993 Royalty-Free Audio Tracks for "Neapolitan Sixth Chords"

Neapolitan sixth in C minor.

Minor major sixth chord on C.

Add6 chord on C

Minor 6/9 chord on C. Created by Hyacinth (talk) 09:57, 11 December 2011 (UTC) using Sibelius 5.

German sixth with 6/4 resolution, generated on Sibelius.

German sixth equals dominant seventh

Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).

Tritone substitution (for V) notated as Italian sixth.

Bad guy/"Villian" motif/riff.

French sixth chord in Schubert's D.795, No. 5, "Am Feierabend" ("The Hour of Rest").

Excerpt from Bach's Mass in B minor

Dominant eleventh on F in fifth inversion: B♭CE♭FGA. V11 resolves to I.

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

Dominant thirteenth on F in sixth inversion: DE♭FGAB♭C. V13 resolves to I6.

Root, in red, of a C major chord.

Sixth (A), in red, of a C added sixth chord. Created by Hyacinth (talk) 15:57, 4 July 2010 using Sibelius 5.

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

viio/V - V - I chord progression. Common in ragtime.

Minor chord on A.

viio7 in G major, on the guitar.

Augmented chord progression: I+65 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified].

Altered major chord on B with diminished seventh (B, D♯, F♯, A♭), equivalent to a minor-minor seventh chord on G♯ (G♯, B, D♯, F♯) Alterierter Akkord mit verminderter Sept Esperanto: Ekzemplo por malsupren aliigita septo

*Septimal sixth-tone on C = BLL#-. 50:49 = 34.98 cents. Limit: 7-limit. MIDI pitch bend: 25,75

*Lesser 53-limit sixth tone on C = ??. Just: 54/53 = 32.36 cents. Limit: 53-limit. MIDI pitch bend: 45,74

*Greater 53-limit sixth tone on C = ??. Just: 54/53 = 32.36 cents. Limit: 53-limit. MIDI pitch bend: 45,74

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

Minor seventh chord on d (ii7) in C. Created by Hyacinth (talk) 07:23, 14 August 2011 (UTC) using Sibelius 5.

Half-diminished seventh chord on supertonic in C minor.

Minor seventh chord on a vi7 in C. Created by Hyacinth (talk) 07:25, 14 August 2011 (UTC) using Sibelius 5.

Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.

7sus4 chord on C

Fifteenth chord from Perry on C

Chord progression with a borrowed chord second to last: iv or Fm in C major.

Augmented chord progression: I+75 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

I - ♭VII - ♭VI - ♭VII in C. Created by Hyacinth (talk) 00:31, 14 March 2010 using Sibelius 5.

Borrowed chord common in rock music: I ♭VI IV. In C: C A♭ F.

Chord progression with a borrowed chord second: v or Gm in C major.

Power chords in progression create parallel fifths, though the prohibit is not relevant since there is not intention to create independent voices. Created by Hyacinth (talk) 03:21, 29 January 2012 (UTC) using Sibelius 5.

Altered dominant played twice then resolved to the tonic. Created using Sibelius and Audacity.

V-I progression, unaltered dominant resolving to the tonic. Created by Hyacinth (talk) 22:29, 9 July 2008 using Sibelius and Audacity.

*Neutral sixth on C = A. Equal-tempered: 217/24:1 = 850 cents. MIDI pitch bend: 0,80 Preceded by:File:Fifteen quarter tones on C.mid

*Lesser septendecimal sixth tone on C = C11- (Ben Johnston's notation). Just: 55/54 = 31.77 cents. Limit: 17-limit. MIDI pitch bend: 21,74

*Undecimal sixth tone on C = C11- (Ben Johnston's notation). Just: 55/54 = 31.77 cents. Limit: 11-limit. MIDI pitch bend: 45,74

Fourth of a suspended fourth chord on C

Seventh suspension four chord on C. Created by Hyacinth (talk) 20:28, 31 May 2011 (UTC) using Sibelius 5.

G7alt chord.

Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.