60 Royalty-Free Audio Tracks for "Diminished Chords"

Diminished seventh chord on B.

Diminished seventh chord on C

Chord progression with diminished seventh chords added.

Common-tone diminished seventh chord.

Half-diminished seventh chord on C

Supertonic diminished seventh chord in C (D♯=E♭).

Chord progression with diminished seventh chords added, without chords added yet.

Sharpened subdominant with diminished seventh chord in C.

Diminished seventh chord as incomplete ninth in C.

Half-diminished seventh chord on supertonic in C minor.

Diminished seventh chord to dominant cadence (bo-e7-A7-D).

Diminished triad on B, as MIDI

Half-diminished seventh chord on sharpened supertonic in C.

Half-diminished seventh chord on sharpened subdominant in C.

Dominant form chord: Diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Dominant form chord: Half-diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Diminished seventh chord resolution: both diminished fifths tend to resolve inward, doubling the third of the tonic chord.

B diminishedΕλληνικά: Η συγχορδία ΣΙ ελαττωμένη

Diminished triad on C , as MIDI.

Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.

Diminished chord in first inversion in Bach's WTC I, Prelude in G Major.

Common-tone diminished seventh chord in 'In the Good Old Summertime', Strictly Barbershop, S.P.E.B.S.Q.S.A. (Barbershop Harmony Society), Folio 6049.

Dominant form chord: Diminished seventh leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Descending diminished seventh chord half-step cadence on C.

viio7 as dominant substitute.

3-10 trichord on C. Diminished chord.

5:6:7 = E, G, B7b = C, Eb, G7b.

4-28 (diminished seventh chord) tetrachord on C

Common-tone diminished seventh chord (♯vio42, in D major: b♯o7) in Tchaikovsky's Nutcracker Suite, op. 71a, III, Valse des Fleurs, mm.1-4.

45:54:64 = F#+, A+, C = C, Eb, Gb-

Diminished seventh chord's use in modulation.

Iidim6 chord in C.

viio/V - V - I chord progression. Common in ragtime.

viio7 in G major, on the guitar.

Leading-tone seventh chord in C minor.

Leading-tone seventh chord in C major.

English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Leading-tone diminished seventh chord as dominant in Mozart's Don Giovanni, K. 527, Act I, Scene XIII, mm.116-117.

Leading-tone half-diminished seventh chord as dominant in Mozart, Piano Sonata in D Major, III (end of Variation V), K. 284, mm.14-17.

D, F, Ab = C, Eb-, Gb-

Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.

Fifteenth chord from Perry on C

Beethoven Appassionata 3 final bars of Andante

Altered major chord on B with diminished seventh (B, D♯, F♯, A♭), equivalent to a minor-minor seventh chord on G♯ (G♯, B, D♯, F♯) Alterierter Akkord mit verminderter Sept Esperanto: Ekzemplo por malsupren aliigita septo

viio6 as a substitute for V43 chord in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.

Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (d7 to E-flat).

bdim7=do7=fo7=a♭/g♯o7 and it's enharmonic equivalents resolving (b7 to C).