26 Royalty-Free Audio Tracks for "V Of V V I Progressions"

00:00
00:13
IV-V-I chord progression in C. MIDI file Progression d'accords. Fichier midi.
Author: Hyacinth
00:00
00:20
V of V chord progression in "Sweet Georgia Brown". V/V/V-V/V-V-I: A-D-G-C. Note that the tempo is kept but the number of measures is cut in half.
Author: Hyacinth
00:00
00:19
vi-IV-I-V chord progression in C. Created by Hyacinth (talk) 23:43, 25 March 2010 using Sibelius 5. vi-IV-I-V progression resolving to I.
Author: Hyacinth at English Wikipedia
00:00
03:13
iv IV I V chord progression.
Author: Desherinka
00:00
00:08
Augmented chord progression: V+75 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]
Author: Hyacinth
00:00
00:08
Augmented chord progression: V+65 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]
Author: Hyacinth
00:00
00:11
Four measure ii-V-I progression in C with Coltrane substitution.
Author: Created by Hyacinth (talk) 03:12, 23 April 2010 using Sibelius 5.
00:00
00:09
V of V in C, four-part harmony. Reduced from Chopin.
Author: Hyacinth
00:00
00:11
V42 of V - V - I in C. Created by Hyacinth (talk) 14:09, 15 May 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
00:00
00:09
V65 of V in C, four-part harmony. Reduced from Chopin.
Author: Hyacinth
00:00
00:09
V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.
Author: Hyacinth
00:00
00:10
V-I progression, unaltered dominant resolving to the tonic. Created by Hyacinth (talk) 22:29, 9 July 2008 using Sibelius and Audacity.
Author: The original uploader was Hyacinth at English Wikipedia.
00:00
00:12
Created by Hyacinth (talk) 21:44, 22 December 2010 using Sibelius 5. vi-ii-V-I in C.
Author: Hyacinth at English Wikipedia
00:00
00:10
V-IV-I turnaround in C. Created by Hyacinth (talk) 08:54, 6 December 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
00:00
00:10
Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.
Author: Hyacinth
00:00
00:08
Tritone substitution (for V), without (with V). Created by Hyacinth (talk) 04:48, 10 May 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
00:00
00:16
Turnaround in F. Created by Hyacinth (talk) 04:07, 12 June 2010 using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
00:00
00:08
Tritone substitution (for V) notated as Italian sixth.
Author: Created by Hyacinth (talk) 04:49, 10 May 2010 using Sibelius 5.
00:00
00:08
Tritone substitution (for V). Created by Hyacinth (talk) 04:49, 10 May 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
00:00
00:16
Bach - Well-Tempered Clavier, Book I, Prelude I (C major, BWV 846), opening bars.
Author: Hyacinth
00:00
00:15
viio/V - V - I chord progression. Common in ragtime.
Author: Hyacinth
00:00
00:09
Modest Mussorgsky's Pictures at an Exhibition: "Promenade", chords/chord progression gm: i-VII6-i-VII-v-VII-III-i-IV-IV6-VII Created by Hyacinth (talk) 14:23, 3 November 2011 using Sibelius and Paint. Source: Nattiez (1990). Music and Discourse: Toward a Semiology of Music (Musicologie générale et sémiologue, 1987). Translated by Carolyn Abbate (1990). ISBN 0691027145.(from enwikipedia)
Author: The original uploader was Hyacinth at English Wikipedia.
1 - 26 of 26
/ 1