7 Royalty-Free Audio Tracks for "Arthur Sullivan"

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04:22
The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202
Author: Music: Arthur Sullivan (1842-1900) Lyrics: Adelaide Anne Procter (1825-1864) Singer: Reed Miller (1880-1923)
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01:35
Edison yellow paraffin cylinder recording of Arthur Sullivan giving an after-dinner speech at the "Little Menlo" in London. George Gouraud had come to London to demonstrate Edison's "Perfected" Phonograph. Gouraud demonstrated the phonograph to various celebrities in a series of Phonograph Parties in the autumn of 1888 and made recordings of their reactions as messages for delivery to Thomas Edison. Arthur Sullivan (1842-1900) was one of these guests, and it is his speech to Edison that appears here. Length: 1:34 Transcription: “
Author: George Gouraud (Speech by Arthur Sullivan)
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02:26
Little Maid of Arcadee, from W.S. Gilbert and Arthur Sullivan's Thespis
Author: Original composition by Gilbert and Sullivan. This version by User:Adam Cuerden (piano midi), en:User:Ssilvers (singer), en:User:Broadwaygal (recording).
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04:23
The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202
Author: Music: Arthur Sullivan (1842-1900) Lyrics: Adelaide Anne Procter (1825-1864) Singer: Reed Miller (1880-1923)
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11:18
w:Arthur Sullivan's w:Overture di Ballo, Overtures (1991, track 7)
Author: Arthur Sullivan, performed by United States Marine Band, transcribed for band by Col. John R. Bourgeois, who served as Band Director.
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02:07
An Edison "Perfected" Phonograph cylinder recording of The Lost Chord (composed 1877) by Arthur Sullivan (1842-1900), played on piano and cornet. One of the earliest surviving recordings of music; was played at the press conference that introduced the phonograph to London on August 14 1888. Cuts off slightly before the ending of the song. The recorded version is somewhat abridged (a middle section has been cut, possibly due to time constraints). Overall a well-preserved example of wax cylinder recording technology. Length: 2:07
Author: Recorded by George Gouraud, performers unknown.
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