3,112 Royalty-Free Audio Tracks for "C A F F E E"

Ballade no. 3 in A-flat major, op. 47

Folk ballad Barbara Allen, sung by Hule "Queen" Hines, recorded by John and Ruby Lomax at Florida State Prison

Rock-a-bye Baby

Away in a Manger, Christmas carol Away in a Manger, englisch-amerikanisches WeihnachtsliedÜbertragung (R.F.): Im Stroh einer Krippe, bei Esel und Rind, da liegt neugeboren das göttliche Kind. Die Sterne erstrahlen heut doppelt so klar; vom Friedenslicht singt eine himmlische Schar. Da blöken die Tiere und Jesus erwacht, sein freundliches Lächeln erleuchtet die Nacht. Es leuchtet auch heute für jeden, der weint, und sagt: Trau der Liebe, die über dir scheint. Begleite mich, Jesus, wo immer ich geh, begleit alle Kinder, vertreib jedes Weh. Lass mich einen Abglanz des Weihnachtslichts sein, erdacht und vollendet im himmlischen Schein.

A my proso seyali

Sound file of the natural A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone

Diminished octave on C♯ = C♮. Equal-tempered: 211/12:1 = 1100 cents.

Dominant thirteenth: four-voice version.

*Perfect fifteenth on C = C". Just: 4:1 = 2400 cents. Equal-tempered: 22:1 = 2400 cents. MIDI pitch bend: none

Eighth octave on C. 16/1: 4800 cents.

Hirajoshi scale on C according to Sachs & Slonimsky.

Hirajoshi scale on C according to Kostka & Payne and Speed.

Dominant seventh flat nine chord on C - As MIDI

Dominant thirteenth chord in four-part writing.

Octave on C. 32/1: 6000 cents.

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

Octave on C. 32/1: 6000 cents.

Octave on C. 16/1: 4800 cents.

Scale of harmonics on C.

Octave on C. 1/8: 3600 cents.

Octave on C. 1/4: 2400 cents.

Octave on C. 8/1: 3600 cents.

Just minor seventh chord (48:40:32:27) on C.

Prometheus scale on C.

Hirajoshi scale on C.

Just minor seventh chord on C.

Ogg Vorbis sounds file of scale: C Melodic minor

Bebop dominant scale in C. Created by Hyacinth (talk) using Sibelius 5.

Major triad on C. Created using Sibelius.

A12 tuning (12 steps to the perfect twelfth) on C.

Sonata no. 31 in a-flat major, op. 110 - i. moderato cantabile molto espressivo

sonata no. 31 in a-flat major, op. 110 - i. moderato cantabile

Four-semitone tritone scale on C

Modes of limited transposition scale 7 first mode

Latsabidze plays Chopin's Polonaise Op.53 Čeština: Chopinova polonéza As dur, Op. 53 v podání Giorgiho Latsabidzeho Latsabidze spielt die Polonaise op.53 von Frédéric Chopin Македонски: Шопеновата „Полонеза Оп.53“ во изведба на Ѓорги Лацабиѕе

Old MacDonald Had a Farm

Regular diatonic tuning 72-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS. In 12-tone, T=200 cents and S=100 cents. In 72-tone, T=233.3 cents and S=16.6. This is that scale: C = 0 D = 233.3 E# = 466.6 F# = 483.3 G = 716.6 A = 950 B# = 1183.3 C = 1200

Diatonic (major, or Guidonian) hexachord on C: C-D-E-F-G-A.

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

Add6 chord on C

Most common "blues scale".

Major chord on C in 17 equal temperament (0,6,10).

Chromatic scale descending on C.

Augmented triad on C, As MIDI

Double harmonic scale on C

Traditional Thai 7-tet subset pentatonic mode 1: 1, 2, 3, 5, 6. Beginning on middle C.

Minor ninth augmented fifth chord on C. C E G♯ B♭ D♭.

Major chord on C in 19 equal temperament. 0,6,11. All notes within 8 cents of just intonation (rather than 14 for 12 equal temperament).

Quarter-comma meantone major chord on C.