1,008 Royalty-Free Audio Tracks for "Musical Form"

Donald MacGillavry

Ladrang form, without the phrase making/colotomic instruments, but with balungan line (on slentam). Slendro tuning (5-tet).

Development Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 29-53.

Català: Zarabanda de Johan Kuhnau on es pot veure una forma binària de dues frases

Oh, Susannah is an example of rounded binary form: A-B-½A.

Greensleeves is an example of sectional binary form (the first phrase ends with the tonic). In the key of G, with E flat and F natural and sharp.

Melodic and harmonic intervals. Created by Hyacinth (talk) 15:19, 18 March 2011 (UTC) using Sibelius 5.

Example of syllabic and melismatic text setting. MIDI doesn't convey the quality of syllables flowing. Source: "Jesus Christ is Ris'n Today" (Methodist Hymn Book, 1933, No. 204). Created by Hyacinth (talk) 01:28, 18 July 2012 (UTC) using Sibelius 5.

A chorale melody containing only steps, no skips: "Jesu, Leiden, Pein, un Tod".

Algerian scale. No pitch bend.

First theme of Mozart's Sonata in C Major, K. 309, measures 1-20.

Start of second subject (D major) of Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 13–16.

Ditonic scale on G.

Most common "blues scale".

Tetratonic scale on A.

Chromatic scale descending on C.

Tritonic scale on E.

Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.

C altered scale.

Sacher hexachord: E♭ (Es) A C B (H) E D (Re). Created by Hyacinth (talk) 00:13, 1 December 2010 in Sibelius 5.

Transition in Mozart's Sonata in C Major, K. 309, I, measures 21-32.

Recapitulation transition in Mozart's Sonata in C Major, K. 309, I, measures 116-126.

Young temperament major chord on C. Created by Hyacinth (talk) 17:25, 15 December 2009 using Sibelius 5

5 25 {\displaystyle {\sqrt[{25}]{5}}} = 5:11/25 = 111.45 cents. Interval used in Stockhausen's Studie II, a compound just major third (5/1) divided into 25 equal parts.

Persian scale on C.

Misheberak scale on D. Created by Hyacinth (talk) 07:50, 18 April 2011 (UTC) using Sibelius 5. See: :Image:Misheberak scale on D.png

B natural minor scale ascending and descending.

B melodic minor scale ascending and descending.

E natural minor scale ascending and descending.

E harmonic minor scale ascending and descending.

E melodic minor scale ascending and descending.

C harmonic minor scale ascending and descending.

B harmonic minor scale ascending and descending.

Tritone scale on C.

Harmonic major scale on C.

Melodic perfect fifth descending.

Hungarian gypsy scale C

Gypsy minor scale

Tritone scale on C.

Octatonic scales on C.

Double harmonic scale.

D♭7♯11 chord = G7alt chord. G7alt chord = G,B,F,Ab,A#,C#,Eb. D♭7♯11 chord = D,F,Cb,Eb,G.

Chromatic scale ascending on C. Created by Hyacinth (talk) 22:25, 7 October 2010 in Sibelius. See: :Image:Chromatische toonladder.png

Harmonic minor scale on C.

Example of modulation to the dominant from vocal music (1836).

Bitonal polychord: F major on top of C major. Created by Hyacinth (talk) 01:48, 7 July 2009 using Sibelius 5.

Melodic perfect fifth ascending.

Ritsu scale on E.

Ryo scale on D.

Enigmatic scale on C.