214 Royalty-Free Audio Tracks for "Chord Progression"

Example of an altered chord progression in jazz.

Ragtime progression in C.

Stomp progression two-measure three-chord harmonic cycle. F F#dim7 C7/G C7.

Chord progression by descending thirds from mediant to supertonic resolving to dominant.

iv IV I V chord progression.

The chord progression of the ostinato from "Creep" played with block chords with each chord in root position within one octave.

vi-IV-I-V chord progression in C. Created by Hyacinth (talk) 23:43, 25 March 2010 using Sibelius 5. vi-IV-I-V progression resolving to I.

viio/V - V - I chord progression. Common in ragtime.

Augmented chord progression: I+ vi63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Stomp progression in C with staggered thirds, chord roots in red. Created by Hyacinth (talk) 04:06, 17 March 2010 using Sibelius 5.

IV-V-I chord progression in C. MIDI file Progression d'accords. Fichier midi.

I-IV-♭VII-IV chord progression. Barre chords on a MIDI acoustic guitar: C-F/C-B♭-F/C.

Diatonic mediant/submediant chord progression: I vi I (submediant, in major).

Diatonic mediant/submediant chord progression: i VI i (submediant, in minor).

Diatonic mediant/submediant chord progression: I iii I (mediant, in major).

Augmented chord progression: V+75 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: V+65 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: V+43 I63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Chord progression with a borrowed chord second: v or Gm in C major.

Augmented chord progression: I+ IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+ IV64. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Stomp progression in Ab. Created by Hyacinth (talk) 07:22, 14 July 2008 in Sibelius.

Chord progression with a borrowed chord second to last: iv or Fm in C major.

Four measure ii-V-I progression in C with Coltrane substitution.

Augmented chord progression: I+#6 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+64 IV6. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+65 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified].

V-I progression, unaltered dominant resolving to the tonic. Created by Hyacinth (talk) 22:29, 9 July 2008 using Sibelius and Audacity.

Augmented chord progression: I+75 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

ii7-subV7-IM7-I6 progression. Chord quality substitution.

Chord progression with diminished seventh chords added.

I made this chord progression using onlinesequencer. Net.

Chord progression with diminished seventh chords added, without chords added yet.

Stomp progression, block chords. IV7-#ivdim7 I7of5-I7 IV7 -#ivdim7 I7of5-I7 IV7-#ivdim7 I7of5-V7ofVofV V7ofV-V7 I7

Mandolin + reversed piano chord progression loop. D69-e9sus4-bminor11-bminor11 played twice @120bpm detuned to 100bpm. 16bit 44. 1khz. This is the mastered file with phaser, chorus, surround reverb, & stereo widening fx baked in.

Altered dominant played twice then resolved to the tonic. Created using Sibelius and Audacity.

Eight bar blues progression boogie woogie bassline on middle C.

Minor chord progression on mic'd acoustic guitar with a dirty sounding echo.

Here is a simple chord progression (d dorian) from a synth designed in reason´s europa.

A short and sweet simple piano chord progression. This is in a minor key with a sad feel.

A simple chords progression in c with a rhodes.

Chord progression on mic'd acoustic guitar. A major, c# minor, b minor, e major. Sm57.

Bergamesca variant, MS. Lute Book, c. 1600.

iii7 as tonic substitute. Created by Hyacinth (talk) 16:16, 14 July 2010 using Sibelius 5.

Truck driver's gear change, modulation up a whole step, in "Because the Night".

Diminished chord in first inversion in Bach's WTC I, Prelude in G Major.

Piano chord progression for loops.

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

Debussy Pelleas et Melisande prelude opening.

This is a future bass chord progression made with 3x osc, the chords are inversions of cm, ab, fm and gm in that order, you can do whatever you want with this :).