224 Royalty-Free Audio Tracks for "Macro Analysis"

The chord progression of the ostinato from "Creep" played with block chords with each chord in root position within one octave.

Chromatic analysis of measures 5-9 of Cesar Franck's Variations Symphoniques (1885). Roman numeral analysis by Cooper, Paul (1975). Perspectives in Music Theory, p.216. New York: Dodd, Mead, and Company. ISBN 0-396-06752-2.

Linear progression in Mozart Piano Sonata in G major.

Elaboration of the tonic arpeggio as prolongation in Chopin, Op. 48, measures 1-4, per Forte, Allen (1979). Tonal Harmony in Concept and Practice, p.426. Holt, Rinehart, and Winston. ISBN 0-03-020756-8; image/audio made from score at the IMSLP.

Elaboration of the tonic arpeggio as prolongation in Bach, BWV 801, measures 3-4, per Forte, Allen (1979). Tonal Harmony in Concept and Practice, p.426. Holt, Rinehart, and Winston. ISBN 0-03-020756-8; image/audio made from score at the IMSLP.

Coronation scene from Boris Godunov

Title Piano hits, uncontrolled Artist stephan Original mp3 data Length:0:32 minutes (625.04 KB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags Chord, Clash, hitting, Piano Type Natural PDSounds record number 330 Comment Hitting the piano uncontrolled with the underarms. Sound consists of 4 hits.

Haydn String Quartet Op. 76 No. 3, second movement, bars 1-2

Thematic development in Hebrides Overture, with staccato articulation

Haydn Piano Sonata in C minor, first movement, bars 5-8

Corelli, Christmas Concerto, 2nd movement

c,d,e,f,g,a,h(b),c played on a piano

Klangbeispiel eines Mordents (musikalische Verzierung); Instument: Piano

Dorian mode in Bloch's Chanty from Poems of the Sea, mm. 1-8.

Arpeggiation, the first technique of Auskomponierung.

Italiano: Scala di do ionio. Vedi anche: :Immagine:C_Ionian.ogg

J. S. Bach Cantata BWV140, orchestral introduction to the opening chorus

This file has no description, and may be lacking other information. Please provide a meaningful description of this file.

Gary Adams, File was created using Scala to convert a sequence file of the major intervals in equal temperament to midi. It was then converted to an ogg file.

Wagner, Tristan Prelude, opening

Brahms Intermezzo Op 118 no. 4

Minor version of the theme

Siegfried's Horn Call

Parsifal Prelude Opening

Piano Sonata Op, 31 No. 3, first movement

Minor version of the theme, with piano right hand elaborating the melody in triplets.

In seculum

Mussorgsky, the Hut on Fowl's legs

Mahler Symphony 2 finale Fig 32, bars 4-10

Wagner Meistersinger Vorspiel bars 158-161

A Major Scale, Triads, and Fifths Just

From Schubert, "Erlkonig"

Schumann Prophet Bird from Waldszenen

Erlkonig, arrangement by Berlioz

Brahms Symphony No. 3, opening bars

J.S.Bach, concluding bars of the Fugue in C major from The Well Tempered Clavier, Book I, BWV 846

Contrapunctus VII from Bach's Art of Fugue

Brahms Violin Sonata in G, 1, bars 235ff

Siegfried's Horn Call E flat version

Haydn Symphony 82 1st movement bars 51-63

Leitmotif transformed in Hagen's Watch

Carissimi from Jephtha

Schumann, Kind im Einschlummern (Child falling asleep)

Final statement of the theme in a major key by the horns after the end of the cadenza.

Handel Hornpipe from Water Music

Haydn String Quartet Op. 76 No. 3, second movement, bars 80-81

Edi beo, English medieval "twinsong"

Solo piano statement of theme in the cadenza

Handel Passacaille from Suite in G minor bars 1-4

Cascading arpeggios on celesta from Sugar Plum Fairy