51 Royalty-Free Audio Tracks for "Rule"

Rule, Britannia

Sound edited of a rule that generate the emotion of alert.

Sound edited of a rule that generate the emotion of bored.

Sound edited of a rule that generate the emotion of serene.

Manipulation of a slide rule (mechanical calculator), moving the cursor and slide, and rattling.

Rule of the octave, major scale.

Sound produced by hitting a ruler against a desk.

Rhythm made from tape measure - rule. It makes flanging effect. Recorded on zoom h4n.

Hvv announcement concerning corona 3g-rule fri10 dec 2021 in hamurg, germany.

Making a sound with the rule.

Rule, Britannia! by James Thomson (lyrics) and Thomas Arne (music). Sung by Albert Farrington in 1914 for Edison Records. This is Edison Blue Amberol #2486. I'm afraid the restoration is incomplete, but this is a right royal headache to clean, and it at least has a decent first verse now.

MIDI-Datei auf Grundlage der Regel 110 eines eindimensionalen zellulären Automaten. Erstellt mit Visions of Chaos.

MIDI-Datei auf Grundlage der Regel 110 eines eindimensionalen zellulären Automaten. Erstellt mit Visions of Chaos.

MIDI-Datei auf Grundlage der Regel 110 eines eindimensionalen zellulären Automaten. Erstellt mit Visions of Chaos.

The similar rules of making plurals in indigious andforeign languagesby: maqsood hasniabuzar barqi kutab'khana dec. 2019.

Let chaos rule. . . Long recording. Yes. I had to leave for some minutes.

A rule on a table with a sound of a coffee machine overlayed, edited , recorded with a zoom h6.

During pandemic i recorded the speaker on a police car in rome, italy, warning people not to go outside due to coronavirus.

I made this sound for the scene at the end of our global game jam game where a cute monster sucks on the winner's head. Thought i'd share it here!. Oh the game is pretty fun too: globalgamejam. Org/2016/games/dances-elder-godsall the sounds were made with my mouth as per the diversifier rule!.

I recorded my voice while playing freelance horror games; scp-087-b and slender sanatorium. This was so i could get genuine reactions to use as stock voice clips for future use. Some pretty interesting stuff came out. Also, i've tried asking what the rule is on this site about vulgarity, but no one has given me a straight answer. . . So yeah. . .

Sick beats from the block -sliced and processed breaks beats and sick rythms for idm glitch and downtempo tracks breakbeat and electronica. Made with battery and a slicer and a load of vst's. Tempos from 90 - 185 bpm totally loopable! break those rythms down girls! (and boys!) oh i love the acid jazz and the drunks. They rule!.

This anthem was in use during the rule of Emperor Haile Selassie I from 1930 to 1974. The music was composed in 1926 by Kevork Nalbandian, an Armenian living in Ethiopia. It was first performed when Haile Selassie I was crowned Emperor on November 2, 1930 and remained the national anthem until the Emporer was overthrown by socialist army officers in 1974 and the socialists fully gained control of the government in 1975.

I've benefited from freesound in the past so i wanted to give something back. I created this audio sample of the black speech of mordor (a section of the ring poem), as part of a cinematic orchestral lord of the rings piece to add flavour to it and wondered if others might find a use for it in their own projects. The sample does have added reverb but to my ears this is not excessive. The phrase is:-. Ash nazg durbatulûk,ash nazg gimbatul,ash nazg thrakatulûkagh burzum-ishi krimpatul. This translates to:-. One ring to to rule them allone ring to find themone ring to bring them alland in the darkness bind them. No attribution required but it would be nice to know if anybody uses it. ;-).

This sound was created using audacity. First of all i chose a frequency of 432 hz ( a number which includes the golden rule/proportion), then i created a gradual rise in the first 4 seconds, leading into a peak which descends so it can go up again, creating an effect of confusion. At the end, the sound raises gradually and rapidly to reach its peak once again. This sound recreates, for me, a fast- moving ufo (unidentified flying object) and includes the notion of conspiracy in our society- the changing of the frequency of the tone “la “ from 432 hz to 440 hz in 1953 by the nazis. La règle d’or- 432 hertz. Le ton « la » est une pointe centrale dans le réglage des instruments musicaux. Le ministre de la propagande en allemagne pendant l’époque des nazis a fait un décret général avec lequel il a changé la tonalité « la »de 432 hz en 440 hz. On utilise cette hauteur à partir de 1939 jusqu’à nos jours. Il y a eu des protestes de la part de professeur dussault de la conservatoire parisienne qui a fait une pétition signé par 23 000 artistes françaises mais sans aucun résultat. L’organisation internationale de standardisation(iso) a accepté en 1953 les changements et on utilise la valeur de 440 hz depuis. Des recherches montrent que ce changement a des effets incontournables sur le corps et le cerveau humain- les gens entrent dans un chaos. Ce changement a été caché du monde entier parce que c’est le point de la balance dans la nature. 432 hz est la vibration qui inclue aussi le règle d’or (ou la proportion de dieu). Quand on écoute de la musique en 440 hz la première chose qu’on remarque c’est une fatigue, aucun envie de faire n’importe quoi et beaucoup d’autres ( y inclus le mouvement de notre adn) une étude récent montre que l’utilisation de 440 hz crée des mouvais effets dans la nature et dans toutes les êtres vivantes. Cette article m’a inspirée à recréer un son avec une fréquence de 432 hz qui monte et baisse graduellement. C’est un son seul de type complexe(nodal). Il est de type v( continu varié), il est éclatant,clair et lisse. L’attaque du début est graduelle et violente. Le son varie en « hauteur » de plus fort au moins fort et l’inverse, recréant un effet d’un ovni qui passe à côté de vous.

Chord rewrite rules II: use of chromatic passing chords.

Chord rewrite rules I: replacement or substitution of a chord by its dominant or subdominant.

Recorded on text 2 speech.

Crowd making some noise at a sanfl aussie rules football match (sturt vs port 2017 grand final). Recorded on sony mp3 recorder, converted to wav using audacity.

Fulfilling a request to create 3 characters reading lines of dialogue for a short animation clip.

Recordings of my own voice for a example of my request on the forum for samples. This is for a game when you score but it doesn't count because it was against the rules.

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in root position and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is root-second-root-first/root-second-root-first-root)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)

This time a more abstract sound clip which in that case was prerecorded (bell 1) altered to the extend and used from mono back to eight channel ending up l+r. Although its abstract atmosphere the modular effects rings on a specific structure using 20th century harmony "rules" and of course tempo. Enjoy!.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Sound file of "Chester" by William Billings Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Sound file of the natural A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Sound file of melodic A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Sound file of the harmonic A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

The song "Windham" by Daniel Read; piano reduction. Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Sound file: the opening notes of "Rose of Sharon" by William Billings Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

The secondary dominant chords of the key of C major, each given before the chord of which it is the dominant. Digital recording, made with an acoustic piano and Wavesurfer software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Piano reduction of "Turkish" passage from Mozart Violin Concerto No. 5 Digital recording, made with an acoustic piano and Wavesurfer and Fruity Loops software by Opus33 with assistance from Opus20. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Sound file of opening of en:Toccata and Fugue in D minor by J. S. Bach. Needs replacement recorded on an organ--can anyone provide this? Digital recording produced by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by its creator (known in this context by the pseudonym Opus33) into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

A patch generating triggers not that random. . . The triggers are triggering an envelope generator and a sample and hold. The sample and hold cv is quantized following a minor 7th chord rules. Hope you understand. . . Pardon my english. Why this. Answer. I have to start adding something like this to my patches. But i use 3 lfos for this :-/ thats about all i got - right now. The alm pip slope works fine as an lfo too. Square wave this time. Take a close look.

Harmonic progression from a Mozart piano sonata--sound file. Piano Sonata in G, K. 283, third movement, starting measure 247. Digital recording by Opus33 using Wavesurfer software. Transcription into chords by Opus33, loosely following Piston and DeVoto, Harmony. This music is in the public domain. The recording is not copyrighted, and it is hereby released by its creator (known in this context by the pseudonym Opus33) into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules: