61 Royalty-Free Audio Tracks for "Diatonic Functions"

Dominant form chord: Diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Dominant form chord: Diminished seventh leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Dominant form chord: Half-diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Tonic and dominant in C. C major and G major chords.

DSp in C major.

Dominant and dominant parallel in C minor: Gm and BM chords.

Dominant and dominant parallel in C major: GM and Em chords.

vi7 as tonic substitute. Created by Hyacinth (talk) 16:17, 14 July 2010 using Sibelius 5.

Dominant form chord: Dominant flat ninth chord preceding tonic chord and possessing a primary dominant function.

Primay triads in c, as MIDI

Dominant form chord: Dominant ninth chord preceding tonic chord and possessing a primary dominant function.

Primary triad in C in just intonation. Created by Hyacinth (talk) 11:17, 22 December 2011 (UTC) using Sibelius 5.

Diatonic scale on C in 17 equal temperament. Steps: 0, 3, 6, 7, 10, 13, 16, 17. MIDI pitch bend matches intervals.

Diatonic scale on C, transposing clef.

Diatonic scale on C, bass clef.

Diatonic scale on C, guitar tablature clef.

Diatonic scale on C, equal tempered. Created in Sibelius with no midi pitch bend for 12-tet.

Diatonic scale in 19-et on C. MIDI pitch bend matches intervals. Steps: 0, 3, 6, 8, 11, 14, 17, and 19. Cents: 0, 189.473684210526315789, 378.947368421052631578, 505.263157894736842105, 694.736842105263157894, 884.210526315789473684, 1073.684210526315789473, and 1200 cents. Created in Sibelius with midi pitch bend on 8 (6) different instruments.

Regular diatonic tuning 72-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS. In 12-tone, T=200 cents and S=100 cents. In 72-tone, T=233.3 cents and S=16.6. This is that scale: C = 0 D = 233.3 E# = 466.6 F# = 483.3 G = 716.6 A = 950 B# = 1183.3 C = 1200

Regular diatonic tuning 53-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

Regular diatonic tuning 31-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

Major scale on C. Created by Hyacinth (talk) 19:42, 1 April 2010 using Sibelius 5.

Diagram of tin whistle fingering for a diatonic scale: I, II, III, IV, V, VI, ♭VII, ♮VII, I'. In D: D, E, F♯, G, A, B, C♮, C♯, and D'.

Neapolitan minor scale on C - as MIDI

72-et diatonic scale on C. Steps: 0, 12, 23, 30, 42, 53, 68, 72. MIDI pitch bend matches intervals

Pythagorean diatonic scale on C. + indicates the syntonic comma.

Neapolitan major scale on C - As MIDI

C Phrygian dominant scale. Created by Hyacinth (talk) 00:37, 5 July 2010 using Sibelius 5.

Freygish scale on D. Created by Hyacinth (talk) 03:16, 26 November 2011 (UTC) using Sibelius 5.

Descending enigmatic scale on C is distinguished by F♮, a lowered fourth degree.

Hungarian major scale on C

Misheberak scale on D. Created by Hyacinth (talk) 07:50, 18 April 2011 (UTC) using Sibelius 5. See: :Image:Misheberak scale on D.png

Traditional Pythagorean tuning of the diatonic tetrachord. Created by Hyacinth (talk) using Sibelius 5. MIDI pitch bend appears to match intervals (0,64, 96,62, 64,61, and 80,64).

Diatonic scale on C in 15 equal temperament. C, D, E↓, F, G, A↓, B↓, C. If C=0: 0, 3, 5, 7, 9, 11, 14, 0. MIDI pitch bend matches intervals.

I was just messing around with audacity recently and recorded a word "no". Then stretched it out using tempo stretch function (function that streches speed, but does not alter the pitch) maxed out twice in a row. That resulted in such a simple word stretched out to almost 5 minutes. Sounds rather scary and interesting.

A series of 5 short, natural poots, aka. Farts, separated by about a half-second of silence. All natural and relatively good quality, ie. Low noise, no echo, etc. Recorded by the producer on different occasions and post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Cute > nasty?.

A real poot with a forceful, trumpet-like sound. Processed with audacity for a more consistent tone and volume.

A quick poot that dips and rises in tone with an interesting squeak at the end. Processed with audacity for a more consistent tone and volume.

An abrupt, trumpet-like poot. Processed with audacity for a more consistent tone and volume.

A relatively long and forceful poot. Processed with audacity for more consistent tone and volume.

A real poot lasting about 6 and a half seconds. Processed with audacity for more consistent tone and volume.

A small poot, processed with audacity for more consistent tone and volume.

A small poot, processed with audacity for more consistent tone and volume.

A quick, soft poot. Processed with audacity for more consistent tone and volume.

A quick, unusual sounding poot. Processed with audacity for more consistent tone and volume.

An abrupt, forceful poot (fart) that sounds a bit like a trumpet blow. Processed with audacity for more consistent tone and volume.

An unusual, almost musical poot (fart). About a second long, processed with audacity for a more consistent tone and volume.

A natural poot (fart) with a more or less linear shift from higher to lower pitch. Processed with audacity for a more consistent tone and volume.

A real poot that sounds like a raspberry. Processed with audacity for a more consistent tone and volume.

A quick, airy, dry sounding poot. Processed with audacity for a more consistent tone and volume.