57 Royalty-Free Audio Tracks for "Charles"

Władysław Tarnowski ps. Ernest Buława „Trois Mazurkas pour Piano” < Trzy Mazurki na fortepian> z dedykacją: „À Monsieur Charles Bärmann” wiedeńskie wydanie przez A. Bosendorfera nie jest datowane, ale z pewnością zbiór wydano za życia Władysława Tarnowskiego. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 15:07, 29 March 2017 (UTC)), marzec 2017. Z podziękowaniem dla Archiv, Bibliothek und Sammlungen der Gesellschaft der Musikfreunde in Wien za udostępnienie mi partytury.

Władysław Tarnowski ps. Ernest Buława „Trois Mazurkas pour Piano” < Trzy Mazurki na fortepian> z dedykacją: „À Monsieur Charles Bärmann” wiedeńskie wydanie przez A. Bosendorfera nie jest datowane, ale z pewnością zbiór wydano za życia Władysława Tarnowskiego. Mazurek II z 3. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 14:57, 29 March 2017 (UTC)), marzec 2017. Z podziękowaniem dla Archiv, Bibliothek und Sammlungen der Gesellschaft der Musikfreunde in Wien za udostępnienie mi partytury.

Hark! The Herald Angels Sing is an English Christmas carol which first appears in its modern form in 1850. The original lyrics are adapted from Charles Wesley's 1739 hymn ""Hark! how all the welkin rings", set it to the same tune as Christ the Lord is Risen Today. George Whitefield altered the opening lyrics to the more familiar "Hark! The Herald Angels Sing", and various others also made small alterations in the following years. In the early 1840s, Felix Mendelssohn wrote "Festgesang", a cantata in celebration of the presumed 400 year anniversary of Johannes Gutenberg's invention of the printing press. The tune to the second part of this piece, "Vaterland, in deinen Gauen", was adapted to fit the revised Wesley lyrics in 1855 by William H. Cummings, assembling the hymn tune into its more-or-less final form. It is performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010.

Title/Work: Messiah (Handel) Content: No.06: Air: But who may abide (Conclusion) Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 14 July 1946

Title/Work: Messiah (Handel) Content: No.04: Chorus: And the Glory of the Lord Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 12 July 1946

Title/Work: Messiah (Handel) Content: No.07: Chorus: And He Shall Purify Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 14 July 1946

If charles dickens may be counted as an authority on the matter, to harbour a cricket in one's home was once an honour and a good omen. Perhaps it still is. That being the case, i am privileged, and i hereby share my good fortune with this community in the form of a recording of that hallowed insect's chirping. However, i do not find its call as soothing as some might, and if it continues to bruise the air with its incessant racket, i may be moved to seek it out and destroy it! so. . . Perhaps. . . In memoriam. . .