16,711 Royalty-Free Audio Tracks for "Audio Files Of Chord Progressions"

Bob Dylan's "Lay, Lady, Lay" verse.

viio7 as dominant substitute.

reale Quintfallsequenz

reale Quartfallsequenz

tonale Quartfallsequenz

Chord rewrite rules II: use of chromatic passing chords.

Chord rewrite rules I: replacement or substitution of a chord by its dominant or subdominant.

tonale Quintfallsequenz mit Dreiklängen und Sextakkorden im Wechsel

Chord progression by descending thirds from mediant to supertonic resolving to dominant.

Created by Hyacinth (talk) 19:12, 18 January 2011 using Sibelius 5.

Audio sample which exemplifies Andalusian cadences, as shown in the article (see the picture below the Structure section). Recorded using an emulated acoustic Steinway piano through the Sound Font 2 technology, on August 9th, 2007 and released into public domain in the same day.

Truck driver's gear change, modulation up a whole step, in "Because the Night".

Harmonic progression from a Mozart piano sonata--sound file. Piano Sonata in G, K. 283, third movement, starting measure 247. Digital recording by Opus33 using Wavesurfer software. Transcription into chords by Opus33, loosely following Piston and DeVoto, Harmony. This music is in the public domain. The recording is not copyrighted, and it is hereby released by its creator (known in this context by the pseudonym Opus33) into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Diatonic mediant/submediant chord progression: I vi I (submediant, in major).

Diatonic mediant/submediant chord progression: i VI i (submediant, in minor).

Diatonic mediant/submediant chord progression: I iii I (mediant, in major).

vi7 as tonic substitute. Created by Hyacinth (talk) 16:17, 14 July 2010 using Sibelius 5.

Altered dominant played twice then resolved to the tonic. Created using Sibelius and Audacity.

V-I progression, unaltered dominant resolving to the tonic. Created by Hyacinth (talk) 22:29, 9 July 2008 using Sibelius and Audacity.

Parrallelism in music (example).

Predominant chord: ♭III+63.

Augmented chord progression: I+ vi63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Chromatic descending 5-6 sequence from which "Lay, Lady, Lay" sequence is derived.

Donald MacGillavry

Modulation with subsidiary chord (in blue). Created by Hyacinth (talk) 02:10, 15 November 2011 (UTC) using Sibelius 5.

After You've Gone by Creamer and Layton (1918) verse, mm.7-23. Nashville number system realization on guitar.

Four-voice texture from the Genevan psalter: Old 124th. Created by Hyacinth (talk) 01:43, 30 January 2012 (UTC) using Sibelius 5.

Maple Leaf Rag seventh chord resolution. Created by Hyacinth (talk) using Sibelius 5.

V of V in C, on guitar.

Example of an altered chord progression in jazz.

Claude Debussy's Premiere Arabesque melody and chords abstracted from that melody.

Tritone substitution (for V). Created by Hyacinth (talk) 04:49, 10 May 2010 using Sibelius 5.

Tritone substitution (for V), without (with V). Created by Hyacinth (talk) 04:48, 10 May 2010 using Sibelius 5.

After You've Gone by Creamer and Layton (1918) chorus, mm.24-43. Nashville number system realization on guitar.

Chord progression with diminished seventh chords added, without chords added yet.

Common-tone diminished seventh chord in 'In the Good Old Summertime', Strictly Barbershop, S.P.E.B.S.Q.S.A. (Barbershop Harmony Society), Folio 6049.

Giovanni Benedetti's 1563 example of a comma "pump" or drift by a syntonic comma (21.51 cents) during a progression. Common tones between chords are the same pitch, with the other notes tuned in pure intervals to the common tones.

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

Stomp progression, block chords. IV7-#ivdim7 I7of5-I7 IV7 -#ivdim7 I7of5-I7 IV7-#ivdim7 I7of5-V7ofVofV V7ofV-V7 I7

Stomp progression two-measure three-chord harmonic cycle. F F#dim7 C7/G C7.

Stomp progression in Ab. Created by Hyacinth (talk) 07:22, 14 July 2008 in Sibelius.

Ragtime progression in C.

Four measure ii-V-I progression in C with Coltrane substitution.

♯IIo7 as dominant substitute.

iv IV I V chord progression.

Montgomery-Ward bridge in C (I7-IV7-ii7-V7). Created by Hyacinth (talk) 06:58, 11 June 2010 using Sibelius 5.

Chromatic mediant from Tchaikovsky's (1840–1893) Chant sans paroles.

Common-tone diminished seventh chord (♯vio42, in D major: b♯o7) in Tchaikovsky's Nutcracker Suite, op. 71a, III, Valse des Fleurs, mm.1-4.

Quintfallsequenz in Schuberts Es-Dur-Impromptu op.90,2

Tritone substitution (for V) notated as Italian sixth.