00:02
Saying "oh look, a vampire" with flat affect or emotionless, as if totally unimpressed or even sarcastic.
Author: Cognito Perceptu
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00:03
Like the door open but things are not reversed. Air affect is placed in front not behind for release of pressure.
Author: Paul
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06:11
Feeding some cv to nlc ffc. Okay. It affects the module.
Author: Gis Sweden
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00:43
In the right channel you hear uoki-toki polivoks vcf. In the left channel is the sound of intellijel μvcf. They are playing the same tones. The sounds have the same envelope but respectively vca are also affected by attenuated lfos.
Author: Gis Sweden
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00:32
Sound recording of a two tier mini waterfall into my small fish pond. Recorded with a tascam dr-07 mk ii. 24 bit, 44. 1 khz, stereo. First 10 seconds is the raw recording. Note the 60 hz hum due to the water pump being just under the water fall splash area. The last 20 seconds is the processed audio using ableton live 8 affects rack and the following affects. 1. Notch filter – 60 hz applied two times. 2. Lp filter –knee at 1 khz3. Hp filter-knee at about 3. 2 khz4. Granular delay – bubbling sound5. Chorus audio effect-snap, crackly sound. 6. Reverb-cave echo affect-high wet/dry7. Utility- for stereo width.
Author: Hank
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00:06
An mp3 recording of two people hugging each other and slapping backs quietly. Includes a verbal "come 'ere" at beginning. Recorded with a black sony digital ic voice recorder.
Author: Funwithsound
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00:01
Sound of a pen clicking with a huge amount of editing, perfect for use in scenarios with a scratch-disk-like affect, like a vinyl.
Author: Cs
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01:25
I recorded this a while back on my classical guitar. I think it's a sweet little tune written by robert schumann. My nephew added some affects to it. If you use it please comment on what you will use it for. Thanks. :^).
Author: Tubbers
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02:07
I made this as jump point for another sound for a foley project for a movie. This was made using a number of chain dog leashes and my mxl mic along with an echo chamber affect in my sound editing software.
Author: Turroe
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00:16
A fast building white noise with added filter sweep and fade-out, layered with a pulsating synthesized bass tone with a slow attack and an affected decay.
Author: Pandotrix Emark
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00:09
Video game text blip sound affect. Couldn't find one suitable for my game, so i figured i'd make one and share.
Author: Malakme
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00:07
A snare drum with some delay added. Roughly around 200ms delay then goes down in whole number increments while decreasing in volume. A cool affect if it works with your tempo. Enjoy!.
Author: Day Tripper
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00:08
Original description: some random 'happy' effect, good for notifications.
Author: Waveplaysfx
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08:20
I call this 'lunar wind' becuase its an affected sample that i think sounds like a unearthly wind. I recorded a real life wind and processed the signal with some heavy eq and compression. The sound is 100% continuous recording.
Author: Walter Odington
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00:59
Came up with my own version of a windmill, following instructions on another site:. Http://www. Garagegames. Com/community/blogs/view/11231. Though instead of pitch-shifting some of the sounds as instructed, i time-stretched them (also affecting the pitch) to give them a bigger feel. .
Author: Zepqueen
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00:26
Using the remove hum tool on izotope rx2, i took out filtered out the hum that occurs in the 190-220 hz range. I believe any eq could filter that hum out at that range without affecting the bass in the footsteps. I believe the footsteps are in the 50-60 hz range anyway.
Author: Hubyduby
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01:33
Modular synth patch with 2 voices (vcos). One sinus wave and one triangle wave. Max reverb (hall) on my ladik d-330. Output to reverb is mono. Observe how the output from the reverb makes affects the channels. Meanless and bizarre video on https://www. Youtube. Com/watch?v=daymdm8vrz0.
Author: Gis Sweden
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00:16
Test subject is given two types of music to listen to, and asked to describe their difference. The color of the first kind of music is not provided, but the color of the second kind of music is orange. This is possibly a color code for the experiment, but may also be what a person with synesthesia sees when they hear it. The first kind of music is considered as merely "entertainment", hence its descriptionthe second (orange) kind of music, according to the subject, affects our spirit, to which the experimenter says "sure".
Author: Lunar
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02:15
This is one coqui singing alone. The file was remasterize to eliminate other insects and noise sounds. Was recorded in the west of puerto rico island in the caribbean on june 19, 2022. A curiosity not too many people notice is that the individuals and species sing at different hours of the night and are affected by temperature and humidity. Rain increments the volume and intensity of frequency of the different species, some days one to 3 species can sing. Others you can hear up to 6 species in conjunction with other types of none arboreus frogs.
Author: Jlta
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00:13
This is my naked voice. I didn´t modify anything. It doesn´t have much amplitude, maybe it sounds sad. . . This is a german poem "das gemeinsame schicksal" ("the shared fate"),written by friedrich schiller(1759 - 1805), a great german poet, a friend of goethe. Original text : " siehe, wir hassen, wir streiten, es trennet uns neigung und meinung, aber es bleichet indes dir sich die locke wie mir. "my translation : "look, we hate, we argue, our affectations and opinions drive a wedge between us. In the meantime your hair turns grey. Mine as well. ".
Author: Nilsb
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01:43
A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.
Author: Gis Sweden
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04:55
Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. The oscillators where tuned to the same tone one octave apart. Well. . . Not exactly. After having recorded i measured the frequencies 228,8 hz and 117,7 hz. . . But that made the output from the ring modulator interesting. What is generative with this? i modulate amplitude of the sounds and the decay for all thee sounds. This also affects the rhythm sound.
Author: Gis Sweden
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01:19
This is a recording of the scariest/weirdest computer crash i ever experienced. I was working in after affects when the screen froze and this sound started blaring through my headphones. I unplugged myself and let it play through the speakers then decided it was really neat sounding, so i took a mic and recorded it. This was a couple years ago but i never uploaded it because the recording didn't do it justice. I opened the file recently and thought it sounded kind of neat anyway, so here you go, internet. The sound of windows 7 rebelling and trying to come to life.
Author: Darkozl
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03:15
Friday. Random. Why this madness? answer: i have patched s/h (sample and hold) random to doepfer a-160 clock divider and that affects the a-161. For the sake of it i patched one of the gates to the ladik r-110 rnd t/g (random trigger and gate). Result much more randomness than i can use. I can tell you that there is a lot of blinking diodes :-) sounds from doepfer a-110 and 2hp osc and sampler soundmachines ul1uloop.
Author: Gis Sweden
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02:41
Electronic minute no 30 - 8 tones and tempo change. A patch centered around intellijel quadra + expanderim using the quadra modea sloth lfo is affecting the rise on one envelope generatorjoined eoc triggers sequencera slew, filter and some fm-generated vibratoand i patch up a pan fuctionyou know lfo + two vcas + and inverter. . . I want a vc pan moduleits on my lista little spring reverb as always. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - controlled by sequencertimbre variation - some, via filtermusical value - maybeentertaining - hmm. . . Interesting.
Author: Gis Sweden
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00:31
Snippets from recordings of me playing the tanpura. The strings are tuned to b, d, g and e, so would work well in the keys of g or e minor. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.
Author: Luckylittleraven
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01:01
Any thursday. . . It was about 1:00 am and i got my handy recorder zoom h4n with me. Then i realized i found very few sounds here at freesound. Org of steps for videogames. . . So i decided to record some. They have "so much personality", with keys in the pockets (you can notice them on the run), a dog barking when i run, and the sound of the street at night. It may not be 100% clean (for example, wind affects a little to the beggining of the run), but i think it's enough to emulate a videogame in a short film or something. I turn around once when dog is barking, you can notice the bark panning from left to right channel.
Author: Bronxio
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00:05
It's an all synthetized sound created on audacity. I wanted to recreat the sound of an ovni, but not one that makes people scared : like there is only one alien in this ovni but it seems pretty nice. I started by created a new audiotrack, then i generated chirps and keeping the default values. Then i duplicated the track and made a stereo track of both. I add wahwah effect on the track, changing and modulate the different default values (for example, highest dept and a lot of resonance). After, i add phaser affect on the whole track to make the sound a little bit more spacial. Then i normalized the track. Last, i raised the speed twice by 2. Then i saved and export my sound. ______________________________________________. D'après moi c'est un son répété formant un groupe tonique, au timbre harmonique acide,au grain lisse et dynamique.
Author: Loumarchais
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00:21
Snippets from recordings of me playing the tanpura. Tuned to e flat, the notes from top to bottom are b flat, e flat, c, low e flat. In traditional indian tuning the root note in the scale is referred to as sa and is e flat in this scale the fifth note (b flat in this scale) is referred to as pa and the sixth note (c) is dha. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.
Author: Luckylittleraven
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22:38
This recording was made in the path of totality of the august 21st 2017 eclipse, in the woods surrounding devil's kitchen lake in southern illinois. It's a stereo extract from a longer, 88 minute b format recording. The purpose of making the recording was to see how the eclipse affected the sounds produced by insects and birds. In this extract, totality occurs exactly 10:00 minutes in; and ends at exactly 12:38. This mirrors the time totality occurred at devil's kitchen lake: from 1:20:27pm to 1:23:05pm central time. Mic: core sound tetramicrecorder: zoom f8. Panorama of the recording site: https://photos. App. Goo. Gl/t2m3esbcm71l4wzza. With thanks to jay needham for being a good host, and guidance on where rattlesnakes like to hang out. Please note that this is a 48k 24bit flac file - flac files can be easily read and converted by audacity [https://www. Audacityteam. Org/] and reaper [http://reaper. Fm/], among others.
Author: Thaighaudio
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01:28
This racing vehicles recording 2 track. It might be viable for use in racing and driving video games. But over the past few years, games emerged as some of the top-selling products in video and computer gaming. The main focus in such a project would be on generating a score by merging a few sounds in the background of the soundtrack (such as bumping or breaking) with specific vehicle sound effects (such as braking). Loops would be used to affect pre-composed music, using live data to change the mix and instrumental direction (such as the dynamics, texture or timbre), or even the pitch, rhythm or tempo), moreover, the musical soundtrack for racing vehicle gameplay could be stored in a memory card to use in digital sport car sounds unit that convenient sound effects according to the processes, which is essential to participate in the training driver by granting the user with more information. In real life, the driver has more sensory information.
Author: Kurd
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00:01
This sound sample is part of the free collective soundbank "negative mass", which is comprised of around 60 royalty free samples and field recordings used by some of the artists featured in the "new chronologies of sound" collection to compose their sound works. "new chronologies of sound" is a sound art collection that proposes to generate debate on issues related to the ways in which lockdown affected our ways of listening, perception of time and work habits, by developing a collection of sound works based on field recordings, which reflect upon those matters. This artistic research project gathers artists and researchers from all over the globe — agf (de), budhaditya chattopadhyay (in), bj nilsen (se), diana combo (pt), gustavo costa (pt), hugo branco (pt), kyoka (jp), laura romero (es), lawrence english (es), matthew herbert (uk), miguel isaza (co) and natalia valencia zuluaga (co)— encompassing a broad diversity of aesthetics, geographies, processual latitudes and conceptual attitudes, which range from pure field recordings and processed soundscapes down to more musical or compositional uses of found sounds. + info: https://lifeisavicnic. Com/vn003.
Author: Vic Nic
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00:45
library of congress recording, and before 1911 -- public domain traditional Omaha Indian song. From here Notes This song was collected by Alice Cunningham Fletcher and Francis La Flesche. It is included on Omaha Indian Music: Historical Recordings from the Fletcher/La Flesche Collection (AFC L71). From the liner notes of the Omaha Indian Music album: Composers of love songs used melody and vocables to convey emotion (1893, pp. 53-54, 146-150; 1911, pp. 319-321). The true love-song, called by the Omaha Bethae waan, an old designation and not a descriptive name, is sung generally in the early morning, when the lover is keeping his tryst and watching for the maiden to emerge from the tent and go to the spring. They belong to the secret courtship and are sometimes called Me-the-g'thun wa-an - courting songs. . . . They were sung without drum, bell or rattle, to accent the rhythm, in which these songs is subordinated to tonality and is felt only in the musical phrases. . . . Vibrations for the purpose of giving greater expression were not only affected by the tremolo of the voice, but they were enhanced by waving the hand, or a spray of artemesia before the lips, while the body often swayed gently to the rhythm of the song (Fletcher, 1894, p. 156). George Miller's probable year of birth is 1852.
Author: Performed by Miller, George (Inke'tonga) (Big Shoulder), Recorded by Alice Cunningham Fletcher and Francis La Flesche.
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02:60
Cct110: found in translation (show notes). Hosted by lily yu. This podcast gives a brief overview of youtube’s recent update on the on-site comment translating software and examine how it is beneficial in establishing contact with other youtube communities. We will also look at who this change affects the most, how the comment section influences youtube and how this change is part of a global movement for connection. Podcast contentsintroduction 0:00 – 0:11imagine you are reading the comments 0:12 – 0:50history of the translate button 1:01 – 1:09what it does 1:10 – 1:13errors in translating 1:14 – 1:24benefits 1:25-1:40who uses it 1:41- 1:53importance to youtube 1:54 – 2:26importance to the world. 2:27 - 2:43conclusion – 2:44 - 2:59. Song credits (listed in order of appearance). “winsquare. Wav” by fupicathttps://freesound. Org/people/fupicat/sounds/527650/. "piano, bach fantasia, a (h1). Wav" by inspectorj (www. Jshaw. Co. Uk) of freesound. Org. “upbeat theme loop. Wav” by mrthenoronhahttps://freesound. Org/people/mrthenoronha/sounds/506893/. “jingle_achievement_00. Wav” by littlerobotsoundfactoryhttps://freesound. Org/people/littlerobotsoundfactory/sounds/270404/“parallel universe” by andrewknhttps://freesound. Org/people/andrewkn/sounds/404458/. “winfretless. Wav” by fupicathttps://freesound. Org/people/fupicat/sounds/521644/. Podcasts discussed. 23 youtube stats that matter to marketers in 2022. Social media marketing & management dashboard. (2022, february 14). Retrieved march 3, 2022, from https://blog. Hootsuite. Com/youtube-stats-marketers/r/timeworkssubmissions - youtube's comment translations are very broken. Reddit. (n. D. ). Retrieved march 3, 2022, from https://www. Reddit. Com/r/timeworkssubmissions/comments/rnte1g/youtubes_comment_translations_are_very_broken/.
Author: Chocolatelilac
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00:03
We develop iphone app that perform musical analysis on recorded audio from the iphone. Our app implementation make use of the audio queue service to receive raw audio buffers from the audio queue callback. In the first version of our app we had the problem of too much clipping on the recording which degrade the accuracy of our analysis. We also suspected that the noise canceling algorithm in iphone 5 produce distorted sound, which is not much noticeable by human ear but distorted enough to affect our sensitive algorithm. We found that the solution to our problem is to set the audio session mode to kaudiosessionmode_measurement. This session mode is supposed to give maximum freedom for us to control the microphone input, which include turning off the automatic gain control and probably noise canceling as well. The solution works very well except that it introduce a strange waveform pattern in the beginning of all recordings in iphone 5. It is very hard to explain the waveform we get, so i made two recordings at freesound so that you can see it visually. The first recording is made in an almost quite environment, and you can see the weird spike in the beginning of the recording. The second recording (this recording) is made with constant background noise, and you can see that the actual sound wave is offset from the strange curve and gradually increase to its original volume. This waveform only happens on iphone 5 devices that we tested, and there is no problem at all for iphone 4s and older generations. We have tried various settings and the glitch is still unavoidable as long as we set the audio session mode to kaudiosessionmode_measurement. We also find similar glitch in one of our iphone 5 devices, in which the glitch happens even if we try to set just the input gain level without changing the session mode. We are not sure if this is a hardware-related bug in iphone 5, or if it is fixable software glitch in the future version of ios. For the moment we are looking for workaround that can avoid this glitch while automatic gain control and noise canceling are disabled.
Author: Soareschen
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