14 Royalty-Free Audio Tracks for "Midi Files Of Music By Claude Debussy"

Claude Debussy String Quartet (1893) second movement opening.

Excerpt from "Clair de Lune" of Claude Debussy's Suite bergamasque (1905) for solo piano.

Diatonic planing from Feuilles mortes ("Dead Leaves") by Claude Debussy.

Created by Hyacinth (talk) using Sibelius 5. See: Image:Debussy Prélude 8.JPG

Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.

the famous chords symbolizing the church bells in Debussy's prelude La cathédrale engloutie

Claude Debussy's Premiere Arabesque melody and chords abstracted from that melody.

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

Prelude a l'apres midi bars 35-40

Use of the pentatonic scale in Debussy's Voiles (1910), Prelude. 2, mm.43-45.

Bars 1–2 from Claude Debussy's Sarabande from Pour le piano. Midi version created by Hyacinth (talk) 20:32, 4 February 2011 (UTC) using Sibelius 5.

Dominant thirteenth chord in Claude Debussy's Prelude to the Afternoon of a Faun (1894). Created by Hyacinth (talk) 02:50, 5 July 2009 using Sibelius 5.

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: I. "De l'aube à midi sur la mer" performed by the Concert Band of the United States Air Force Band. Track 9 from French Impressions (2000).[1][2][3][4]