47 Royalty-Free Audio Tracks for "Verse"

One Horse Open Sleigh verse Ab

After You've Gone by Creamer and Layton 1918, mm.7-23. Score for the Nashville number realization for comparison.

After You've Gone by Creamer and Layton (1918) verse, mm.7-23. Nashville number system realization on guitar.

Sound recorded using an electric stage piano connected to a zoom hs4 recorder using only one channel. For learning purpose.

This is my verse from a group song recorded about six months ago.

A rap i just did. Im gonna use it in a dubstep track im trying to 'finish' dark minimal dubstep @ 140 bpm. Костяные бандиты н гармония - бандитская шалость.

An excerpt from proverbs chapter 23 from the world english bible (web), which is public domain. A warning about getting drunk and lingering long over wine. Recorded my own voice speaking these verses with a sony icd-px333 on 6/1/17. Read with some inflection.

National anthem of Transnistria (orchestral instrumental version) (one verse)

한국어: 대한민국 애국가 1절 2018년 반주 National Anthem of Republic of Korea One Verse 2018 Instrumental

한국어: 대한민국 애국가 1절 2018년 합창 National Anthem of Republic of Korea One Verse 2018 Chorus

Schubert, "Gute Nacht", piano link to final verse.

Bob Dylan's "Lay, Lady, Lay" verse.

Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (first verse only)

Schubert, "Gute Nacht", piano link to the final verse, where the key changes from minor to major.

Chorus and beginning of verse for "Revecy venir du printemps"

One verse of the national anthem of Kenya; an instrumental recording performed by the United States Navy Band.

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). I believe the version used in the show used the opening verse from the Irving Kaufman recording; the opening verse here was probably made for publication. This is Edison Blue Amberol #3639, which was created using Edison Diamond Disc matrix #6287.

An instrumental sample of a single verse from "Eternal Father, Strong to Save", a hymn of both the Royal Navy and the United States Navy, played by the United States Naval Academy brass band.

The melody of "Patriots of Micronesia", which comes from the 1819 song "Wir hatten gebauet ein stattliches Haus", is performed by the w:United States Navy Band

Rule, Britannia! by James Thomson (lyrics) and Thomas Arne (music). Sung by Albert Farrington in 1914 for Edison Records. This is Edison Blue Amberol #2486. I'm afraid the restoration is incomplete, but this is a right royal headache to clean, and it at least has a decent first verse now.

Oh! Susanna, a song written by Stephen Foster, first published on February 25, 1848. Popularly associated with the California Gold Rush. This version recorded by Henry Burr, Peerless Quartet, and Harry C. Browne, contains spoken dialog in the beginning and the infamous "aggressive racist" verse that is rarely sung today because of its content.

Pinafore airs, Pt. 2 of 4. This four-part cylinder collection covers most of H.M.S. Pinafore's songs, although, sadly, part 3 is missing from the collections I've so far been able to check. This cylinder includes "My gallant crew, good morning", "I am the Captain of the Pinafore", "Sorry her lot" (second verse, beginning "Sad is the hour"), "Over the bright blue sea", and "I am the monarch of the sea" Performers include Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley. This is Edison Blue Amberol #1891, also issued as Edison Amberol #820

Alternate Title: The Battle Hymn of the Republic Henry Reed's air is evidence of the folksongs in circulation about John Brown that became the basis for Julia Ward Howe's patriotic hymn "The Battle Hymn of the Republic." His version implies a verse and refrain using essentially the same melodic material, as is the case with "The Battle Hymn of the Republic." Title change: The title appeared in the fieldnotes as "John Brown's a-Hangin' on a Sour Apple Tree." Key: D Meter: 4/4 Strains: 2 (middle-middle, 4-4) Rendition: 1-2-1 Phrase Structure: ABAC A'B'A'C (abcd abef a'b'c'd' abef) Compass: 9

Tell me pretty maiden from Leslie Stuart and Owen Hall's Florodora (1899 in London; 1900 on Broadway). Sung by the "Edison Sextette" (Ada Jones, George S. Lenox, Corinne Morgan, Grace Nelson, Bob Roberts and Frank C. Stanley) for Edison Records. It Edison Gold Moulded Record #8260. Florodora was the first big hit musical of the 20th century. "Tell me pretty maiden" was the runaway hit. "Tell me pretty maiden" is a double sextet, sung by six girls, matched in looks, all 5'4" inches tall and 130lbs, and their six suitors. This recording cuts their number in half, since, although it is difficult to get six people in front of a recording horn, it is even more difficult to get twelve.[1] This recording consists of only the first verse. A vocal score is available at The International Music Score Library Project.

Murlock sound - aggro 1 verse.

110bpm guitar sample d#minhook & verse.

120 bpm cminsample with hook & verse.

Light rain on car roof parked by beach. Recorded with binaural hooke verse wearable microphones and a zoom h1n recorder from inside the car. 24bit 48khz stereo wav format.

Coal coast bush atmosphere recording featuring the eastern whipbird (psophodes olivaceus) and friends. Recorded with binaural hooke verse wearable microphones and a zoom h1n recorder. Stereo 24bit 48khz format.

Coal coast bush atmosphere recording featuring the eastern whipbird (psophodes olivaceus) and friends. Recorded with binaural hooke verse wearable microphones and a zoom h1n recorder. Izotope, rx7 de-noise post production. Stereo 24bit 48khz format.

Heavy rain on the roof of a car while parked at beach carpark. Recorded from inside the car with binaural hooke verse wearable microphones and a zoom h1n recorder. 24bit 48khz stereo.

O Tannenbaum, an 1824 German Christmas carol written and with music arranged by Ernst Anschütz using a traditional folk melody as his basis. Performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. This recording includes the first verse in German, followed by an English translation. CSM Debra L. McGarity O Tannenbaum (Mon beau sapin) interprétée par le chœur de l'armée américaine (U.S. Army Band). Basée sur un chant traditionnel allemand, elle est devenue depuis le début du XXe siècle un chant de Noël associé au traditionnel sapin de Noël. Українська: «О ялиночко!» (O Tannenbaum) — німецька різдвяна колядка у виконанні хору армійського оркестру США «Pershing's Own». Эрзянь: "O Tannenbaum" ("О, куз" эли "Роштувань Чувто") конань моры "Pershing's Own" АВШ-нь ушмовиень оркестрась. Моронть юрокс ашти немецень раськень эськоень моро, сон теевсь XX пингеньть ушодомонтень Роштувань ине морокс, кона сюлмазь Роштувань чувтонть марто. العربية: "أغنية O Tannenbaum" (يا شجرة الميلاد) من أداء جوقة الجيش الأمريكي ("Pershing's Own")، وهي مشتقة من أغنية تقليدية ألمانية، أصبحت إحدى أغاني ميلاد يسوع مرتبطةً بتقليد شجرة الميلاد منذ بدايات القرن العشرين. Čeština: "O Tannenbaum", německá vánoční koleda, vzniklá na základě tradiční německé lidové písně se z počátku 20. století v podání amerického armádního sboru "Pershing's Own".

115bpm key fdrums synth bass9 secondsupbeat temponot required but if you use this in a project i would love to know! please send me a link.

131bpm key fbass keyboard drum15 secondsupbeat temponot required but if you use this in a project i would love to know! please send me a link.

131bpm key fbass keyboard drum15 secondsupbeat temponot required but if you use this in a project i would love to know! please send me a link.

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

A verse for you to use as you please just please give me credit and let me hear it!.

A binaural french shoe store ambience. You can hear vendors and customers talking, baby, children, etc. Recorded with hooke verse, binaural bluetooth buds.

Feel free to use this. Just please let me hear what you make of it!. It's originally off an album of mine that goes through the archetypal stages of the hero's journey!.

On a folk music festival, grupo huapango tries to play the song "perfume de gardenias". But the electricity goes down and the people on the festival try to shout along the lyrics (half of the people sings the verse and half the chorus).

Coal coast nsw bush recording attempt with the kids. They struggle to keep still and i, the recordist, slowly lose my patience / belief that a recording is possible. Good demonstration, however of the 360 sound panorama of the hooke verse, binaural mics used. Stereo 24bit 48khz format.

I created this torture sound for a short film i made. I used a verse 504 labtech mic with a sony mini disc recorder in my garage. I smashed a cantaloupe with a hammer adjusting mic placement until i had the desired volume and sound.

I like this one. . . Do you? i will be posting the raw version next if you wanted the vocals off. For some reason i had an mf doom verse stuck in my head while making this. Anyways. Made on bandlab before bed. Use it or not it's up to you. . . :).

I've benefited from freesound in the past so i wanted to give something back. I created this audio sample of the black speech of mordor (a section of the ring poem), as part of a cinematic orchestral lord of the rings piece to add flavour to it and wondered if others might find a use for it in their own projects. The sample does have added reverb but to my ears this is not excessive. The phrase is:-. Ash nazg durbatulûk,ash nazg gimbatul,ash nazg thrakatulûkagh burzum-ishi krimpatul. This translates to:-. One ring to to rule them allone ring to find themone ring to bring them alland in the darkness bind them. No attribution required but it would be nice to know if anybody uses it. ;-).

A small sri lankan girl is singing one verse of a famous sinhalese song. This sound has been recorded with the h4n pro. You can use this sound in your project regardless if it is commercial or non-commercial but it would be awesome if you could tag my instagram account somewhere in the description:https://www. Instagram. Com/florianreichelt/. Leave a comment and tell me for which project you used it!! :). By the way - have you guys already checked out my latest travel video about sri lanka?if not you should definitely watch it: https://youtu. Be/raxikjo5x0othe nature, the people and the overall culture are absolutely outstanding and they inspire you to travel as well. Stock footage isn't dead! make 2000$/month via blackbox!register now: http://bit. Ly/stockblackbox.