198 Royalty-Free Audio Tracks for "Bolt"

John Philip Sousa's "Ben Bolt" (1888) as performed by the United States Marine Band. Track 31 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Ben Bolt" (1888) as performed by the United States Marine Band. Track 31 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

Here's a bass loop from my upcoming song "bolt". It's kinda dupstep one, so i hope you have a some kind of use for this.

The sound of a bolt-action rifle cocking, made by a pair of pliers.

A small, creaky metallic bolt for a residential door.

Bolt cutter opening the lock of a metal cage. It sends the lock flying with a sound that goes 'ping'!.

Chair thrown and crashed, a bolt from it fell to the ground at the end, raw data, unedited.

Metal washer rattling down a bolt.

A single thunder bolt, recorded in finland.

Created by енот (firetie) [me]. Microphone: blue yetiused software: adobe audition cc and vegas pro 17keywords: scp: deleted chronicles, scp dc, weapon, sound, sfx,. Wav, record.

Opening, closing and turning bolt lock of front door house.

A ratchet on a bolt on a car engine. Outdoor. Recorded on zoom h2.

A rachet on a bolt on a car engine. Outdoors. Recorded on zoom h2.

Very specific foley for a movie, but it may come in handy for you.

Bolt sliding back on a sniper rifle, sound effect. . This is apart of a much larger sound effects pack. Buy valhalla, an action sound effects pack with over 2,900 sound effects, available at:www. Filmmakersmanual. Com.

A heavy, chunky deadbolt locking and unlocking. Also a little key jingle at the beginning, and a key withdrawal at the end.

Recorded my paper hole puncher. Might use it for a metallic sliding action for a gun reload sound effect or bolt action.

This sound represent the creaking of one door of the toilets in tallers. It is short with a particular bolt and screeching.

A thin wooden door, locked from the inside with a bolt. Someone forces it open from the outside. This is the sound of the bolt tearing through the wooden door-frame. I mixed the splintering of wood with a dull clang of metal on metal to simulate the situation. Recorded with a rode video mic attached to a camera. My first time recording a sound!.

Various sizes of metal tubes struck with a small metal bolt. Recorded with sony ericsson phone mic. Could be used for industrial or tribal percussion etc.

Various sounds created with ar 15. First sound is removing the magazine. Second sound is putting the magazine back in, but not all the way. Third sound is pushing the magazine in all the way. Fourth sound is taking the magazine out again. Fifth sound is putting it in again, all the way this time. Sixth sound is cycling the charging handle. Sixth sound is engaging the bolt catch with an open bolt. Recorded with a blue snowball through audacity.

I went for a more realistic gun sound without the hollywood subbass and a lot cleaner than my previous work. Made in ableton live, i just layered an ak47, an m16, an enfield rifle and an acoustic kick drum together with eq and used parallel compression to gel them together. Transient designers were used on the layers to make them snap harder. A bolt slide forward sample and a bolt slide back sample were added to give some mechanical feels to the gunshot. Enjoy.

This is the second version without the mechanical bolt. Maybe can be used for bolt action rifles. Made this is ableton live, it is multilayered with the top end of a 9mm and the low/mid range of an ak47. Another carbine sound is faded in after the transients to give more sustain. Two reverbs fade in and out creating a smooth transition and blend. A little white noise is added for subtle sheen and air. All the layers were grouped together into a single band compressor and ran through serum fx distortion and then into a krush distortion plugin for added fatness. A blending reverb was used to glue the sounds into the same space and ran into a final transient designer which is adding a little more snap and punch and clipping the excess transients off. Enjoy.

The thunder from a single bolt of lightning, recorded in johor bahru, malaysia mid-afternoon october 2022. It hadn't yet started raining when i recorded this. The recording device was the inbuilt stereo microphones of the zoom h5.

A recording using a contact mic into my roland r26 field recorder, it was a windy day so you could hear the wind hitting the bridge and the water rushing underneath. I placed the mic on a metal bolt for a solid contact.

Bold sliding back on a sniper rifle, sound effect. . This is apart of a much larger sound effects pack. Buy valhalla, an action sound effects pack with over 2,900 sound effects, available at:www. Filmmakersmanual. Com.

Bold sliding back on a sniper rifle, sound effect. . This is apart of a much larger sound effects pack. Buy valhalla, an action sound effects pack with over 2,900 sound effects, available at:www. Filmmakersmanual. Com.

A very loud and rumbly thunderstorm rolled through jefferson city, mo. I set up my zoom h4n with the mics set to 120 degrees to record the storm. Less than a minute after i started recording, a lightning bolt hit just across the street. A lot of loud and rumbly thunder in this audio clip.

Recorded may 23rd 2022 at noon for the 70 year anniversary of the first siren test in sedgwick county, kansas. (april 22, 1952). 50-65 feet from the siren. This thunderbolt was installed in 1952 and remained until sometime between 2012 and 2015 when the siren head was replaced with a newer bolt. The original controls and blower remain, however.

Layered out of an sks, ak47, uzi and a snare drum with a metallic texture. A short decayed 808 kick drum is occupying the sub frequencies. A bolt mechanic layer added before and after the shot transient. Two echo/reverbs were added for the stereo width. Shell eject layer added. All layers grouped together and lightly compressed and saturated. Made in ableton live. Enjoy.

Here is the sound of a 50-caliber barrett rifle being fired. You'll first hear the sound of the bolt being pulled back. Really cool sound if you can listen on some nice big speakers. Recorded with my handy zoom h4n using a rode ntg-2 shotgun microphone. I was standing about 20 feet from the rifle, and i still have the input gain turned way down to about 30, just to make sure the circuitry was not overloaded. Also, since this was in a big, wide-open field, you get a nice echo.

Made in ableton live this time, it is a multilayered loop consisting of recordings of an ak47, a 30 caliber 1918, and an m60 machine gun to make a rediculous powerful sound. A very short clicky kick drum with the high end reduced is added before the initial gunshot to make it punch more, otherwise it would sound weaker. There are two mechanical bolt sounds, one covering the upper mid range, and the other covering the extreme highs. Shell ejections and two reverb tails were mixed in at the end with some simple automated panning to make it move around the stereo field. The tempo slowly decreases to simulate barrel heating. Lots of processing. The layers were eq'ed, then ran into a software amp that is gently distorting the low and mid range. Then smashed together with ott multiband upward/downward compression to bring out the details. A maximizer was used to bring up the loudness some. Enjoy.

Made in ableton live. A slow firing heavy weapon. 19 layers were used to create this one. Eq was used to select different frequencies from various weapon samples and compressed together for the inital transient or pop. Time based fade in/out layering was used for the sustain and reverb tails so they fit nicely together. The single shot that was layered together was then printed as a new audio sample. I created a loop and pitched every shot by a few cents or 1 semitone to add variation. Each sample was then manually shifted on the timeline forward or backward by milliseconds to give a more realistic feel in timing rather than sound robotic. Each shot was sidechained to duck down in volume when a new shot triggers for more clarity. Mechanical trigger and bolt movement samples were add in before/after the initial transient of the shot. Shell hit floor samples were used for added detail. I felt the shots lacked a good sub bass so an eq was used to filter out the sub and replaced with a rapidly decaying 808 kick drums sub. Once the loop was formed, all shots were then grouped together and processed with a transient designer into a clipper, a compressor, a maximizer, ott multiband, gluing reverb, stereo spread and then into a final limiter. Enjoy.