17,324 Royalty-Free Audio Tracks for "Audio Files Of Musical Chords"

D♭7♯11 chord = G7alt chord. G7alt chord = G,B,F,Ab,A#,C#,Eb. D♭7♯11 chord = D,F,Cb,Eb,G.

Bitonal polychord: F major on top of C major. Created by Hyacinth (talk) 01:48, 7 July 2009 using Sibelius 5.

Lydian augmented polychord on C: 04689e = C,E,F#,G#,A,B.

Farben chord.

Elektra chord: E B Db F Ab.

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

Mystic chord Acorde místico

The opening eleven note chord from Aaron Copland's Inscape, without orchestration shown.

Suggestion of bitonality in Beethoven's Sonata in E♭ for Piano, Op. 8la.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar. Created by Hyacinth (talk) 14:10, 7 July 2009 using Sibelius 5.

Diminished seventh chord's use in modulation.

Tonic and dominant in C. C major and G major chords.

C-F-B Synthetic chord

Violoncello chord on D.

Alternate augmented ninth chord on C.

So What chord.

Violoncello chord on C. Created by Hyacinth (talk) 09:16, 12 June 2010 using Sibelius 5.

Bridge chord, named after en:Frank Bridge. Major chord with a minor chord a semitone above. Chord pictured followed by arpeggio with Db minor at the octave.

Neapolitan sixth in C minor.

Ab-over-A slash chord.

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

Modulation with subsidiary chord (in blue). Created by Hyacinth (talk) 02:10, 15 November 2011 (UTC) using Sibelius 5.

Triad in Bohlen-Pierce tuning (0 11 13). Title refers to number of semitones (unison=0).

DSp in C major.

Dominant and dominant parallel in C minor: Gm and BM chords.

Dominant and dominant parallel in C major: GM and Em chords.

Add6 chord on C

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 10)

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 7 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

Augmented dominant seventh chord on C

Just Intonation Major Chord (4:5:6)

Secondary dominants in Beethoven's Symphony No. 1, introduction.

Parrallelism in music (example).

Augmented triad on C, As MIDI

Augmented major seventh chord on C

5 7 9 chord on E, eight steps in the octave. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include eight steps in the octave, based on 5:7:9 and of which only the just version would be used. Traditional notation: E B♭ D.

Augmented triad on D.

Barbershop bell chord. Pitch bend matches just intervals.

Alpha scale major triad on C. MIDI pitch bend matches intervals.

Truck driver's gear change, modulation up a whole step, in "Because the Night".

Tritone substitution (for V) notated as Italian sixth.

Ives quarter tone fundamental chord.

Harmonic Chord 3:5:7:9. Traditional notation: G E B♭ D. Title refers to harmonics (fundamental=1:3:9:etc.).

Consonant harmonies based on the odd harmonic overtones 3/5/7/9.

Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

0 7 10 was judged most consonant by the untrained subjects. Title refers to number of semitones (unison=0).

Bohlen-Pierce chord: 0,1,2 (semitones), the most dissonant chord. Currently at 0, 169.75, and 310.88 cents. Title refers to number of semitones (unison=0).

Donald MacGillavry

D♭7♯11 chord = G7alt chord.