241 Royalty-Free Audio Tracks for "Chord Progression"

A simple chords progression in c with a rhodes.

Example of an altered chord progression in jazz.

viio/V - V - I chord progression. Common in ragtime.

Piano chord progression for loops.

Stomp progression two-measure three-chord harmonic cycle. F F#dim7 C7/G C7.

Diatonic mediant/submediant chord progression: I vi I (submediant, in major).

A short guitar progression.

Minor chord progression on mic'd acoustic guitar with a dirty sounding echo.

Chord progression with a borrowed chord second: v or Gm in C major.

Diatonic mediant/submediant chord progression: i VI i (submediant, in minor).

Chord progression with diminished seventh chords added.

Diatonic mediant/submediant chord progression: I iii I (mediant, in major).

Stomp progression, block chords. IV7-#ivdim7 I7of5-I7 IV7 -#ivdim7 I7of5-I7 IV7-#ivdim7 I7of5-V7ofVofV V7ofV-V7 I7

iv IV I V chord progression.

The chord progression of the ostinato from "Creep" played with block chords with each chord in root position within one octave.

Here is a simple chord progression (d dorian) from a synth designed in reason´s europa.

Ragtime progression in C.

Chord progression by descending thirds from mediant to supertonic resolving to dominant.

Chord progression with diminished seventh chords added, without chords added yet.

Chord progression with a borrowed chord second to last: iv or Fm in C major.

This is a future bass chord progression made with 3x osc, the chords are inversions of cm, ab, fm and gm in that order, you can do whatever you want with this :).

V-I progression, unaltered dominant resolving to the tonic. Created by Hyacinth (talk) 22:29, 9 July 2008 using Sibelius and Audacity.

I-IV-♭VII-IV chord progression. Barre chords on a MIDI acoustic guitar: C-F/C-B♭-F/C.

A short and sweet simple piano chord progression. This is in a minor key with a sad feel.

Altered dominant played twice then resolved to the tonic. Created using Sibelius and Audacity.

Chord progression on mic'd acoustic guitar. A major, c# minor, b minor, e major. Sm57.

vi-IV-I-V chord progression in C. Created by Hyacinth (talk) 23:43, 25 March 2010 using Sibelius 5. vi-IV-I-V progression resolving to I.

Augmented chord progression: I+65 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified].

Augmented chord progression: V+43 I63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

IV-V-I chord progression in C. MIDI file Progression d'accords. Fichier midi.

A chord progression played on electric guitar. Recorded direct through mixer > computer > energyxt.

Bob Dylan's "Lay, Lady, Lay" verse.

Four measure ii-V-I progression in C with Coltrane substitution.

Augmented chord progression: I+ IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Chord progression.

Augmented chord progression: V+75 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+75 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: V+65 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Chord progression recorded with korg m399 bpmkey of em.

Augmented chord progression: I+ IV64. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Mandolin + reversed piano chord progression loop. D69-e9sus4-bminor11-bminor11 played twice @120bpm detuned to 100bpm. 16bit 44. 1khz. This is the mastered file with phaser, chorus, surround reverb, & stereo widening fx baked in.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-VI-I.

ii-V substitution.

120 bpm midi synth chords in e-minor, 8 measures and loop-able.

viio7 as dominant substitute.

ii7-subV7-IM7-I6 progression. Chord quality substitution.

Stomp progression in C with staggered thirds, chord roots in red. Created by Hyacinth (talk) 04:06, 17 March 2010 using Sibelius 5.

Augmented chord progression: I+ vi63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+#6 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+64 IV6. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]