18 Royalty-Free Audio Tracks for "Audio Paint"

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Generated with audio paint. Such sound, much experiment.
Author: Bloke
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Sonified with audio paint from this image rainbow.
Author: Kbclx
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Created with audio paint from this image rainbow lace with default settings.
Author: Kbclx
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Sonification in audio paint of a friend's picture.
Author: Kbclx
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Sonified with audio paint from this image rainbow mixed in goldwave of rainbow2 with the reverse of itself.
Author: Kbclx
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Sonified with audio paint from this image rainbow with different parameters from rainbow1. Wav.
Author: Kbclx
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Sonified with audio paint, a blending of my friend joão's picture with this image rainbow and using 05-19 in the scale library.
Author: Kbclx
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Created with audio paint from this image rainbow lace with longer duration.
Author: Kbclx
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Phonograph A Picture no Artist can paint by Florrie Forde, Edison Record #13544, september 1906
Author: unbekannt, tot seit über 70 Jahren
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Foi utilizado uma lata de tinta spray para fazer os som. It was used a can of spray paint to make the sound. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.
Author: Lydiaotto
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The Stanley Brothers live at the WNER Suwanee River Jamboree in 1958 performing their song We Are Going To Paint The Town
Author: The Stanley Brothers
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Me spraying a bug. No bugs were harmed! applied pitch bend, tempo and noise reduction. Recorded on conexant smart audio and at2020 usb mic, processed with audacity.
Author: Husky
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An second mp3 recording of painted lady butterflies fluttering their wings in an enclosure (less background noise than "butterfly wings fluttering 1"). Audio captured from a video taken with a nikon coolpix camera. Enjoy!.
Author: Funwithsound
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Sonified with goldwave in 24-bit big endian raw from this image. Rainbow lace.
Author: Kbclx
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Sonified with goldwave in 24-bit big endian raw from this image rainbow.
Author: Kbclx
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Som de pincel médio sendo levemente friccionado contra superfície lisa. Microfone shotgun boom. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.
Author: Jeh Gomes
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Noise created by individual oscillators, using audio paint, with different height images, to demonstrate what happens with too few oscillators vs. Plenty. In the end, the result is not random enough to be noise. The first 2-second burst is pure white noise for comparison. Then we have multiple 1-second bursts from audio-paint in a sequence of different image sizes: 50,100,150,200,250,350, 500, 700, 1000, 1350, 1750, 2200, 2700, 3250, 3850, 4500, and 9999 (this corresponds to the number of oscillators). The last burst is longer, and there is 1/2 second gap of silence after the first (reference) burst and before that last (9999) burst. The images other dimension was 20. The spacing of frequencies was exponential, between 40 hz and 18 khz. This is not intended to be useful, just an illustration during a discussion in a forum (http://www. Freesound. Org/forum/sample-requests/35199/?page=2#post75605). As mentioned there, i realized only afterward that exponential spacing would be giving me an approximation to pink noise instead of white noise, so the reference burst at the start is not really a fair comparison. Ideally, i would go back and re-do all this using linear spacing, but that's a lot of trouble. :-) i did, however, change to linear to get a white approximation, but that's a different sound i'll upload separately (c. F. Http://www. Freesound. Org/people/zimbot/sounds/242053/). I don't believe you can get true white noise without at least something being random in your synthesis method.
Author: Zimbot
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Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte
Author: scrymgeour34
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