9 Royalty-Free Audio Tracks for "Bibliothek"

Soundscape_leuphananovember 13th, 2013putting a 2€-coin in the library's lockerwave, 44. 1khz, 24bitstereo recording device: zoom h2next with xy-capsulelow-cut: yes (80hz)normalizedlocation: leuphana universität lüneburg, outside gebäude 11lat: 53. 22797589lon: 10. 40105182870002date: 2013-11-13, 15:10hrecorded: leo, leander, stephan; edited by: stephan quastthis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Knocking on different books. Wave, 44. 1khz, 24bitstereo recording device: zoom h1 with xy-capsulelow-cut: yes (80hz)normalized. Location: leuphana universität lüneburg, bibliothek. Lat: 53. 22784300213936lon: 10. 401080846786499. Date: 2013-11-10, 13:30h. Recorded and edited by: leon dutz. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Scanning, typing on keyboard and clicking on mouse. Wave, 44. 1khz, 24bitstereo recording device: zoom h2 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, bibliothek eglat: 53. 22773381694424lon: 10. 400748252868652date: 2013-11-14, 15:00h. Recorded and edited by: david mieleckethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Władysław Tarnowski ps. Ernest Buława „Trois Mazurkas pour Piano” < Trzy Mazurki na fortepian> z dedykacją: „À Monsieur Charles Bärmann” wiedeńskie wydanie przez A. Bosendorfera nie jest datowane, ale z pewnością zbiór wydano za życia Władysława Tarnowskiego. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 13:54, 25 March 2017 (UTC)), marzec 2017. Z podziękowaniem dla Archiv, Bibliothek und Sammlungen der Gesellschaft der Musikfreunde in Wien za udostępnienie mi partytury.

Władysław Tarnowski ps. Ernest Buława „Trois Mazurkas pour Piano” < Trzy Mazurki na fortepian> z dedykacją: „À Monsieur Charles Bärmann” wiedeńskie wydanie przez A. Bosendorfera nie jest datowane, ale z pewnością zbiór wydano za życia Władysława Tarnowskiego. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 15:07, 29 March 2017 (UTC)), marzec 2017. Z podziękowaniem dla Archiv, Bibliothek und Sammlungen der Gesellschaft der Musikfreunde in Wien za udostępnienie mi partytury.

Władysław Tarnowski ps. Ernest Buława „Trois Mazurkas pour Piano” < Trzy Mazurki na fortepian> z dedykacją: „À Monsieur Charles Bärmann” wiedeńskie wydanie przez A. Bosendorfera nie jest datowane, ale z pewnością zbiór wydano za życia Władysława Tarnowskiego. Mazurek II z 3. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 14:57, 29 March 2017 (UTC)), marzec 2017. Z podziękowaniem dla Archiv, Bibliothek und Sammlungen der Gesellschaft der Musikfreunde in Wien za udostępnienie mi partytury.

Soundscape_humfaksound description: bibliotheksbuch durchblätternwave, 44. 1khz, 16bitrecording device: zoom h2next with xy-capsulelocation: universität zu köln, humanwissenschaftliche fakultät, hf 216 (block b, ug, bibliothek)lat: 6. 920556lon: 50. 935date recorded: 2014-11-25recorded by: nora ahren and edited by: stefan hintersdorfthis recording was created during the seminar "gestaltung auditiver medien" (ws2014/2015) intermedia, bachelor of arts, university of cologne.

Closing a small book. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2 with xy-rearlow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, bibliothek. Date: 2013-12-10, 15:30h. Recorded and edited by: sven keuchen. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Okay, about this small bibliothek there is a story to tell. Maybe a year ago my mother phoned me and asked if i could give her a hand because the door to her kitchen was squeaking. After work i went to her, went down to the cellar, took the can with the lubricating grease, went upstairs and made my mother happy. Then i putted the grease back and went upstairs. Whe sat down, drank a cup of coffee. Then i had to go to the toilet andnoticed that the toilet door was squeaking too. So i went down to the cellar again and took once again the grease. Now i thought, before i make the stairs again, i'll show if any other thing in my mothers house is squeaking. It was terrible! i swear, never in my entire life i've been in a house where so many different things were squeaking so impassionated. First off all i went back to my car and took my cheap dictaphone i use for work. And before i putted grease on those squeaking things i recorded them. Xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx. So this are really historic sounds! none of them exist anymore in the real world!. Xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx. But. . . When i heard through them later i was disappointed of the bad sound quality, cutting out higher ond lower frenquencies of the rich spectrum of those "neeeeiiiks" and "uiihggs". During winter holidays i processed them first with the audacity noise reduction - then with other tools. The result gives an unreal impression of the original sounding, they have now some "synthetic" touch - but makes them probably usable for funny films or comic-likeeffects. All the sounds in my "big squeek pack" where recorded in one afternoon and all in my mothers house. "tension-sounds" for example are nothing else than a junker (tin can? - sorry, my english) moved from one side of a wooden shelf to another, meanwhile my dictoaphone was laying in the junker. I don't ask to credit me - but if you make use of one of these sounds and create something funny with them, please let me know. . . So i can show it my mother too. Thank you.