Assymetric ticking noise. Sounds like the ticking of an analogue counter. A single clock tick was placed on two seperate tracks in order to control the time interval between ticks. One of the tracks was pitch shifted to create the sound of two, slightly different ticks. Both tracks pass through a tight chorus filter and a delay tap to recreate a slight sense of springiness and rattle as the "counter wheels" tick over. Created in flstudio with one audio clip, fruitydelay2, fruity fastdist, fruity parametric eq 2, fruity chorus and equo.
Long recording of multiple paces of walking and running (in place). Recorded with a samson q7 microphone through a phonic am85 analogue mixer. Cc0, so no hassle with giving credit.
This is part of a commercial summer firework display in the uk. There are bombette candles, crackle candles, tourbillion units and shells of various calibre, some of which contain crackling material. Analogue recording.
Composite video from a directv receiver routed into the line-in of a zoom zh1. Slightly denoised with izotope rx. Requires a sharp notch to get rid of some ugly high-end.
Composite video from a directv receiver routed into the line-in of a zoom zh1. Slightly denoised with izotope rx. Requires a sharp notch to get rid of some ugly high-end.
An unsilent patch to celebrate that my spring reverb now is silent - when i want it to be silent. Spring reverbs can be sensitive to electricity. No my spring tank is hidden away!.
Three sounds. 1) analog systems rs-40 samples from 25hz bipolar lfo (doepfer a-147-2)2) analog systems rs-40 samples from 25hz looping envelope (intellijel quadra)3) analog systems rs-40 samples from noise generated by barton musical circuits bmc23 decaying analog noise).
My voice recorded through a shure mv7x processed with blackhole reverb and tal dub analogue sounding delay. The phrases are completely random, but there is a cool glassy effect at the end.
The sound of scrubbing an am radio back and forth across the spectrum. There are bits and pieces of stations picked up, but it's mostly interference. Recorded using an old analogue radio, connected to a zoom h1 handy recorder.
A single stack of individual stereo samples of claps. This one sample can be used, e. G. , on beat two and four of a dance track to add that classic clap on those beats, and give it a very natural analogue feel.
The sound of scrubbing an fm radio back and forth across the spectrum. There are bits and pieces of stations picked up with static in-between. Recorded using an old analogue radio, connected to a zoom h1 handy recorder.
A little soundscape of an ostinato sequencer pattern with variations in duty and slide values. Realised on a modular system consisting of doepfer, ajh minimod, sputnik and circuit abbey modules.
As the title describes: a cinematic atmospheric element. A compilation of 6 different synths including a percussive base line underneath. Composed on magix music maker 2016 live, with cinematic synth, analogue synth & dn-e1 synth.
Expect some sick sounds from me!i have built the eurorack module jupiter storm. It's described as a "cosmic noise oscillator". Now i will learn how to tame it. . . So easy to generate totally sick sounds.
Clap sample one-shot. These claps were all made with virtual drum synths and processed through some analogue console emulation and added saturation. They were then trimmed to get rid of any dead space before or after the sample and finally normalized to 0db. This file is part of my anu claps pack.
No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.
Part of a sample pack from my analogue boss dr-110 drum machine, which i modified to give me control over various parameters for individual sounds. Enjoy, and let me know if you find them useful :).
Heavily processed sounds form the symbiotic waves module by pittsburgh modular. Filtered through the intellijel atlantis filter. Effects were minifooger chorus and occasionally strymon delay or flint. The name give a hint which oscillator model and processor were used.
Second long recording of multiple paces of walking and running (in place). There is another similar recording with less "sandy" footsteps. Recorded with a samson q7 microphone through a phonic am85 analogue mixer. Cc0, so no hassle with giving credit.
Samples from my behringer rd-6 sr analog drum machine, which is a clone of the legendary roland tr-606. Bd, sd, clap, chh, ohh, cymbal, lt, ht. Format: wav, 24 bit, normalized. Recorded with a behringer umc 404 hd.
Snare sample one-shot. These snares were all made with virtual drum synths and processed through some analogue console emulation and added saturation. They were then trimmed to get rid of any dead space before or after the sample and finally normalized to 0db. This file is part of my anu snares pack.
Sample of the doepfer a-110-1 sawtooth output. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.
A funny patch i made on my little modular. Unedited sound file. I'm creating tones with a clock divider and a mixer. I insert a little chaos in to the tone sequence. Constantly changing "melody". And the bass is connected to the melody. . .
Strange beat. Recorded dry. No reverb. Why? answer i have sold my digital reverb. The one i had in my case. It's finally time for a spring reverb!!!gis_sweden goes fully analog! as long as i dont record with my computer. . .
Quick flourishes of synth keys going up and down the pentatonic scale. Synth used was the korg ms 20 mini, analogue and monophonic. Subtle filtering and echo was placed on the recordings, as well as some reversing.
Testing an old roland synthesizer from the seventies, system 100 model 101. With some added reverb and delay effects. High resolution 32 bits, 44,1 khz wav file. Some pots are a little scratchy sometimes, but…it’s an old lady!use it entirely or in parts. Please let me know. Thanx.
Sound effect for a person running away (1 of 2). A second version and a full recording of many types of running and walking are also available. Recorded with a samson q7 microphone through a phonic am85 analogue mixer. Cc0, so no hassle with giving credit.
Sound effect for a person running away (2 of 2). A similar sound effect and a full recording of many types of running and walking are also available. Recorded with a samson q7 microphone through a phonic am85 analogue mixer. Cc0, so no hassle with giving credit.
Closed hh one-shot. These hi hats were all made with virtual drum synths and processed through some analogue console emulation and added saturation. They were then trimmed to get rid of any dead space before or after the sample and finally normalized to 0db. This file is part of my anu hihats pack.
Crash sample one-shot. These crashes were all made with virtual drum synths and processed through some analogue console emulation and added saturation. They were then trimmed to get rid of any dead space before or after the sample and finally normalized to 0db. This file is part of my anu crashes pack.
A blues-inspired throaty lead line created from an original patch of arturia's buchla easel v. Dark, and full of overdrive and saturation, this loop is perfect for driving an energetic electronic composition.
Sound effect for a person running away (3 of 3). Two other, similar sound effects and a full recording of many types of running and walking are also available. Recorded with a samson q7 microphone through a phonic am85 analogue mixer. Cc0, so no hassle with giving credit.
Sample of the doepfer a-110-1 triangle output. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.
