3,636 Royalty-Free Audio Tracks for "Musical Intervals On C Sharp"

Diminished octave on C♯ = C♮. Equal-tempered: 211/12:1 = 1100 cents.

5 25 {\displaystyle {\sqrt[{25}]{5}}} = 5:11/25 = 111.45 cents. Interval used in Stockhausen's Studie II, a compound just major third (5/1) divided into 25 equal parts.

*Perfect fifteenth on C = C". Just: 4:1 = 2400 cents. Equal-tempered: 22:1 = 2400 cents. MIDI pitch bend: none

Eighth octave on C. 16/1: 4800 cents.

Octave on C. 32/1: 6000 cents.

Octave on C. 32/1: 6000 cents.

Octave on C. 16/1: 4800 cents.

Octave on C. 1/8: 3600 cents.

Octave on C. 1/4: 2400 cents.

Octave on C. 8/1: 3600 cents.

*Grad on C. 531441:5242881/12≈886:885 = 1.955001 cents.

*Neutral third on C = E. Equal-tempered: 27/24:1 = 350 cents. MIDI pitch bend: 0,80 Preceded by:File:Five quarter tones on C.mid

*Five quarter tones on C. Equal-tempered: 25/24:1 = 250 cents. MIDI pitch bend: 0,80 Preceded by:File:Three quarter tones on C.mid

Sound of an alpha chord on C# Klang eines Alpha-Akkords auf Cis

Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.

Seventh sharp nine chord on C. Created using Sibelius.

Major seventh sharp eleventh chord on C. Created by Hyacinth (talk) 17:56, 4 July 2011 (UTC) using Sibelius 5.

Melodic and harmonic intervals. Created by Hyacinth (talk) 15:19, 18 March 2011 (UTC) using Sibelius 5.

*19th harmonic on C = E19♭. Just: 19:16 = 297.51 cents. Limit: 19-limit. MIDI pitch bend: 26,63

A dominant thirteenth in F minor. Created by Hyacinth (talk) using Sibelius 5.

Lydian chord on C.

Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.

Eleventh chord diatonic on C.

Dominant eleventh chord on C, C11, with third. V11 in F major. Created by Hyacinth (talk) using Sibelius 5.

Fifteenth chord from Schoenberg on C

A chorale melody containing only steps, no skips: "Jesu, Leiden, Pein, un Tod".

Harmonic seventh chord on C. Equal tempered major chord with quarter tone flat minor seventh (950 cents). Created by Hyacinth (talk) 18:56, 10 November 2011 with Sibelius 5.

C-sharp melodic minor scale ascending and descending.

C-sharp harmonic minor scale ascending and descending.

C♯ natural minor scale ascending and descending.

Dominant thirteenth: four-voice version. "This disposition is typical." Created by Hyacinth (talk) 18:33, 30 May 2011 (UTC) using Sibelius 5.

Thirteenth chord CMI7(add13). Created by Hyacinth (talk) 18:56, 4 July 2009 using Sibelius 5.

Thirteenth chord CMA13. Created by Hyacinth (talk) 18:55, 4 July 2009 using Sibelius 5.

Dominant seventh flat nine chord on C. Created by Hyacinth (talk) 17:06, 10 July 2008 using Sibelius.

Thirteenth chord based on minor triad. Created by Hyacinth (talk) 13:43, 7 July 2009 using Sibelius 5.

Minor eleventh chord on C. Created by Hyacinth (talk) 15:25, 27 July 2008 in Sibelius.

Thirteenth chord with flat ninth. Created by Hyacinth (talk) 13:36, 7 July 2009 using Sibelius 5.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Created by Hyacinth (talk) using Sibelius 5.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar.

Seventh augmented eleventh chord on C.

Thirteenth chord C13(b9). Created by Hyacinth (talk) 19:39, 4 July 2009 using Sibelius 5.

Thirteenth chord C13. Created by Hyacinth (talk) 18:56, 4 July 2009 using Sibelius 5.

Thirteenth chord CMI13. Created by Hyacinth (talk) 19:35, 4 July 2009 using Sibelius 5.

Thirteenth chord C13b9. Bass note: C or alternatively G. Created by Hyacinth (talk) 01:33, 6 July 2009 using Sibelius 5.

Thirteenth Polychord - Separate chords within an extended chord.

Ninth flat five chord on C. Created by Hyacinth (talk) 12:26, 29 May 2011 (UTC) using Sibelius 5.

Thirteenth chord CMA7(add13). Created by Hyacinth (talk) 18:55, 4 July 2009 using Sibelius 5.

Ninth chord on C: CEGBD.

Thirteenth chord C13sus. Created by Hyacinth (talk) 19:35, 4 July 2009 using Sibelius 5.

Thirteenth chord C13(sharp11). Created by Hyacinth (talk) 19:37, 4 July 2009 using Sibelius 5.