63 Royalty-Free Audio Tracks for "Sequential Modulation"

Sequential modulation through the circle of fifths in Haydn, Quartet Op. 3, No. 3, IV, Hob.III:15 (now considered spurious, perhaps by Roman Hoffstetter).

Sequential modulation in Beethoven, Sonata, op. 53, movement I

Sequential modulation in Schubert, Piano Sonata in E Major, D. 459, movement III.

Modulation von Heinrich Schütz aus SWV 379

Simplest type of metric modulation in Bach. Slow introduction followed by Allegro, traditionally taken twice as fast. Eighth notes in the new tempo prepared by sixteenth notes in the old tempo ( = ).

Common chord modulation in Mozart, Sonata in D Major, K. 284, III, m. 1-8.

Phrase modulation in Mozart's Sonata in A Major, K.331, III (Alla turca), mm.6-10.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

Chopin's Prelude in C minor modulates within the first three measures.

Common-tone modulation between chromatic mediants in Mozart's K. 475, mm. 24-26.

Common-chord modulation in Tchaikovsky, Mazurka Op. 39, No. 10.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

Modulations from C major to C sharp major in natural temperatures (just intonation) end at almost the same pitch although there should be a half-tone difference.

Common-tone modulation between C minor and its relative major Eb, using the common-tone G, in Schubert's Op. 163 (D. 956).

Example of modulation to the dominant from vocal music (1836).

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

A sample made by myself (Paul Nasca) using ZynAddSubFX and Praat that will be used to show the RingModulation effect. This is the a sample ring-modulated by a sound of 2500 Hz.

Diminished seventh chord's use in modulation.

Schubert - op. 29, D.804, I, mm.144-49. Enharmonic modulation using a common viio7, enharmonic in two keys.

Modulation with subsidiary chord (in blue). Created by Hyacinth (talk) 02:10, 15 November 2011 (UTC) using Sibelius 5.

Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.

Hi resonance percussive blip from sequential pro 1.

Filtersweep with the sequential ob-6 sem-state-variable-filter. C1. Rme babyface pro fs.

Alien xxx sent me a “cross modulation challenge”. I have tried to be true to his idea, but added automation, so to speak. Oscillator1 is constantly fm-modulating oscillator2. I vary the frequency of oscillator1 with an lfo. The output of oscillator1 is sent to a) left audio channel and b) in to oscillator2. The output of oscillator2 is fed to oscillator1. The degree of cross fm modulation is controlled by a vca controlled by another lfo. The output of oscillator2 is also sent to right audio channel. As i’m writing this i have just made a theoretical patch on a piece of paper. The result is what you hear. No effects added. Straight out of the modular for better or worse.

Error sound.

Part of qso with i1ulj. He used home-brew tx - power only 3 watts. Good strength but ac modulation. My antenna low doublet 80 m. Recorded: nokia 6230i, trx loudspeaker - phone mic (ft-897, qth jn79nd).

Sequential circuits pro one (analog synthesizer) self modulating.

Alien female and animals voices modulations and sound effects fragment 01.

Conjectural nonhuman technical generated language modulationsexomusicology inspired sonic object. "though musicology is defined as "the historical and scientific study of music," the term is typically applied only to the study of music from the european classical tradition. "ethnomusicology" is used to describe the study of nonwestern musical traditions and to the comparative study of different musical cultures. The more general term exomusicology (from the greek prefix exo, meaning 'external to' or 'outside of') is more appropriate to the study of nonhuman musical traditions, much as exobiology refers to the study of non-earth life forms, and exolinguistics to the study of alien languages"(sethares).

Selected parts from a longer recording. This is a modular synth controlled by quantussy cells. They are one method for creating generative music. I call it machine composition.

Moving a lane on a grid.

Electronic generated sonic object non human female voices modulations sample 1.

Polyrhythmic synth sequence. Exploring with ring modulation.

No, i cant really describe what this is! but i use a ring modulator. Two audio signals goes in. I guess the side band frequencies goes out??? or?! anyway the original frequencies are also in the mix. So, two audio signal and the result from a diy ring mod. Have to learn more. . . Read below!!! in this sound you are listening to, the result, the ring modulation, carrier signal and modulator signal. After some research. . . I write this for myself. . . Correct me if i'm wrong!!!from youtube (audiocollage)ring modulation is the sum and the differences of the carrier and modulator signal. Feed the ring modulator with 261,626hz and 391,995hz and you get (261,626 + 391,995) 653,621hz and (391,995 - 261,626) 130,369hz. From wikipedia". . . Neither the carrier nor the incoming signal is prominent in the outputs, and ideally, not at all. "". . . In the basic case where two sine waves of frequencies f1 and f2 (f1 < f2) are multiplied, two new sine waves are created, with one at f1 + f2 and the other at f2 – f1. The two new waves are unlikely to be harmonically related and (in a well-designed ring modulator) the original signals are not present. It is this that gives the ring modulator its unique tones. ". Above is true when using pure sine waves! waves with no harmonics. I have a passive diy ring modulator. I guess it's not acting "perfect". . .

Remix of wierd chimes. Wavhttp://freesound. Org/people/kwahmah_02/sounds/250253/which was a recording of a shortwave broadcast in am mode received in usb mode 1khz off frequency. I used goldwave's mechanize feature at 10000khz, then applied low pass filter at 10000 khz to filter out the newly created upper sideband, then i used mechanize again at 9000 khz, which tuned in the recording just like if i had a tuneable receiver.

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. Result a generative ambient patch and sound.

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. The oscillators where tuned to the same tone one octave apart. Well. . . Not exactly. After having recorded i measured the frequencies 228,8 hz and 117,7 hz. . . But that made the output from the ring modulator interesting. What is generative with this? i modulate amplitude of the sounds and the decay for all thee sounds. This also affects the rhythm sound.

I have made a pastiche (sw. Pastisch) on a simple track i, for one reason, like.

A drone resting in chaos and ring modulator circuits.

More modular synth sounds. My sounds. Found the tag "sound-poetry". What is that? have to search.

I feed 2 lfo sqr-wavs to a vca. Now you can get 3 levels of cv.

A recording of myself doing some "creative tuning" willy-nilly around the available spectrum of "websdr at raf hack green", 3/11/13; trying to keep things interesting, yet not lingering too long anywhere in particular, and avoiding rather than seeking intelligibility of the various broadcasters. Some bits reminded me of ben burtt's "droid/alien chatter" material.

Thought i wanted to explore fm-modulation a bit further. The sound is going through my ladik reverb. The vco i'm fm-modulate is the intellijel μvcf. A filter really. . . No editing in audacity. This is the result. Sorry for long sound. . .

Again polyrhythmic. . . But slow. Exploring with ring modulation.

Exploring with ring modulation.

Polyrhythmic adventure with a bassdrum. Exploring with ring modulation.

One classic passive ring mod based on 2 transformators and one vca based.

Playing with ring modulation on my modular. Zapp!.

A cat meow sample with ring mod applied to it.

A cat meow sample with ring mod applied to it.