459 Royalty-Free Audio Tracks for "Iv V I Progressions"

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vi-IV-I-V chord progression in C. Created by Hyacinth (talk) 23:43, 25 March 2010 using Sibelius 5. vi-IV-I-V progression resolving to I.
Author: Hyacinth at English Wikipedia
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IV-V-I chord progression in C. MIDI file Progression d'accords. Fichier midi.
Author: Hyacinth
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V42 of V - V - I in C. Created by Hyacinth (talk) 14:09, 15 May 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.
Author: Hyacinth
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V65 of V in C, four-part harmony. Reduced from Chopin.
Author: Hyacinth
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V of V in C, four-part harmony. Reduced from Chopin.
Author: Hyacinth
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Turnaround in F. Created by Hyacinth (talk) 04:07, 12 June 2010 using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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Created by Hyacinth (talk) 21:44, 22 December 2010 using Sibelius 5. vi-ii-V-I in C.
Author: Hyacinth at English Wikipedia
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Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.
Author: Hyacinth
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Created by Hyacinth (talk) 03:26, 24 December 2010 using Sibelius 5. vi-ii-V-I circle progression in Mozart's Sonata, K. 545.
Author: This file is lacking author information.
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Bach - Well-Tempered Clavier, Book I, Prelude I (C major, BWV 846), opening bars.
Author: Hyacinth
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Stomp progression, block chords. IV7-#ivdim7 I7of5-I7 IV7 -#ivdim7 I7of5-I7 IV7-#ivdim7 I7of5-V7ofVofV V7ofV-V7 I7
Author: Hyacinth
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Stomp progression two-measure three-chord harmonic cycle. F F#dim7 C7/G C7.
Author: Hyacinth
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Stomp progression in Ab. Created by Hyacinth (talk) 07:22, 14 July 2008 in Sibelius.
Author: The original uploader was Hyacinth at English Wikipedia.
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Ragtime progression in C.
Author: Created by Hyacinth (talk) with Sibelius.
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iv IV I V chord progression.
Author: Desherinka
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Stomp progression in C with staggered thirds, chord roots in red. Created by Hyacinth (talk) 04:06, 17 March 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Jazz standard bridge, ragtime progression: E7-A7-D7-G7, III7-VI7-II7-V7, or V7/V/V/V - V7/V/V - V7/V - V7 [or V7/vi - V7/ii - V7/V - V7]. MIDI file Progression d'accords : Pont Jazz standard. La progression de ragtime (E7-A7-D7-G7) apparaît souvent dans les ponts des standards de jazz. Fichier midi.
Author: Hyacinth
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Interpretation of the early Middle Ages song Drømte mig en drøm i nat Średniowieczna duńska piosenka ludowa Drømte mig en drøm i nat
Author: Movzx
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V-IV-I turnaround in C. Created by Hyacinth (talk) 08:54, 6 December 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Bob Dylan's "Lay, Lady, Lay" verse.
Author: . The original uploader was Hyacinth at English Wikipedia.
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03. Nolan Čapek - Fallen Tree
Author: Nolan Čapek
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02. Nolan Čapek - Forever
Author: Nolan Čapek
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04. Nolan Čapek - Three New Sprouts
Author: Nolan Čapek
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05. Nolan Čapek - Dock Thirty-Three
Author: Nolan Čapek
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01. Nolan Čapek - Bident Path
Author: Nolan Čapek
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Veni, Vidi, Vici (1896), a march by Robert Browne Hall. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
Author: Robert Browne Hall (Composer, 1858–1907) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham – Greeley, CO Manager: Chief Master Sergeant James H. Moseley II – Beaumont, TX PICCOLO MSgt Ardyth Scott – Shreveport, LA FLUTE MSgt Lawrence Ink* – Rockville, MD MSgt Lucille Johnston Snell – Albuquerque, NM TSgt Sharon Weinberg – Philadelphia, PA OBOE MSgt Ronald Erler* – Falls Church, VA CMSgt Robin Forrester-Meadows – Evansville, IN ENGLISH HORN CMSgt James Moseley II – Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried – Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* – Simi Valley, CA TSgt George Stoffan – Norwalk, CT MSgt Carl Long – Hanover, NH MSgt Elizabeth Campeau – Pinckney, MI MSgt Sandra Haton* – Columbia, SC TSgt Richard Drew – Joliet, IL TSgt Brian Jones – Panama City, FL MSgt Kay Schultz – Skaneateles, NY MSgt Lorraine Haddad* – Poughkeepsie, NY TSgt Shawn Buck – Brookside, PA SMSgt Robert Little – Houston, TX BASS CLARINET TSgt David Aspinwall – Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy – Virginia Beach, VA BASSOON CMSgt Danny Phipps* – Annapolis, MD TSgt Lawrence Burke – Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* – Ellisville, MS MSgt William Marr – Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely – Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George – Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* – Dallas, TX TSgt Leslie Mincer – Charlottesville, VA TSgt Kent Wyatt – Arlington, TX TSgt Philip Krzywicki – Philadelphia, PA CORNET TSgt Andrew Wilson* – Gambier, OH SMSgt David Golden – Bethlehem, PA TSgt Michael Bosch – Bethlehem, PA MSgt William Adcock – San Jose, CA TSgt Curt Christensen – Mt. Clemens, MI MSgt Clarence Mitchell – Portsmouth, VA TRUMPET TSgt Robert McConnell – Wadsworth, OH MSgt James Bittner – Harrisburg, PA TROMBONE SMSgt Mark Williams* – Okemos, MI MSgt Jeffrey Gaylord – Western Springs, IL MSgt Lindsey Smith – Williamston, MI TSgt James VanZandt – Austin, TX EUPHONIUM MSgt Ann Baldwin* – Canton, OH TSgt Lance LaDuke – Niles, MI TUBA MSgt Jan Duga* – Columbus, OH SMSgt Edward McKee – Roselle, NJ MSgt David Porter – Alcoa, TN TIMPANI MSgt Patrick Shrieves – Freehold, NJ PERCUSSION MSgt Aubrey Adams* – Medford, OK SMSgt Mark Carson – East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison – Louisville, KY * Principal CREDITS Colonel Lowell E. Graham – Commander/Conductor/Producer Major Frank J. Grzych II – Deputy Commander/Producer Captain Scott A. Guidry – Staff Officer/Co-Producer Mr. Bruce Leek – Engineer/Digital Editing Master Sergeant Kendall S. Thomsen – Assistant Engineer Chief Master Sergeant Dana L. Steinhauser – Director of Public Affairs Master Sergeant William D. Porter II – Recording Production Technical Sergeant Robert K. McConnell – Graphic Layout Master Sergeant Elizabeth K. Campeau – Liner Notes Technical Sergeant Sharon B. Weinberg – Booklet Editor Crabtree + Company (Arlington, VA) – Cover Design Mark Custom Recording Service (Clarence, NY) – Disc Replication Lion Recording Services, Inc. (Springield, VA) – Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6–8, 1998 Catalog number: BOL-9807.
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Truck driver's gear change, modulation up a whole step, in "Because the Night".
Author: Hyacinth
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Altered major chord on B with diminished seventh (B, D♯, F♯, A♭), equivalent to a minor-minor seventh chord on G♯ (G♯, B, D♯, F♯) Alterierter Akkord mit verminderter Sept Esperanto: Ekzemplo por malsupren aliigita septo
Author: Hyacinth
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kallu maanandoy babu song from Gruhalakshmi
Author: Rohini Pictures
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Audio sample which exemplifies Andalusian cadences, as shown in the article (see the picture below the Structure section). Recorded using an emulated acoustic Steinway piano through the Sound Font 2 technology, on August 9th, 2007 and released into public domain in the same day.
Author: User:Impy4ever
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Chord rewrite rules II: use of chromatic passing chords.
Author: User:Hyacinth
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Created by Hyacinth (talk) 19:12, 18 January 2011 using Sibelius 5.
Author: User:Hyacinth
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reale Quintfallsequenz
Author: Balliballi Kawai E-Piano CS9
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tonale Quintfallsequenz mit Dreiklängen und Sextakkorden im Wechsel
Author: Balliballi Kawai E-Piano CS9
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Harmonic progression from a Mozart piano sonata--sound file. Piano Sonata in G, K. 283, third movement, starting measure 247. Digital recording by Opus33 using Wavesurfer software. Transcription into chords by Opus33, loosely following Piston and DeVoto, Harmony. This music is in the public domain. The recording is not copyrighted, and it is hereby released by its creator (known in this context by the pseudonym Opus33) into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
Author: Opus33 at English Wikipedia
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Chord rewrite rules I: replacement or substitution of a chord by its dominant or subdominant.
Author: User:Hyacinth
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Montgomery-Ward bridge in C (I7-IV7-ii7-V7). Created by Hyacinth (talk) 06:58, 11 June 2010 using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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Chord progression by descending thirds from mediant to supertonic resolving to dominant.
Author: Created by Hyacinth (talk) 20:27, 22 December 2010 using Sibelius 5.
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reale Quartfallsequenz
Author: Balliballi
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tonale Quartfallsequenz
Author: Balliballi
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Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:15:9
Author: Untitled
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