25 Royalty-Free Audio Tracks for "Audio Files Of Christian Hymns"

The Christian hymn "All for Jesus" from Stainer's oratorio The Crucifixion

Byzantine Ecclesiastical Hymns part 1

Edison Mixed Quartet, 1913 recording of Rock of Ages. Original recording on a Edison cylinder.

Hymn tune CanonburyO Gott, dein Wille schuf die Welt, Gotteslob (2013) 628

This sound file belongs to me and I donated it to Wiki.

Hymn tune Duke Street ("Jesus shall reign where'er the sun") Jesus hat seine Herrschaft bestellt, Evang. Gesangbuch (Rheinland/Westfalen/Lippe) Nr. 610

The hymn "Eternal Father, Strong to Save", sung without words by the U.S. Navy Band

Var_är_den_vän_(Mora) Var_är_den_vän_(Mora)

Var_är_den_vän_(Söderberg) Var_är_den_vän_(Söderberg)

Byzantine Ecclesiastical Hymns part 2

An instrumental performance of the hymn "Eternal Father, Strong to Save", by the United States Marine Band, as played at military funerals

Hymn tune St. Anne ("O God, our help in ages past") In Christus gilt nicht Ost noch West, Evang. Gesangbuch (Niedersachsen-Bremen) 573

Pronunciation of the Latin prayer Salve Regina Italiano: Pronuncia della preghiera latina Salve Regina

O Völkerhirt auf Petri Thron, Papsthymne aus Österreich, 19. Jahrhundert

Nun ist sie da, die rechte Zeit, Gotteslob (2013) 638

Title/Work: The hymns my Mother used to sing Content: Song of 1911, Baritone vocal solo and orchestra Genre(s): Christian hymns (sacred music) Author(s)/Composer(s): Frank Langford (unknown birth/death date) Music arranger(s): none Lyricist(s): Frank Gee-Fort (unknown birth/death date) Performer(s): Robert Carr, baritone (1881-1948) Conductor: none Place of recording: London (United Kingdom) 1st release date: 2 October 1911 1st recording date: 21 September 1911

The Old 100th psalm tune; image source from http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=194; from the 1551 Genevan psalter.

The Lord's My Shepherd (Crimond tune) Der Herr, mein Hirte, Evang. Gesangbuch Bayern-Thüringen 594

Messias, Jesus, einzger Sohn, Gotteslob (1975) Osnabrück 854; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 745

Eesti: Jumal on valgus ja pääste Du bist, Herr, mein Licht und meine Freiheit, Evang. Gesangbuch (Niedersachsen) 575

The God of Abraham Praise performed by the Concert Band of the United States Air Force Band. Track 53 from Esprit de Corps (1997).

God of Our Fathers performed by the Concert Band of the United States Air Force Heritage of America Band. Track 55 from disc 1 of Ceremonial Music (2005).

Nederlands: Hoe groot de vrugten zijn Der schöne OstertagÜbertragung (R.F.): Kein Felsen hält ihn fest, kein Grab hält ihn gefangen. Er hat die Welt erlöst und ist ins Licht gegangen. Die Schuld, die Angst, den Tod, die alle Menschen banden, er sprengt, was uns bedroht: der Herr ist auferstanden, erstanden. Wo käme Hoffnung her und Kraft zum Überwinden, wenn er gescheitert wär? Es hätten Leid und Sünden das ewig letzte Wort und alles wär zuschanden, die Zukunftssaat verdorrt. Doch er ist auferstanden, erstanden. Er geht durch Todesflut wie Mose einst ins Freie und macht den Seinen Mut zum Aufbruch in das neue, das zugesagte Land, das wir allein nicht fanden, durch Meer und Wüstensand. Denn er ist auferstanden, erstanden.

Title Christian Mass, Postlude, closing Hymn Artist stephan Original mp3 data Length:4:17 minutes (3.93 MB) Format:MP3 Stereo 44kHz 128Kbps (CBR) User tags Christianity, Church, ecumenical, Exit, Hymn, Mass, Music, Organ play, Postlude, Religion Type Single Subject, Natural PDSounds record number 285 Comment May 27, 2007 - Church of Christ the King (1927), Leverkusen, Germany.

Title Christian Mass, Prelude, Organ play and singing Artist stephan Original mp3 data Length:1:56 minutes (2.21 MB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags Christianity, Church, ecumenical, Hymn, Mass, Music, Organ play, Parish, People, Prelude, Religion, singing Type Single Subject, Natural PDSounds record number 291 Comment May 27, 2007 - Church of Christ the King (1927), Leverkusen, Germany. Prelude to the mass. First the organ plays alone, while some people are still taking their seats in the pews. Then the parishioners start to sing (a bit reluctantly) with the organ play. The song has been shortened by me from 4 strophes to 1. Many thanks to minister and organist of this mass for the permission to record.