2,487 Royalty-Free Audio Tracks for "B"

Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:10:7

Sveriges Radios folkmusikinspelningar. Jämtlandsresan 1951 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Hänvisning till tryckt källa: Svenska låtar Jämtland/Härjedalen nr. 58 Radiotjänsts ursprungliga produktionsnummer: B 51/19920:12:1

O mio babbino caro from Giacomo Puccini's opera Gianni Schicchi (1918). It was performed by Frances Alda in 1919.This is Victor 64802, Matrix B-22578-2, and was recorded on February 11, 1919 Українська: «О, дорогий мій тату» з опери Джакомо Пуччіні «Джанні Скіккі» (1918), виконує Френсіс Альда 11 лютого 1919 року.

Crescendo demo, played without modulation. The crescendo only influences the registers Violin and Viola, not Trumpet/Horn and Contrabass and Cello. The crescendo effect is monophonic, i. e. the keys have always to be released and pressed down again in order to get the crescendo effect. Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

Soundscape_humfaksound description: hörsaaltreppe runter gehenwave, 44. 1khz, 16bitrecording device: zoom h2next with xy-capsulelocation: universität zu köln, humanwissenschaftliche fakultät, hf 216 (block b, 1. Etage, h4)lat: 6. 920833lon: 50. 935date recorded: 2014-11-25recorded by: nora ahren and edited by: stefan hintersdorfthis recording was created during the seminar "gestaltung auditiver medien" (ws2014/2015) intermedia, bachelor of arts, university of cologne.

I recorded my voice while playing freelance horror games; scp-087-b and slender sanatorium. This was so i could get genuine reactions to use as stock voice clips for future use. Some pretty interesting stuff came out. This is when the first "thing" that happens when you start, like hearing the first creepy sound or grabbing your first note.

I recorded my voice while playing freelance horror games; scp-087-b and slender sanatorium. This was so i could get genuine reactions to use as stock voice clips for future use. Some pretty interesting stuff came out. This is when the first "thing" that happens when you start, like hearing the first creepy sound or grabbing your first note.

I recorded my voice while playing freelance horror games; scp-087-b and slender sanatorium. This was so i could get genuine reactions to use as stock voice clips for future use. Some pretty interesting stuff came out. Also, i've tried asking what the rule is on this site about vulgarity, but no one has given me a straight answer. . . So yeah. . .

I recorded my voice while playing freelance horror games; scp-087-b and slender sanatorium. This was so i could get genuine reactions to use as stock voice clips for future use. Some pretty interesting stuff came out. Used my "stay still!" clip in my mod, and it kept shouting it at me until i got far enough away from it.

Very empty metro station in parisannouncements are done and very few people walking by, escalator is stopping at a certain pointn. B. This is a binaural recording with my okm soundman microphones placed inside my ears, so for headphone use only (for best results).

A small woodpecker in the morning in the forest close to tauary (part of the flona of tefé). Microphones ab setup 2x b&k; 4006recorder sound devices 633sound ref: br-170909t02gps: 3º38'20''s 64º56'59''owave, 96khz, 24bit. More sounds on http://www. Felixblume. Com/.

bassoon concerto in b flat major, k. 191 - i. allegro Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

Recordings from one of my workshops at uni. Gareth stuart is playing while we test mic techniques for: interaural intensity difference, interaural time difference and which techniques and positions reduced the instruments natural hiss, but we also discovered that a lot of people like the clarinet's tuneful hiss. We used an ab split stereo pair , xy pair and then an ortf pair. Used rode's nt5 pair, veeery nice.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Sveriges Radios folkmusikinspelningar. Dalaresan 1954 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: B/43.157-58:15:10 Hänvisning till tryckt/skriftlig källa: Sionstoner - Sångbok för den kristliga andakten utgifven af Evang. Fosterlands-stiftelsen (1907): Nr. 331

The melody (only single tones) of "Nearer my God to you". A legend tells this song was played on board of the Titanic when the ship got down. You will hear the registers Violin, Viola and Horn, with modulation. Sorry I'm not a keyboarder! Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Hänvisning till tryckt källa: Svenska Låtar Dalarna I nr 81 Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:4:16

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Blumengruss - (b) Gleich und gleich - (c) Frühling übers Jahr Genre: Tone poem

Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 476:1 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:3:1

Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Hänvisning till tryckt källa: Svenska Låtar Dalarna I nr 126 Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:5:2

Sveriges Radios folkmusikinspelningar. Jämtlandsresan 1951 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Hänvisning till tryckt källa: Svenska låtar Jämtland/Härjedalen nr. 247 Radiotjänsts ursprungliga produktionsnummer: B 51/19920:19:4

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Crescendo demo, played without modulation. The crescendo only influences the registers Violin and Viola, not Trumpet/Horn and Contrabass and Cello. The crescendo effect is monophonic, i. e. the keys have always to be released and pressed down again in order to get the crescendo effect. Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

Symphony no. 9 in e minor 'From the new world', op. 95 - i. adagio - allegro molto 9. Sinfonie e-Moll op. 95 (B 178) “Aus der Neuen Welt”

Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 478:5 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:4:5

Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 186:22a-f (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:3:5

Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Hänvisning till tryckt källa: Svenska Låtar Dalarna I nr 132 Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:5:3

Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 477:1 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:3:3

Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 476:2 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:3:2

Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 111:16 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:1:1

Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 337:2 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:5:5

Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Hänvisning till tryckt källa: Svenska Låtar Dalarna I nr 121 Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:5:4

Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 337:3 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:5:6

Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 186:23 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:3:4

Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Hänvisning till tryckt källa: Svenska Låtar Dalarna I nr 112 Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:4:15

Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Hänvisning till tryckt källa: Svenska Låtar Dalarna I nr 104 Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:5:5

Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Hänvisning till tryckt källa: Svenska Låtar Dalarna I nr 98 Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:4:14

Akkords played first without, later with modulation (chorus). You can hear the warm and bright sound of this instrument. The registers (choires) are Viola, Violin and Horn. With sustain. Note: Horn is the low pass filtered version of the register Trumpet, not an additional register! Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Hänvisning till tryckt källa: Svenska Låtar Dalarna I nr 101 Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:5:6

Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 478:7 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:4:7

Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 478:8 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:4:8

Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Hänvisning till tryckt källa: Svenska Låtar Dalarna I nr 115 Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:5:1

Soundscape_humfaksound description: open and close of an auditorium doorwave, 44. 1khz, 16bitrecording device: zoom h2next with xy-capsulelocation: universität zu köln, humanwissenschaftliche fakultät,216 b elat: 6°55'13''olon: 50°56'4''ndate recorded: 2014-11-19recorded by: saskia moes and edited by amelie potthast. This recording was created during the seminar "gestaltung auditiver medien" (ws2014/2015) intermedia, bachelor of arts, university of cologne.

Soundscape_humfaksound description: a chair is moved over the soundwave, 44. 1khz, 16bitrecording device: zoom h2next with xy-capsulelocation: universität zu köln, humanwissenschaftliche fakultät,216 b 3. Stocklat: 6°55'12''olon: 50°56'5''ndate recorded: 2014-11-19recorded by: nina welsandt and edited by nina welsandt. This recording was created during the seminar "gestaltung auditiver medien" (ws2014/2015) intermedia, bachelor of arts, university of cologne.

Soundscape_humfaksound description: open and close a glass door of a cupboardwave, 44. 1khz, 16bitrecording device: zoom h2next with xy-capsulelocation: universität zu köln, humanwissenschaftliche fakultät,216 b 3. Stocklat: 6°55'13''olon: 50°56'5''ndate recorded: 2014-11-19recorded by: vicky jordan and edited by nina welsandt. This recording was created during the seminar "gestaltung auditiver medien" (ws2014/2015) intermedia, bachelor of arts, university of cologne.

Soundscape_humfaksound description: an automatic door opener opens a doorwave, 44. 1khz, 16bitrecording device: zoom h2next with xy-capsulelocation: universität zu köln, humanwissenschaftliche fakultät,216 b 3. Stocklat: 6°55'12''olon: 50°56'5''ndate recorded: 2014-11-19recorded by: amelie potthast and edited by saskia moes. This recording was created during the seminar "gestaltung auditiver medien" (ws2014/2015) intermedia, bachelor of arts, university of cologne.

Soundscape_humfaksound description: security is holding a cell phone to scan pointwave, 44. 1khz, 16bitrecording device: zoom h2next with xy-capsulelocation: universität zu köln, humanwissenschaftliche fakultät,216 b 3. Stocklat: 6°55'12''olon: 50°56'5''ndate recorded: 2014-11-19recorded by: saskia moes and edited by saskia moes. This recording was created during the seminar "gestaltung auditiver medien" (ws2014/2015) intermedia, bachelor of arts, university of cologne.

I recorded my voice while playing freelance horror games; scp-087-b and slender sanatorium. This was so i could get genuine reactions to use as stock voice clips for future use. Some pretty interesting stuff came out. This happened after my "murder scream. " it was so loud and terrifying that i laughed in a way that said, "oh crap that was awful!".