28 Royalty-Free Audio Tracks for "Audio Files From Columbia Records"

Arthur Fields sings He Comes Up Smiling. Fields recorded this song in 1914 for Columbia Records (78rpm). Arthur Fields singt He Comes Up Smiling. Fields nahm diesen Song 1914 für Columbia auf (78rpm).

Tamo Daleko, April 1917. Columbia Phonograph Company. Audio restoration by Steven Kozobarich.

American folk song "Darlin' Nellie Gray", sing by J. W. Myers in 1904

The song Casey Jones, performed by Gid Tanner and his Skillet Lickers

The traditional tune I Shall Not Be Moved, performed by Gid Tanner

The traditional country song Slow Buck, recorded by Gid Tanner and his Skillet Lickers

The traditional tune Shortenin' Bread, performed by Gid Tanner and his Skillet Lickers

The country song I Don't Love Nobody, performed by Gid Tanner and his Skillet Lickers

The traditional country song Cripple Creek, performed by Gid Tanner and his Skillet Lickers

Choro "Tico Tico no Fubá", by orquestra Colbaz. Composed by Zequinha de Abreu. Recorded in 1931 (Columbia recording company).

Interpret: Harry Mortimer Titel: Trumpet Concerto in E Flat Komponist: Joseph Haydn Genre: Kammermusik Aufnahmedatum: 19. Juni 1946 Erstveröffentlichung: 1949

The traditional country song Cotton Eye Joe, performed by Gid Tanner and his Skillet Lickers

The tradtitional country song John Henry, The Steel Drivin' Man, performed by Gid Tanner and his Skillet Lickers

The song Old McDonald Had A Farm, performed by Gid Tanner and his Skillet Lickers

The traditional tune Pass Around The Bottle (And We'll All Take A Drink) (also credited as John Round's Body), performed by Gid Tanner and his Skillet Lickers

The traditional country song The Prettiest Little Girl In The Country (some also say Prettiest Little Girl In The Country[!]), performed by Gid Tanner and his Skillet Lickers

The traditional country song Nancy Rollin ’, performed by Gid Tanner's Skillet LickersFrançais : Nancy Rollin ’, chanson country traditionnelle chantée par le groupe musical Skillet Lickers. (Durée : 3 m 27 s)

1st release date: 1920 1st recording date: 9 January 1919 Composer: Giacomo Puccini (1858-1924) Lyricists: Luigi Illica (1857-1919) and Giuseppe Giacosa (1847-1906) Performer: Rosa Ponselle (1897-1981) with orchestra Work: Madama Butterfly (opera) Content: Un bel di vedremo (One fine day)

1st release date: 1936 1st recording date: 4 October 1935 Place of recording: London (United Kingdom) Author(s)/Composer(s): Joseph Haydn (1732-1809) Lyricist(s): none Conductor(s): Thomas Beecham (1879-1961) Performer(s): London Philharmonic Orchestra Vocal range: instrumental Title/Work: Symphony No. 99 in E-flat major Content: 1st Movement - Vivace assai (Conclusion) Genre(s):Symphony

Title/Work: Il barbiere di Siviglia Content: Atto 1-Sc 02/03-Recitativo: Ah, ah! che bella vita! (Figaro) Genre(s): Operas Author(s)/Composer(s): Gioachino Rossini (1792-1868) Music arranger(s): none Lyricist(s): none Performer(s): La Scala Theatre Orchestra Conductor: Lorenzo Molajoli (1868-1939) Place of recording: unknown 1st release date: 1929 1st recording date: 8 July 1929

NOTE: Edited version (noise reduced, volume boosted), original is at File:PDP-CH_-_Opéra_Comique_-_Élie_Cohen_-_Joseph_Rogatechwsky_-_Romance_de_Nadir_-_Les_pêcheurs_de_perles_-_Bizet_-_Cormon_-_Carré_-_Columbia-12527-lx90.flac. 1st release date: 1929 1st recording date: 1928 Place of recording: unknown Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Eugène Cormon (1810-1903) and Michel Carré (1821-1872) Music arranger(s): none Conductor: Élie Cohen (unknown birth/death date) Performer(s): Joseph Rogatechwsky (1891-1985) de l'Opéra Comique Vocal range: tenor with orchestra accompaniment Title/Work: Les pêcheurs de perles (The Pearl Fishers) (opera) Content: Romance de Nadir Synonym: This is a "Je crois entendre" encore[1] Genre(s): Opera terminology

1st release date: 1938 1st recording date: 29 April 1937 Place of recording: unknown Author(s)/Composer(s): Edvard Grieg (1843-1907) Lyricist(s): none Music arranger(s): none Conductor: Hans Rosbaud (1895-1962) Performer(s): Pianoforte: Walter Gieseking (1895-1956) with the Staatskapelle Berlin (Berlin State Opera House Orchestra) Vocal range: instrumental Title/Work: Piano Concerto in A minor, Op. 16 Content: Part 3: Cadenza and 1st Movement: Allegro molto moderato (Conclusion) Genre(s): Piano concerto

1st release date: 1938 1st recording date: 29 April 1937 Place of recording: unknown Author(s)/Composer(s): Edvard Grieg (1843-1907) Lyricist(s): none Music arranger(s): none Conductor: Hans Rosbaud (1895-1962) Performer(s): Pianoforte: Walter Gieseking (1895-1956) with the Staatskapelle Berlin (Berlin State Opera House Orchestra) Vocal range: instrumental Title/Work: Piano Concerto in A minor, Op. 16 Content: Part 3: Cadenza and 1st Movement: Allegro molto moderato (Conclusion) Genre(s): Piano concerto

Title/Work: Madama Butterfly Content: No.13: Perchè con tante cure Genre(s): Opera Author(s)/(Composer(s): Giacomo Puccini (1858-1924) Music arranger(s): none Lyricist(s): Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906) based in part on the short story "Madame Butterfly" (1898) by John Luther Long (1861-1927), which was dramatized by David Belasco (1853-1931) Performer(s): Professori d'Orchestra e l'intero Corpo Corale della "Scala di Milano", Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccaloni (Basso) and Lino Bonardi (Baritone) Conductor: Lorenzo Molajoli (1868-1939) Place of recording: London (United Kingdom) 1st release date: 1929 1st recording date: 25 April - 11 May 1929

Traditional song from Burma performed by Ma E Mi. Columbia record n° V.E. 2107. Matrix n° CEI. 7910 [1].

Traditional Basque music performed by Miguel Sagastume and Toribia Narbaiza . Columbia record n° A 5181. Matrix n° C 8156-2. [1]

Traditional Canadian folk music, interpreted by Isidore Soucy. Columbia record n° 34103-F. Matrix n° E 2685. [1]

Irish music performed by James Morrison. Columbia record n° 33108-F. Matrix n° 106431.