28 Royalty-Free Audio Tracks for "Aufnahme"

Very windy day in a german forest. U can hear falling nuts.

Ein Beispiel für den Klang einer Konzertmandoline. Aufnahme mit leichtem Echoeffekt. Ein von mir auf der Mandoline gespielter Auszug aus dem Schneewalzer.

Rhodes Mark I verzerrt über Röhrenamp -- Selbst gemachte Aufnahme --Fetz 19:58, 8. Apr 2006 (CEST) Rhodes Mark I with an overdriven tube amp -- own Recording.

Nederlands: Midifile van het rondo in Es-dur, H.288, van C.P.E. Bach. MIDI version of Rondo in E-flat major, H.288, by C.P.E. Bach. MIDI Aufnahme, Rondo in Es-dur, H.288, von C.P.E. Bach.

Bury Me Out on the Prairie by Bradley Kincaid. I'm not quite sure if this is the Gennett cut from 1928 or if it's a later Brunswick recording. Bury Me Out on the Prairie von Bradley Kincaid. Es ist nicht sicher, ob dies die Gennett-Aufnahme von 1928 oder eine spätere Brunswick-Einspielung ist.

Von der Orgel in de:w:St. Mathilde (Quedlinburg gespielt das Lied: „Freu dich du Himmelskönigin“ (Gotteslob 576). An der Orgel: Andreas Werner. Aufnahme Ostermontag 2013.Playing the "Freu dich du Himmelskönigin" by Andreas Werner at organ in St. Mathilde / Quedlinburg / Germany.

Richard Wagner: "Titurel, der fromme Held" aus "Parsifal" (Ausschnitt) Orchester des Reichssenders Frankfurt, Hellmut Schwebs (Bass), Otto Frickhoeffer (Dirigent) Aufnahme von 1942 im Großen Saal an der Eschersheimer Landstraße Richard Wagner: "Titurel, der fromme Held" from "Parsifal" (excerpt) Frankfurt Radio Symphony, Hellmut Schwebs (bass), Otto Frickhoeffer (conductor) recording from 1942 in the Eschersheimer Landstraße great hall

Georges Bizet: L'Arlésienne Suite Nr. 1, 1. Satz (Ausschnitt) Sinfonie-Orchester des Hessischen Rundfunks, Kurt Schröder (Dirigent) Aufnahme vom 8. September 1948 im großen Sendesaal Eschersheimer Landstraße Georges Bizet: L'Arlésienne Suite no. 1, first movement (excerpt) Frankfurt Radio Symphony, Kurt Schröder (conductor) recording from 8 September 1948 in the Eschersheimer Landstraße broadcasting studio

Frank C. Stanley's 1910 Indestructible Record performance of "Auld Lang Syne". This is Indestructible Record #1267. "Auld Lang Syne", ein Lied, das traditionell zum Jahreswechsel gesungen wird, in einer Aufnahme aus dem Jahr 1910 Македонски: Шкотската новогодишна песна Auld Lang Syne („Многу одамна“) во изведба на Френк Стенли (1910).

Toccata from L'Orfeo, composed by Claudio Monteverdi in 1607. Performers: Bangkok Baroque Ensemble Trisdee na Patalung, harpsichord and direction Siripong Tiptan, violin Omphorn Kowintha, violin Ekachai Maskulrat, cello Lertkiat Chongjirajitra, trumpet (principal) Performed at the Shangri-La Hotel, Bangkok, Thailand on December 17, 2005 Aufnahme der "Toccata" aus der frühen Barockoper L’Orfeo von Claudio Monteverdi, aus dem Jahr 2005

1902 Aufnahme des letzten italienischen Kastraten, Alessandro Moreschi, der einzige Kastrat, der Aufnahmen hinterlassen hat.1902 recording of the last Italian castrato, Alessandro Moreschi, the only castrato who has left recordings.1902 la grabación del último castrato italiano, Alessandro Moreschi, el único castrato que ha dejado grabaciones.Enregistrement de 1902 du dernier castrat italien, Alessandro Moreschi, seul castrat qui ait laissé des enregistrements.Italiano: 1902 la registrazione dell'ultimo castrato italiano, Alessandro Moreschi, l'unico castrato che ha lasciato registrazioni.

New York Blues, a "Rag Classical" for accordion composed and performed by Pietro Frosini. Record format: Edison Diamond Disc Matrix number: 4998-B-1-6 Recording date: 1916 Release number: 50454-L Release date: February 1918 NPS object catalog number: EDIS 41040 Aufnahme der Ragtime-Komposition "New York Blues" aus dem Jahr 1916, gespielt auf dem Akkordeon von Pietro Frosini Македонски: Снимка на регтајм-композицијата New York Blues („Њујоршки блуз“). Пјетро Фрозини на армоника (1916).

Choro polka "Cruzes, Minha Prima!", composed by Joaquim Antônio da Silva Callado in 1875[1]. Recorded in 1913 by Agenor Bens (Flute) and Arthur Camilo (Piano) Português: Choro polca "Cruzes, Minha Prima!", composta por Joaquim Antônio da Silva Callado. Gravada em 1913 por Agenor Bens (Flauta) e Arthur Camilo (Piano) 1: Choro-Polka: Cruzes, Minha Prima!, komponiert 1875 von Joaquim Calado, Aufnahme 1913 von Agenor Bens (Flöte) und Arthur Camilo (Klavier).

A record of WNOX's Tennessee Barn Dance airing every saturday night. Emcee was Lowell Blanchard. The first tune to hear on this recording is the theme song "Gonna Raise A Ruckus Tonight", later Larry Mathis plays the "Dixie Breakdown" with the barn dance band. Ein Ausschnitt aus dem WNOX Tennessee Barn Dance, der jedeb Samstanabend gesendet wurde. Moderator war Lowell Blanchard. Der erste Titel in dieser Aufnahme ist "Gonna Raise A Ruckus Tonight". Später spielt Larry Mathis zusammen mit der Hausband den "Dixie Breakdown".

Livery Stable Blues by the Original Dixieland Jass Band, recorded on 26 February 1917. It was released on the Victor label on 7 March 1917, and was the first released jazz recording. 78 RPM, transferred to .ogg from a .mp3 file from The Internet Archive. Die erste kommerzielle Jazz-Aufnahme: Livery Stable Blues, der Original Dixieland Jass Band, von 1917. Le premier enregistrement commercial de jazz : Livery Stable Blues en 1917, par l’Original Dixieland Jass Band. Italiano: La prima registrazione commerciale di musica Jazz: Original Dixieland Jass Band, Livery Stable Blues, del 1917 Norsk nynorsk: Jazz-songen «Song from a Cotton Field» av Bessie Brown

Opening a door.

in der verwaltung: aufnahme im gang eines verwaltungsgebäudes: türen, hallende schritte, gemurmel, treppensteigen, gespräche, geraschel. . .

A supermarket ("billa") in krottendorf, styria, austria. Blue snowball -> apple macbook -> soundtrack pro. . Aif, 16 bit integer (big endian), 44,100 khzwe bought two "extrawurstsemmeln", mozzarella, tomatoes and water. There's some people talking, alarm ringing, cars, and stuff.

This sound was collected while using the subway while i prepare a shooting. A few diffrent takes of it at the ride. I liked the sound from the mooving and doors so i had to catch it.

This sound was collected while using the subway while i prepare a shooting. A few diffrent takes of it at the ride. I liked the sound from the mooving and doors so i had to catch it.

This sound was collected while using the subway while i prepare a shooting. A few diffrent takes of it at the ride. I liked the sound from the mooving and doors so i had to catch it.

This sound was collected while using the subway while i prepare a shooting. A few diffrent takes of it at the ride. I liked the sound from the mooving and doors so i had to catch it.

This sound was collected while using the subway while i prepare a shooting. A few diffrent takes of it at the ride. I liked the sound from the mooving and doors so i had to catch it.

This sound was collected while using the subway while i prepare a shooting. A few diffrent takes of it at the ride. I liked the sound from the mooving and doors so i had to catch it.

This sound was collected while using the subway while i prepare a shooting. A few diffrent takes of it at the ride. I liked the sound from the mooving and doors so i had to catch it.

This sound was collected while using the subway while i prepare a shooting. A few diffrent takes of it at the ride. I liked the sound from the mooving and doors so i had to catch it.

This sound was collected while using the subway while i prepare a shooting. A few diffrent takes of it at the ride. I liked the sound from the mooving and doors so i had to catch it.

This sound was collected while using the subway while i prepare a shooting. A few diffrent takes of it at the ride. I liked the sound from the mooving and doors so i had to catch it.