94 Royalty-Free Audio Tracks for "Bassi"

A few noises created by hitting the mic and its surrounding surfaces, with a big boost of bass, normalised and reverbed. Created by hjalmar for red moon roleplaying.

Made in audacity with a couple of sounds from audio stock site. Can be used as a big distant explosion.

Sliding a chair or a table over the floor. Recorded with edirol r-1 & sennheiser me66.

Well. . . No better name is given for now. Use it as you like, no credits needs to be given. It's a custom made bass lead, nothing biggie :).

A surprisingly pure recording of air rushing over the microphones as i race downhill on my bicycle. Not the usual bassy static like when the wind buffets the mic during a recording.

Bashing a metal wheelie bin in my neighborhood. Low, hollow, bassy metal echo. Raw audio, no edits. May be background noise.

Light switch with two elements, one bassy and one resonant. Possibly good for user interface sfx.

A dark - bassy experimental drone. A leftover from a past project.

A simple basic saw and sine wave that, when looped, make a both hard and soft (bassy) sounding c note to load into your sampler.

It's noise. Evidently sounds good when you speed it up a lot, if my past self is to be trusted.

A low bassy throb created using audacity. I initially used the 'risset drum' creator. Then randomly altered pitch and speed, increased the bass, then copied and pasted repeats.

Large glass fronted wood burning stove, recorded with the door slightly open to create bassy roaring sounds. Recorded with : zoom h5 -- h5 stereo capsule.

Sort of a minimal techno synth/bassline.

Just a closeup recording of my cat purring, with mkh8050 supercardioid mic and sound devices mixpre 6 at 192khz 24bit.

A beat with a very funky bassline. Just fooling around more with vexst's wonderful snares.

Played with some distortion on some 808s, got some really cool growls!.

Stomping on a big cement ground as hard a possible with a contact mic attached to the ground. The contact mic provides lots of bass so you can use this for punches, kicks, impacts, anything that can use a sweeter for impacts. I handmade my contact mic and recorded that into a h5. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.

A minute or so of loopable, stereo sound of a fireplace in the home of a pair of astronomers. Nice crackles in the high end, and some bassy flames with body. Enjoy and use as you like.

Intense sea waves, caused by a ship from far away approaching. The bassy sound belongs to that big ship. Water collides with the shingles creating a unique and impressive sound effect. Recorded with zoomh6 & xy capsule.

A synth chord made with an fl studio vst. Bassy/harmonic sound.

A modular synth experiment. 1 - noise/vclfo/slew - the brighter sound2 - noise/vcf - the bassy soundx - the bass drum is very unrandom. 5 minutes of random. . .

Created via a neural network, science is great huh. Chiptune 8 bit song.

Typing on a mechanical keyboard (leopold fc660m, mx browns, enjoypbt and gmk caps). This one is the more bassy of the two recorded using my keyboard. Recorded with a zoom hd1 placed slightly above the left side of the keyboard.

A new hardstyle kick harmonic enough made from a old kickdrum of mine and some bass layers made in sytrus from zero. Key:cprocessed/clean. Tempo:155/130(this instrument is in whole length cause of reverb,is not a loop,just one-shot).

Dark and powerful sound of a vintage, beast of a power amplifier, switching on. This is an older recording i had lying around, fades out at the end. Could for example be used as a sound effect for a title screen, or turning on a big piece of equipment.

A dark hip hop drum-loop made using fl studio's fruity drumsynth live (analog modelling drum synthesizer), using fl studio as my host daw.

8-bit/nintendo inspired electrohouse track. Ableton live, with the free vst's: toad and peach.

A chair i moved over a stone tiled floor. Keeps getting heavier and noisier, quite eery in the end. Recorded with sony tcd d10 pro ii & sennheiser md21u.

An ominous ambient background hum that is heavy on the bass and with other layers to add subtle complexity. Loopable. Good for a dramatic scene on a space ship to add tension. Created in adobe audition.

I didn't notice many good rain sounds on this site so i decided to leave my mic recording beside my window :p it's pretty short but enjoy. Recorded with sony hdr pj260v then edited with audacity.

Alien drone ship, oscillating bass frequencies, deep. Recorded with the tascam dr-40 built-in microphones, processed in pro tools 10, bounced to a 48khz 24bit wav file.

Yet another "low, bassy thing". Will sound better once downloaded as the preview function sometimes adds compression artifacts. This one is loopable and might produce a mildly stupefied mental state in some listeners. So if you go and load it into your ipod don't try operating a vehicle or playing with power tools.

Original description: a deep noise with some clickyness to it, came from an edison recording of a kick.

Water flowing from an above-ground stream into a sinkhole leading to an underground cave. Recording captures the gurgling of water running over rocks along with the deeper, bassy rumble of the underground chamber.

Made from a tom drum i created with xfer serum in reaper. Rendered the instrument as audio, then, sampled a small section of the tom and looped it infinitely to create a static frequency. Then i added the reapitch vst and created a smooth automation curve down to -24 semitones. Lastly, i added a short fade in and long fade out.

Made by drfx:here is melody i (drfx) made in fl studio using the dsk music box vst plugin. You can use for what ever you want just add me (drfx and me) in credits. You dont have to but i would love to here what you are using it for. (both here and at his page). (original: https://freesound. Org/people/drfx/sounds/338986/#). The difference between this and the original (by drfx) is, that this has a little echo, is more bassy and is a loop.

In a room full of whirring machinery, a small robot and a very large robot use beeps to sing a duet: “hine, e hine”, written by the princess te rangipae (fannie rose howie/pane poata - te whanau-a-apanui, ngati porou) in 1905. Made with the freesound samples:. “3beeps” by pera - https://freesound. Org/people/pera/sounds/56229/ (cc0)“thailand room tone hotel open hall common area with air conditioning, fan, and distant traffic bassy echoey resonant through wall. Flac” by - https://freesound. Org/people/kyles/sounds/177721/ (cc0).

A recording of a shower door, i used this sound through izotope iris 2 to produce a low, slow bassy kick sound, for a pretty ambient piece i did. I don't know why i became fascinated with the shower door. Bathroom time can be surprisingly pensive, so perhaps the sound of the door shunting shut became associated with that introspective space for me. Yes, i am aware that this the second bathroom sound i have shared. This may take on a certain significance given the fact that i have only shared a handful of recordings, but i encourage you not to read too deeply in to this fact.

I think i used stereo mics that came with my h5. Recorded on top of a parking garage right next to the airport. I caught this great sound early in the morning before city traffic could get busy enough to ruin the recording. Enhanced with ozone 6 and removed some bassy wind noise with rx5. I think i actually used this sound for various whooshes for my flash sound in flash v quicksilver. Https://www. Youtube. Com/watch?v=vwcqy-d0i_g&t=49s. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.

This is the original 8-second drum loop that i ran through akaizer for my "sci-fi ambient drone" upload. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. I took a quick 8-second drum loop from my teenage engineering po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. This program is based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise. As you can hear from my other uploads, the results are so different it's almost unrecognizable. Definitely worth trying yourself!.

This is the unprocessed version of my "sci-fi ambient drone" upload. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. I took a quick 8-second drum loop from my teenage engineering po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. This program is based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Enjoy :).

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).