133 Royalty-Free Audio Tracks for "Angel"

[magic_spell_08. Wav]. A spell has been cast!. This sound can for example be used in role-playing games, for example when the player plays as necromancer and casts a spell upon an enemy - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

[magic_spell_03. Wav]. A spell has been cast!. This sound can for example be used in role-playing games, for example when the player plays as necromancer and casts a spell upon an enemy - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

[magic_spell_06. Wav]. A spell has been cast!. This sound can for example be used in role-playing games, for example when the player plays as necromancer and casts a spell upon an enemy - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

[magic_spell_07. Wav]. [magic spell 06 remastered. Wav]. A spell has been cast!. This sound can for example be used in role-playing games, for example when the player plays as necromancer and casts a spell upon an enemy - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

I had this idea yesterday i think, to record a set of chords in vocal with the lords name. This is the chord progression::. 1st. F g# c = f minor. 2nd. D f a# = i'm calling this a d minor augmented. This is really a bflat major chord, but since i started it with a 'd', i'm calling in a d minor augmented ; ) someone's gottago for it. 3rd. G# c d# = g# major. 4th. F a c = f major. Please enjoy and comment, if you use it in anything i would just like to know, but please feel free to use this anywhere. Thanks, god bless.

[magic_spell_02. Wav]. [demonic_anger. Wav]. [attack_blocked. Wav]. [teleport. Wav]. A spell has been cast!. This sound can for example be used in role-playing games, for example when the player plays as necromancer and casts a spell upon an enemy - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

[magic_spell_09. Wav]. [magic spell 08, remastered 01. Wav]. [magic spell 08, remastered 02. Wav]. A spell has been cast!. This sound can for example be used in role-playing games, for example when the player plays as necromancer and casts a spell upon an enemy - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

[magic_spell_01. Wav]. [magic spell 10, remastered 01. Wav]. [magic spell 10, remastered 02. Wav]. A spell has been cast!. This sound can for example be used in role-playing games, for example when the player plays as necromancer and casts a spell upon an enemy - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

In hinduism and its many derived views of life, there are a number of "realms", each with their own forms of consciousness. The oldest of these is the realm of the minerals, the stones. This is followed by plants, animals, humans, angels and gods. Each kingdom is divided into layers, in the human realm the "caste's" or social layers. Hindus believe that through good works you can be born in a higher caste or even realm in the next life. Among the people who belong to the caste of brahmans, the priestly caste, it happens that some have memories of many past lives. This track represents the connection between the heartbeat of a brahman priest during his meditation and his energetic vibrations, long time ago, as crystal. He discovers that time is an illusion and that all his lives are layers one on another creating a building, the shape of his eternal existence. He has yet to build further but is well on his way. Right now, he should not be proud, or in the next life he will be certainly no angel but falls back to a previous level.

Hark! The Herald Angels Sing. 日本語: 天にはさかえ。

The roar of the u. S. Navy blue angels flying directly overhead.

F/a-18 hornets practicing maneuvers in seattle washington. [format: wav][license: cc 0].

Hark the Herald Angels Sing performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 8 from Light One Candle (2004).

Angels of Christmas performed by the Concert Band of the United States Air Force Band. Track 24 from Light One Candle (2004).

Hark the Herald Angels Sing performed by the Concert Band of the United States Air Force Heritage of America Band. Track 1 from Holly and Ivy (1993). Recorded in 1993 at Chrysler Hall in Norfolk, Virginia.[1][2][3]

George Frideric Handel: Messiah

Composite sfx of a cardboard box being dropped from different heights and angels.

George Frideric Handel: Messiah

An improvised loop of extended techniques on cello, similar to george crumb's black angels.

Some rumble and ambience recorded in the wee hours of los angels with an edirol r-09.

Hark! The Herald Angels SingHark! The Herald Angels Sing, englisches WeihnachtsliedÜbertragung (R.F.): Hört, die Engel bringen Kunde, durch die Himmel schallt es laut! Sie verherrlichen die Stunde, da die Welt den Heiland schaut. Der Erlöser ist geboren, Retter aller, die verloren, aller, die im Dunkel sind: Licht strahlt auf von diesem Kind. In den Lobgesang der Scharen stimmt, ihr Völker, jubelnd ein! Auch die Schöpfung soll erfahren Trost und Heilung ihrer Pein. Gott im Fleisch teilt Fleischesqualen, Gott am Kreuz wird Schuld bezahlen, Gott, der Herr und Lebensquell, ist mit uns: Immanuel. In der Niedrigkeit verborgen wirkt die Herrlichkeit des Herrn. Mitternacht gebiert den Morgen, Heiden schauen seinen Stern. Hirten opfern Milch und Felle, Tiere ihre Futterstelle. Sieh, wir kommen auch herbei, nimm uns an und mach uns neu!

Annotated musical notation of beginning of refrain from the Christmas carol "Angels We Have Heard on High". Markings illustrate how melodic/harmonic sequence occurs in music.

Celebration of Carols (a medley of "Joy to the World", "Hark the Herald Angels Sing", and "O Come All Ye Faithful") performed by the Concert Band of the United States Air Force Band of the Rockies. Track 14 from Christmas from the Rockies (1993).

Carols of the Season (a holiday medley of "Silent Night", "Joy to the World", "Hark! The Herald Angels Sing", and "O Come All Ye Faithful") performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 13 from Christmas on Stage and Screen (1996).

Ihr Engel, kommtIhr Engel, kommt, zu hindern,wo irgend Gottes Kindernein Unheil drohtmit Leid und Tod:Ach helft, die ihr's könnt lindern!

Hark! The Herald Angels Sing is an English Christmas carol which first appears in its modern form in 1850. The original lyrics are adapted from Charles Wesley's 1739 hymn ""Hark! how all the welkin rings", set it to the same tune as Christ the Lord is Risen Today. George Whitefield altered the opening lyrics to the more familiar "Hark! The Herald Angels Sing", and various others also made small alterations in the following years. In the early 1840s, Felix Mendelssohn wrote "Festgesang", a cantata in celebration of the presumed 400 year anniversary of Johannes Gutenberg's invention of the printing press. The tune to the second part of this piece, "Vaterland, in deinen Gauen", was adapted to fit the revised Wesley lyrics in 1855 by William H. Cummings, assembling the hymn tune into its more-or-less final form. It is performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010.

Du mein Schutzgeist, Gottes Engel; Gotteslob (1975) Hildesheim 882; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 906

I made this file and used paulstretching and pitch change. I liked it. It's pretty much indescribable so see what you think. I hesitated to put "angels" on it but it does sound at some point like a host of voices.

Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.

English lyric for a traditional French carol, sung a cappella

It's my voice and i sing do, re, mi, fa, sol for my game. You can change the file as mix, like nightcore version, child version, chorus version, funny man version, etc. In my christmas game, i need voice for my 5 little angels sing for hints( that's the reason why i only sing 5 music notes), just edit the file from each part!. And i record it only use microsoft audio recorder application( default application).

Hark, the Herald Angels Sing performed by the Airmen of Note of the United States Air Force Band. Track 4 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

guardians of limbo (spectral voices, ethereal sounds, odd vocals) sample of fx preset from magnus choir vsti software. Virtual choir (musical instrument). Software description:. Magnus choir is a vst, vst3 and audio unit virtual instrument which can be used to create natural and synthetic choirs. The male and female choruses combine to form a mixed choir, featuring the classic satb (soprano, alto, tenor, bass) structure: women sing soprano and alto, while men sing tenor and bass. Versatile to generate a wide spectrum of choirs, vocal textures, choral pads and voices with modulation capabilities for a new level of realism in digital sound creation. • 54 preset sounds ready to use, including a vast array of natural and synthetic sounds, from oohs, aahs, men and women in mixed choirs to the celestial choir of angels, reso pads, dark atmos, creepy voices, ambient ghostly and birdsong effects, as well as cinematic and soundscapes. 01. - abbey ghost02. - ad infinitum formant03. - ad libitum chorale04. - aeternus lux lucis05. - alchemical signals06. - angelic vox07. - angels between us08. - apocalyptic chamber09. - astral singers10. - aurum vox pad11. - birds sonic sweep12. - caelestis kingdom13. - celestial choir14. - choral ensemble15. - choralis pad16. - cinematic padilius17. - cosmic odyssey voice18. - cryogenic dimension19. - dark cantus20. - digital voice21. - dystopian chorus22. - elves land23. - enchanted goblins24. - ethereal voices25. - guardians of limbo26. - lost souls in the dark27. - male & female aahs28. - morph dreams29. - morphed vowels30. - mystical vowels31. - nebula dark atmos32. - necromancer summons33. - neo choir34. - octave aahs choir35. - octave vox pad36. - oniric sequences37. - oohs choir38. - psychedelic vox39. - psychomanteum reso40. - quasi spatial voices41. - relaxing paradise42. - restless spirits43. - sanctus holy chant44. - sonorous skies45. - sopranvox c4-c646. - spatiotemporal atmos47. - spectral hell48. - synthetic chorus49. - synthesized vocals50. - underworld embryos51. - vinyl chorus52. - voices in the mist53. - vowelled soundscape54. - vox vocis texture. • low frequency oscillator section: these knobs apply modulation to the selected instrument. By using the lfo to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo. • adsr envelope generator with attack, sustain, decay and release parameters. • pitch bend: the pitch bend knob directly changes the pitch of the selected instrument. • reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces. • filter section: with filter type box for low pass filter and high pass filter. • amplitude range parameters: it controls the loudness, the way in which we perceive amplitude. The sensitivity level is set by the user. • panning potentiometer control. • midi cc automation: implementation of midi continuous controller parameters for use with external hardware control via daw.