16,785 Royalty-Free Audio Tracks for "Audio Files Of Musical Modulation"

Modulation von Heinrich Schütz aus SWV 379

Simplest type of metric modulation in Bach. Slow introduction followed by Allegro, traditionally taken twice as fast. Eighth notes in the new tempo prepared by sixteenth notes in the old tempo ( = ).

Example of modulation to the dominant from vocal music (1836).

Modulation with subsidiary chord (in blue). Created by Hyacinth (talk) 02:10, 15 November 2011 (UTC) using Sibelius 5.

Diminished seventh chord's use in modulation.

Sequential modulation through the circle of fifths in Haydn, Quartet Op. 3, No. 3, IV, Hob.III:15 (now considered spurious, perhaps by Roman Hoffstetter).

Phrase modulation in Mozart's Sonata in A Major, K.331, III (Alla turca), mm.6-10.

Sequential modulation in Beethoven, Sonata, op. 53, movement I

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

Modulations from C major to C sharp major in natural temperatures (just intonation) end at almost the same pitch although there should be a half-tone difference.

Common chord modulation in Mozart, Sonata in D Major, K. 284, III, m. 1-8.

Common-tone modulation between chromatic mediants in Mozart's K. 475, mm. 24-26.

Chopin's Prelude in C minor modulates within the first three measures.

Common-chord modulation in Tchaikovsky, Mazurka Op. 39, No. 10.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

Sequential modulation in Schubert, Piano Sonata in E Major, D. 459, movement III.

Common-tone modulation between C minor and its relative major Eb, using the common-tone G, in Schubert's Op. 163 (D. 956).

Schubert - op. 29, D.804, I, mm.144-49. Enharmonic modulation using a common viio7, enharmonic in two keys.

Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.

D♭7♯11 chord = G7alt chord. G7alt chord = G,B,F,Ab,A#,C#,Eb. D♭7♯11 chord = D,F,Cb,Eb,G.

Bitonal polychord: F major on top of C major. Created by Hyacinth (talk) 01:48, 7 July 2009 using Sibelius 5.

Tritonus f'h' aufwärts zusammen abwärts Akkord Frequenzen Frequenzverhältnis in Cent f' ,h' 352 495 45/35 590,2237 Tonbezeichnung nach https://de.wikipedia.org/wiki/Eulersches_Tonnetz

Diatonic major scale in 12 tone equal temperament

Elektra chord: E B Db F Ab.

Euler-Fokker genus on C. 1/1, 9/8, 21/16, 3/2, 7/4, 63/32. C, D, F+, G, B♭, C+.

Farben chord.

Tout d'abord un la pur. Se rajoute un autre la, un comma pythagoricien au-dessus. On entend des battements.

An A major scale in Music.

Mystic chord Acorde místico

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

Lydian augmented polychord on C: 04689e = C,E,F#,G#,A,B.

Parrallelism in music (example).

Chromatic scales down, played on a digital piano (Yamahe CLP-470) Chromatische Tonleitern abwärts, gespielt auf einem Digitalpiano (Yamaha CLP-470)

The opening eleven note chord from Aaron Copland's Inscape, without orchestration shown.

Suggestion of bitonality in Beethoven's Sonata in E♭ for Piano, Op. 8la.

Comma pythagoricien. Deux notes séparées d'un comma pythagoricien, jouées alternativement. Format ogg. Fait avec CSound.

Un la à 440hz, puis un la élevé d'un comma à 446 hz, puis les deux ensemble. Fait avec CSound.An A at 440 hz, then an A + one comma at 446hz, then both together. Made with CSound.

Une quinte pythagoricienne juste (10 secondes) suivie d'une quinte du loup (10 autres secondes). Fait avec Csound.

Truck driver's gear change, modulation up a whole step, in "Because the Night".

Miracle scale, derived from the secor (s = 116.72 cents), plus the difference between 10 secors and a perfect octave (q = 32.84 cents). MIDI pitch bend appears to match intervals. The Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s+q The difference between s and q (r) is used in the File:Blackjack scale.mid.

Blackjack scale, derived from the secor (s = 116.72 cents), the difference between 10 secors and a perfect octave (q = 32.84 cents), and the difference between that and a secor (r = s-q = 83.88 cents). MIDI pitch bend appears to match intervals. If the Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s +q q +r q +r q +r q +r q +r q +r q +r q +r q +r q +r +q then the Blackjack scale is 0 >0 1 >1 2 >2 3 >3 4 >4 5 >5 6 >6 7 >7 8 >8 9 >9 <0 0' q r q r q r q r q r q r q r q r q r q r q

An OGG file that plays a C chromatic scale

C-F-B Synthetic chord

Tonic and dominant in C. C major and G major chords.

Aeolian scale of C

Canción popular (Dominio publico): Romanza española. Interpretada por la Maestra Alisa Gladyseva.Popular song (public domain): Spanish Romance. Performed by the Master Alisa Gladyseva.

So What chord.

This is a whole tone scale beginning on middle-C, created by me using Lilypond and TiMidity.

Example of flats in music on piano. An A, then A♭.  This image was created with Audacity.