182 Royalty-Free Audio Tracks for "Alto"

Real horns. Trumpet, alto, tenor, trombone and bari sax.

Real horns. Trumpet, alto, tenor, trombone and bari sax.

A processed version of a squeaky spring on the alto sax, which sounds somewhat like a guiro.

Dois gatos no telhado do vizinho gemendo alto às 5h.

Playing the alto sax with no mouthpiece, like a brass instrument. Pitch is between concert c and c#.

Playing the alto sax with no mouthpiece, like a brass instrument, and allowing overtones to creep in.

Playing the alto sax with no mouthpiece, like a brass instrument. The attack starts below pitch and scoops up.

Recorded in surco lima peru, with a zoom h5 xy at 48khz 24 bits.

Sonido de un rayo usando el efecto wah wah, el rayo se hizo utilizando un sprite y un filtro pasa alto.

A short phrase from an old greek song (seikilos) played on a alto-gemshorn. Recorded with a shure sm58, a tascam us-122mkii and audacity.

A lush and airy pad. Started as a recording of a note on alto saxophone. It contains several resampled/paulstretched layers.

A woman humming a nondescript folksy tune. Alto voice/pitch. Recorded on an ipod touch. The voice is my own.

Recorded on zoom h4n. A piercing, female alto scream recorded indoors (some room reverb).

Gravado com boom sennheiser para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Paisagem sonora do caminho do onibus r204 jd azaleias em poços de caldas no horário das 17 hrs. Soundscape from de bus r204 jd azaleias, in poços de caldas, mg.

Chorale segment in half-notes. Synthesised soprano, tenor, alto, and bass sing a i-v7/v-v-i progression in c-major. Minor reverb and noise reduction in post.

A clip i created using eminor chord on synth with operatic alto voice trying to lure edmond to the castle. That voice is actually a male voice which happens to be me, lol.

Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte

Zlob diode chaos. X output - pan left "alto voice"y output - pan right "soprano voice"z output - pan center "bass voice" (no cv input to vco)trigger out - controls noise. This is a recording that makes a chaos explorer happy.

The sound of a small compact car rolling on a bumpy cobblestone road. You can hear some things vibrating and some loose screws. This audio was recorded with a zoom h5 inside a susuki alto in managua, nicaragua. Where did you use it?.

Riding my mountain bike on gravel trail at baylands nature preserve in palo alto ca. Recorded on my galaxy note 2 cellphone. Edited in cyberlink power director 13. This is actually two separate tracks equalized differently to accentuate the crunch of the gravel, and to minimize wind noise. Output in mono.

I recorded myself singing in the tunnel that connects the buildings on the minnesota state capitol complex. This is the first measure of music in the kyrie mass in g minor, which is usually sang by a chorus in a cathedral environment. The tunnel makes it sound exactly like i'm singing in a church.

A sort of renaissancey version of the first two lines of ding dong merrily on high, composed on cubase with samples from the edirol orchestral plug in (a bit of harp, french horn, alto flute and violin with kettle drum and sleigh bell percussion). This was for the intro to a radio sketch but hopefully could be useful for other theme setting. Sorry in advance for not doing the whole song.

I made this using my alto recorder. It is quite long but can easily be shortened. I just realized that i forgot to take the breath sound out at the end!! sorry! i will do better next time. This is my first time contributing to freesound. I like this site and am happy to finally be able to contribute to it. Enjoy!.

I made this using an alto recorder and then adding reverb to it. I have made it longer or shorter by just adding or taking away pieces in the middle. It was made to convey a sense of foreboding. I hope you like it. I am grateful for all the sounds i have found and used in freesound - feels good to finally be able to give back and contribute!.

Grabación del ambiente en lo alto de la quebrada dentro de un bosque. Bogotá-colombiaquebrada las delicias a las 09:44 a. M. Grabado con zoom h4n a 48khz y 24 bits de profundidad. Field recording from de top of of the river in a forest. Bogotá - colombiariver las delicias at 09:44 a. Mrecorded with zoom h4n at 48khz and 24 bits.

guardians of limbo (spectral voices, ethereal sounds, odd vocals) sample of fx preset from magnus choir vsti software. Virtual choir (musical instrument). Software description:. Magnus choir is a vst, vst3 and audio unit virtual instrument which can be used to create natural and synthetic choirs. The male and female choruses combine to form a mixed choir, featuring the classic satb (soprano, alto, tenor, bass) structure: women sing soprano and alto, while men sing tenor and bass. Versatile to generate a wide spectrum of choirs, vocal textures, choral pads and voices with modulation capabilities for a new level of realism in digital sound creation. • 54 preset sounds ready to use, including a vast array of natural and synthetic sounds, from oohs, aahs, men and women in mixed choirs to the celestial choir of angels, reso pads, dark atmos, creepy voices, ambient ghostly and birdsong effects, as well as cinematic and soundscapes. 01. - abbey ghost02. - ad infinitum formant03. - ad libitum chorale04. - aeternus lux lucis05. - alchemical signals06. - angelic vox07. - angels between us08. - apocalyptic chamber09. - astral singers10. - aurum vox pad11. - birds sonic sweep12. - caelestis kingdom13. - celestial choir14. - choral ensemble15. - choralis pad16. - cinematic padilius17. - cosmic odyssey voice18. - cryogenic dimension19. - dark cantus20. - digital voice21. - dystopian chorus22. - elves land23. - enchanted goblins24. - ethereal voices25. - guardians of limbo26. - lost souls in the dark27. - male & female aahs28. - morph dreams29. - morphed vowels30. - mystical vowels31. - nebula dark atmos32. - necromancer summons33. - neo choir34. - octave aahs choir35. - octave vox pad36. - oniric sequences37. - oohs choir38. - psychedelic vox39. - psychomanteum reso40. - quasi spatial voices41. - relaxing paradise42. - restless spirits43. - sanctus holy chant44. - sonorous skies45. - sopranvox c4-c646. - spatiotemporal atmos47. - spectral hell48. - synthetic chorus49. - synthesized vocals50. - underworld embryos51. - vinyl chorus52. - voices in the mist53. - vowelled soundscape54. - vox vocis texture. • low frequency oscillator section: these knobs apply modulation to the selected instrument. By using the lfo to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo. • adsr envelope generator with attack, sustain, decay and release parameters. • pitch bend: the pitch bend knob directly changes the pitch of the selected instrument. • reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces. • filter section: with filter type box for low pass filter and high pass filter. • amplitude range parameters: it controls the loudness, the way in which we perceive amplitude. The sensitivity level is set by the user. • panning potentiometer control. • midi cc automation: implementation of midi continuous controller parameters for use with external hardware control via daw.