6 Royalty-Free Audio Tracks for "Beaulieu"

00:00
03:35
Starting with a couple of blackbirds chatting to one another, their conversation broken by the arrival of a load of people on the monorail. Recorded mid_may at the national motor museum, beaulieu, hampshire, uk on a zoom h5 using custom mics. A 6db/octave high pass at 60hz has been applied.
Author: Richwise
00:00
00:44
Beaulieu supercar day sound competition, all cars revving at once. Olympus ls-5, deadcat, 15hz high pass.
Author: Richwise
00:00
03:01
A few large american cars chug past on a gravel driveway, excellent stereo effect. Olympus ls-12, luhd mics, deadcats, bit of low cut20-08-16_101400_beaulieu_american_driveby_ls-12. Wav.
Author: Richwise
00:00
01:09
About as quiet as you can get outside in hampshire. Distant voices, traffic and birdsong. Recorded in the gardens of the national motor museum, beaulieu, hampshire, uk. Zoom h5, customs mics, windshields and a gentle low cut of around 50hz.
Author: Richwise
00:00
08:43
I tied an olympus ls-5 recorder high in a tree and left it for half an hour. There are still quite a few people around and you can hear their voices alongside the birds which are getting ready to roost.
Author: Richwise
00:00
00:14
What if we could hear sounds from another planet ?. In this imaginary place, people can visit zoos under water. Here is the sound of a yhtem, recorded by a visitor from inside his personal submarine. The recording device was found by a member of the zoo staff, as it was floating over the water. It gave no more informations about what happened to the visitor, except that according to several monster's specialists, the yhtem « sounded hungry ». In the real world, this sound was created using the sound of a very brief scream. At the background was a noisy street, and some cars were passing by. I used two different screams and mixed them, before decreasing speed and tempo in audacity. -. Xson « cannelé ». Le son « d'arrière plan » est étouffé, plutôt doux, mais il y a des « accents » rugueux, acides, lors du grognement. L'attaque est graduelle. On distingue quelques notes, différentes hauteurs. Variation scalaire.
Author: Univ Lyon
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