16 Royalty-Free Audio Tracks for "Chord Substitution"

ii7-subV7-IM7-I6 progression. Chord quality substitution.

viio7 as dominant substitute.

ii-V substitution.

iii7 as tonic substitute. Created by Hyacinth (talk) 16:16, 14 July 2010 using Sibelius 5.

Four measure ii-V-I progression in C with Coltrane substitution.

vi7 as tonic substitute. Created by Hyacinth (talk) 16:17, 14 July 2010 using Sibelius 5.

Tritone substitution (for V). Created by Hyacinth (talk) 04:49, 10 May 2010 using Sibelius 5.

Tritone substitution (for V) notated as Italian sixth.

Tritone substitution and altered chord as, "nearly identical". Chords: C7, F♯7, and C7 +9 +5: Root 3rd 5th 7th 9th 11th 13th C

Tritone substitution (for V), without (with V). Created by Hyacinth (talk) 04:48, 10 May 2010 using Sibelius 5.

♯IIo7 as dominant substitute.

Chord rewrite rules I: replacement or substitution of a chord by its dominant or subdominant.

ii7-V7-IM7, for comparison with a tritone substitution (ii7-Vb7/V-IM7).

Tritone substitution. ii7-Vb7/V-IM7 instead of ii7-V7-IM7.

viio6 as a substitute for V43 chord in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

V43 for comparison with viio6 as a substitute for V43 in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.