111 Royalty-Free Audio Tracks for "First Inversion"

Dominant seventh in C in first inversion

Predominant chord: ♭III+63.

Major triad on F in first inversion

Iidim6 chord in C.

D-over-F-sharp slash chord.

5:7:9 is the first inversion of the major triad. Title refers to harmonics (fundamental=1:3:9:etc.).

Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.

Full diatonic fifteenth chord from Listz on B

Fifteenth chord from Perry on C

Predominant chord: i64.

viio7 in G major, on the guitar.

C major triads played on piano: 1) root position, 2) first inversion, 3) second inversion

hymnsandcarolsofchristmas.com The First Nowell from an 1879 book by Henry Ramsden Bramley

Major triad on C in first inversion.

Minor triad on A in first inversion. Created by Hyacinth (talk) 18:56, 23 November 2010 using Sibelius 5.

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

Major triad on F in second inversion

Major triad on C in second inversion.

The First Nowell

Dominant seventh on F in third inversion. Created by Hyacinth (talk) using Sibelius 5. See: File:Dominant seventh on F in third inversion.png

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.

The "Schwencke measure" added to J.S. Bach's Prelude in C Major BWV 846

O Gott, du frommer Gott, Evang. Gesangbuch 495 (erste Melodie)

First Call performed by the Concert Band of the United States Air Force Band. Track 39 from Esprit de Corps (1997).

First Call performed by the Concert Band of the United States Air Force Heritage of America Band. Track 6 from disc 1 of Ceremonial Music (2005).

Pipe Organ and choir from First Presbyterian Church of Hartford City, Indiana. Original tape recording late 1960s.

Suspended fourth chord on C in first inversion.

Audio cuando se coge una gasa.

I just turned a flashlight on and off. Yeah.

That is my first try for producing a music. I hope you all like it. And i need your opinion and support. Thank you.

Got myself a microfreak. . . Excellent piece of hw!.

Im actually create it i didnt copy.

Contact of two crystal glasses.

The sound of a old chair.

I recorded this on the first day of winter, 2011 at a friend's house in buckley, wa. I am on the snare but had to play fairly quiet so i wouldn't drown out the other drums. If you use it please comment on what you will use it for. Thanks. :^).

Digital silence-no materials, no events, nothing. . . -no impact, no body, envelope "0"-recorded without mic, no processing.

This is my first beat. Enjoy.

Announcer shouts "first blood!" quake style. Version 2 with reverb.

My first composition using cakewalk. A first try arrangement for a game soundtrack i'm developing. Hope you enjoy.

Maybe my main beat. First sound.

Generated in audition via it's tone generator plug-in.

A dog eating.

Can be used for someone concentrating or someone seeing something out of the corner of their eye.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).