165 Royalty-Free Audio Tracks for "Harmony"

Quartal harmony in "Laideronnette" from Ravel's Ma mère l'oye. The top line uses the pentatonic scale. Created by Hyacinth (talk) 00:55, 11 November 2011 using Sibelius 5. Illustration of quartal harmony in "Laideronnette" from Maurice Ravel's (1875–1937) Ma Mère l'Oye (1910).

Under the title "New Britain", "Amazing Grace" appears in a 1847 publication of Southern Harmony in shape notes. Created by Hyacinth (talk) 07:03, 6 December 2011 (UTC) using Sibelius 5.

Annotated musical notation of beginning of refrain from the Christmas carol "Angels We Have Heard on High". Markings illustrate how melodic/harmonic sequence occurs in music.

Created by Hyacinth (talk) 18:38, 11 December 2011 (UTC) using Sibelius. Pentatonic scale used in Ravel's (1875–1937) Ma mère l'oye (1910) III. Laideronnette, impératrice des pagodes. Source: Benward & Saker (2003). Music: In Theory and Practice, Vol. I, p.37. Seventh Edition. ISBN 978-0-07-294262-0.

C triad open position.

C-F-B Synthetic chord

Quartal chords descending by semitone. Created by Hyacinth (talk) 21:48, 2 February 2012 (UTC) using Sibelius 5.

An excerpt from the traditional Latin song "Adeste Fideles". Created by Hyacinth (talk) 22:50, 1 February 2012 (UTC) using Sibelius 5. See: :Image:Adeste Fideles sheet music sample.svg

Donald MacGillavry

Four-voice texture from the Genevan psalter: Old 124th. Created by Hyacinth (talk) 01:43, 30 January 2012 (UTC) using Sibelius 5.

Viennese fourth chord.

Dominant thirteenth: four-voice version.

Dominant thirteenth chord in four-part writing.

An ascending fifths sequence in C major. Notice the "circle of fifths" pattern in the lower staff similar to the descending fifths sequence, except going in the opposite direction.

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Demonstration of the melodic minor second's place in a cadence. Created by the uploader.

V of V in C, four-part harmony. From Bach.

V/V-V-I in C, in four-part harmony.

V65 of V in C, four-part harmony. Reduced from Chopin.

V of V in C, four-part harmony. Reduced from Chopin.

V42 of V - V - I in C. Created by Hyacinth (talk) 14:09, 15 May 2010 using Sibelius 5.

Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.

V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.

The standard way of filling in this descending thirds pattern is to interpolate a first inversion chord in between each of these descents by thirds. The result is a bass line that moves down continuously stepwise, resulting in a figured bass of '5-6', and therefore, the standard descending 5-6 sequence.

An important subtype of the descending 5-6 sequence is the root position variant, also known as the Pachelbel sequence, due to the use of this sequence in Pachelbel's Canon. The Pachelbel sequence changes the first inversion chords in the descending 5-6 sequence to root position chords, resulting in a bass pattern that moves down a fourth, and then up stepwise.

ii-V-I turnaround in C, in four-part harmony.

ii-V-I turnaround in C, in four-part harmony.

ii-V-I turnaround in C, in four-part harmony.

Dominant eleventh chord in four-part writing.

Bach - Well-Tempered Clavier, Book I, Prelude I (C major, BWV 846), opening bars.

Harmony sound sample remix.

Glass processed sample.

Oboe processed samples remix.

Oboe processed sample remix.

Oboe processed samples remix.

Oboe processed samples remix.

Oboe processed sample remix.

Violin band filtered sample remix.

Violin band filtered samples remix.

Shakuhachi processed sample remix.

Recorder processed samples remix.

Coins are an indispensable part of life, so record this sound when a coin falls on a glass table.

Low and high tones in a calm continuum. Playing my keyboard, slow notes. Used it for background for narration of a video about the universe.

Exploring using my voice as an ambient pad sound.

A recording of a finger on wine-glass.

Female voice band filtered "tu" sample stretch and remix.

Harmonies i had done for a song, but they didn't come out quite right. They are in the key of eb major, but i'm sure that you can sort thatout using software.

This was hella tough to make! and i used this program that turns picture into sound. It has paint tools, and you start with a black canvas, you draw up a pattern on it, and depending on the color, position, size, quality, format and translucency of the marks and lines you placed, you get sounds. But it is really hard to get a hang of! this took me 3 days to get it right! please comment and rate, i worked really hard on this! by the way, i'll be making more of these, so if you like it, then i have three more.

Another difficult soundscape sample.

It was recorded on cubase 5 with an at2020 usb mic. There were about four vocal tracksvocal harmony starting in f#. It builds up in stages and gets better towards the end. The chords are f#7, f7, a#, c#. I think it's 80bpm. Apologies if not.