73 Royalty-Free Audio Tracks for "Chaotic"

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

This melody describes the feeling of anxiety and creeping hysteria. You're in a club, maybe on stimulants, you're alone in a crazy and chaotic mass of people. They hate you, everyone hates you. You hate yourself.

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency low. That’s why there is a low humming wind noise between the “tops”. The output sound from filter goes to reverb. The sound is more a study of sloth behavior than an attempt to create a great wind sound.

A morphagene reel culled from an improvisation i made on a eurorack modular synth. Qu-bit electronix scanned is the sole voice here. Splices in the reel are ordered from somewhat delicate (taps, pulses, etc. ) to pretty chaotic noise. All recorded into a zoom h6.

A near chaotic experiment. Im mixing cycling envelopes and lfos to generate triggers. The four sounds are totally unrelated. > bass drum. > snare (or something. . . )> bass. The pitches for the bass are generated withthree mixed lfos. A trigger is generated from the quantizerwhen the cv changed enough to generate a new note inthe selected scale. > ear piercing and annoying sound. Three minutes of more than enough.

Sound synthesis made from chuck programming language. The model is a connection from an impulse generator to 40 digital filters to 40 delay linesand set feedback between each delay lines. Each delay lines's delay time and cutoff frequency is random. But there was an error in the calculation and the output value overflows. And this create a chaotic behavior in this sample. - - -. This one is a smooth rising soundwith alternating digital aliasing resonances at the end.

Zlob diode chaos - selection from an hour long recording, 54min and 45sec in. The chaotic lfo has 4 outputs x, y, z and trig (trig-ich. . . ). Center sound: x to pitch cv in on vco, y to filter cut of. To the right: z to a wave folder (osc static pitch). To the left: trig to cv in on a self oscillating filter. There are peaks (hz) beyond my hearing. I hope you can manage. . .

I walked through my neighborhood on july 4th, and many people were setting off fireworks outside their houses, so i recorded it. It was pretty chaotic. I walked through a park, which had a wet ground that you can hear me making my way through in some parts of this audio. Numerous fireworks go off, close and far, with crackles, sharper bangs, and more. You can also hear people yelling in the distance. Use this how you like, i do not need credit.

In this patch i use bastl instruments tromsø as comparator, sample and hold and oscillator (3 in 1). The cv is coming from nonlinearcircuits jerk off. The audio out from tromsø goes through nonlinearcircuits timbre!. Some delay from an analog delay pedal and reverb from doepfer spring reverb. One voice exploring a chaotic cv source. I sold one of my tromsøs a while ago. Will i regret that? psssst take a closer look at the wave form! the wave folder is doing its work!.

nonlinearcircuits jerkoff chaos circuit is based on sprott's chaotic jerk equation. This sound is long and boring. . . But i wanted to test the nlc jerkoff. This might be of interest to someone. . . I upload an mp3 file to save disc space. . . The single module has 3 outs. 2 of them are controlling vcaa and one is connected to an envelope follower that generates a trigger when the cv is high enough. The signals in to the vca are the same (1. 5v). A way to illustrate the work of the module. Maybe.

Start with chaos. In this sound/patch you have the possibility to enjoy chaos and feedbacki use my sloth lfos and jerkoff - another chaos moduleim possible sick i like this - thou its simple. Sloth modulate vco and filter cut of frequencyfeedback from vco to the filter via a vca controlled by a looping envpan fx also controlled by sloth - same env that controls the frequency. The "prassel" rustle sound is great in my earsjerkoff, exp vca, function and another sloth. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - mediumtimbre variation - some, via filter/two soundsmusical value - i think so!entertaining - yes?!.

It's a 15-minute long drum improvisation. It contails a lot of different beats and rhythms played so you might cut-out some loops for your needs. The kit has:- single kick- snare- hihat- 3 toms- broken crash that sounds really short- ride. The kit was old and not in perfect condition. I also used my sticks to play on some other part of the drumkit, like metal stand for the crash etc. I also got up and stated running around in a circle hitting sticks together and afterwards hitting drums and cymbals while running around the drumkit. I took my shoes off before i started so you can't hear my footsteps. I didn't use a metronome and i know i don't hold the tempo and it's a bit wiggly sometimes. I think this performace was inspired by band mr. Bungle. I recorded this with zoom h2 handy recorder's front stereo xy mics. It was standing on a table about one meter above the floor. Facing the drumkit and me. It was captured into a 48khz/24-bit wav file, then i trimmed the ends and converted this to flac using audacity. No processing applied, though i think it sounds nicer when you put these effects:. 1. A compressor:-attack: 10ms-release: 50ms-ratio: 2. 5:1-treshold: around -24db2. A reverb:-decay: 1. 5 to 2 seconds-dry: 0db-wet: around -15 db. It amazes me how much energy compression actually adds to drums!. I made this with my podcast (http://unfamusic. Com/fnr/) in mind. I want to overdub guitars, vocals and make it one big schizophrenic song. If you're interested to hear it, leave me a comment so i can find you, or just subscribe to my podcast's rss (http://feeds. Feedburner. Com/unfa-fnr/).