289 Royalty-Free Audio Tracks for "Analysis"

Octaves marked highest octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Octaves marked lowest octave. Created by Hyacinth (talk) 07:51, 3 January 2012 (UTC) using Sibelius 5.

Multi-octave F major chord with octaves marked by brackets. Created by Hyacinth (talk) 07:47, 3 January 2012 (UTC) using Sibelius 5.

The closing bars of String Quartet in E flat, Op. 33 by Haydn

Wagner, Gotterdamerung, transition between the end of the Prologue and Act 1 scene 1

The standard way of filling in this descending thirds pattern is to interpolate a first inversion chord in between each of these descents by thirds. The result is a bass line that moves down continuously stepwise, resulting in a figured bass of '5-6', and therefore, the standard descending 5-6 sequence.

An important subtype of the descending 5-6 sequence is the root position variant, also known as the Pachelbel sequence, due to the use of this sequence in Pachelbel's Canon. The Pachelbel sequence changes the first inversion chords in the descending 5-6 sequence to root position chords, resulting in a bass pattern that moves down a fourth, and then up stepwise.

Mozart Minuet in F K5

Mozart piano sonata K332 excerpt

From Bach chorale, Wachet auf

Presto from Quartet Op. 130

Don Giovanni, Overture bars 85-99

Mozart Romanze from Piano Concerto 20

Mozart Symphony 41, finale, fugal passage

Don Giovanni Overture bars 77-80

Bach Toccata in F deceptive cadence

Mozart Piano Concerto K482, opening bars

Beethoven Symphony No 6, fourth movement, bars 3-8

Mozart Trio from Wind Serenade K388

Symphony IV canonic passage from the 1st movement

Mozart, from Piano Sonata K310, first movement

Mozart, from Piano Concerto No. 21, K465

String Quartet no. 19 in C major, K. 465 (“Dissonance”) opening

Leonora no. 3, overture, bars 69-76

Beethoven's retrograde version of his fugue subject (Hammerklavier Sonata)

Mozart Minuet from Trio K498, bars 94-100

Beethoven Appassionata Sonata 3, final bars of andante

Don Giovanni Overture bars 133-141 reduced score

Mozart, Symphony 41, finale, bars 190-199Mozart, Symphony 41, finale, bars 190-199

Symphony No. 6, fourth movement, bars 146-155

Piano Sonata, op. 111, first movement concluding bars

A glissando upwards from middle C to the C an octave above.

Mozart Jupiter Finale, bars 389-396

Don Giovanni Overture bars 133-141 violins and bass only

Dissonance in Mozart's Adagio and Fugue in C minor, K. 546

Octave on C. 64/1: 7200 cents.

Octave on C. 16/1: 4800 cents.

Star-spangled Banner opening bars

From The Star-spangled Banner

Diatonic planing from Feuilles mortes ("Dead Leaves") by Claude Debussy.

Contrasting orchestral groups from the Prelude to the first Act of Parsifal

Beethoven Piano Sonata 21, 1st movement, bars 78-84

Bach Toccata in F, BWV 540 bars 197-207

Schubert, Op. 4 n. 3.

Schubert, Op. 4 n. 3.

Entry of Polymnie from les Boreades

Mozart Minuet from Trio K498, bars 76-86

Haydn, Sonata Hob. XVI:29, bars 1-4.

From Berlioz, Queen Mab scherzo

Berlioz, Queen Mab Scherzo, opening bars