57 Royalty-Free Audio Tracks for "Charles"

O Devine Redimer by Charles Gounod Columbia Record A-5519 Recorded 15.09.1913

Excerpt from the first piece in the Trois grandes études, composed by by Charles-Valentin Alkan

John A. West

George Marston

Extract from Chalres-Valentin Alkan's 'Esquisses', no. 45, published 1861 in Paris.

Charles Ives, 3-Page Sonata, first mvt., first fugal complex. The BACH motif from The Art of Fugue Contrapunctus XIXc is the "'1st Theme'/fugue subject" of Ives' combined sonata-allegro and fugal procedures.

Study in Canon for Organ (1896) by Charles Harford Lloyd, J.B. Millet Company

Sveriges Radios folkmusikinspelningar. Ur radioprogrammet: "…fyran kommer och femman slår - Rallarvisor och sjömanssånger". Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 47/8251

Sveriges Radios folkmusikinspelningar. Ur radioprogrammet: "…fyran kommer och femman slår - Rallarvisor och sjömanssånger". Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 47/8251

Sveriges Radios folkmusikinspelningar. Ur radioprogrammet: "…fyran kommer och femman slår - Rallarvisor och sjömanssånger". Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 47/8251

Aria "Vision fugitive" (Fleeting vision) from Jules Massenet's 1881 opera Hérodiade, sung by Charles W. Clark (1865–1925)

A recording of the famous Non piu' andrai aria from Mozart's Le Nozze di Figaro. Record quality was not good to begin with (gramophone), underwent a conversion into ogg, and to top it all off the singer was about 20 years past his prime, but hey it's PD

Ô ma lyre immortelle de l'opéra Sapho composé par Charles Gounod, interprété par Ernestine Schumann-Heink (1861-1936) en 1909

It is enough from Felix Mendelssohn's (1809–1847) oratorio Elijah (1846 ), sung by Charles W. Clark

Anchors Aweigh played by the United States Naval Academy Band in 1969.

Inno e Marcia Pontificale ("Papal Anthem and March"), the national anthem of Vatican City. Composed by Charles Gounod.

Inno e Marcia Pontificale ("Papal Anthem and March"), the de jure national anthem of Vatican City; composed by Charles Gounod.

Cloud Kisser (1911), by Charles L. Johnson

Cloud Kisser (1911), by Charles L. Johnson

Grand March from La reine de Saba ("The Queen of Sheba", 1862), an opera by French composer Charles Gounod. From the U.S. Marine Band CD From Fife and Drum: Marine Band Recordings 1890-1988.

O du, mein holder Abendstern from Richard Wagner's opera Tannhäuser

Anchors Aweigh, performed by the U.S. Navy Band.

Anchors Aweigh, played by the U.S. Coast Guard Band

The American Legion March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 67 from disc 1 of Ceremonial Music (2005).

Hark! The Herald Angels Sing is an English Christmas carol which first appears in its modern form in 1850. The original lyrics are adapted from Charles Wesley's 1739 hymn ""Hark! how all the welkin rings", set it to the same tune as Christ the Lord is Risen Today. George Whitefield altered the opening lyrics to the more familiar "Hark! The Herald Angels Sing", and various others also made small alterations in the following years. In the early 1840s, Felix Mendelssohn wrote "Festgesang", a cantata in celebration of the presumed 400 year anniversary of Johannes Gutenberg's invention of the printing press. The tune to the second part of this piece, "Vaterland, in deinen Gauen", was adapted to fit the revised Wesley lyrics in 1855 by William H. Cummings, assembling the hymn tune into its more-or-less final form. It is performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010.

Ave Maria composed by Charles Gounod. Ave Maria was composed based off of the harmony and texture of Johann Sebastian Bach's Prelude No.1 in C Major from Well-Tempered Clavier Book I (BWV 846).

Rendlesham ufo sighting by lt col charles halt and team investigating lights in the sky over woodbridge usaf base 26 december and 28 december 1980.

Recording of a king charles spaniel barking. Free to use.

Recording of a king charles spaniel barking. Free to use.

Tonaufnahme einer Polyphon Lochplatte, abgespielt auf einer Plattenspieldose der Firma Polyphon-Musikwerke-AG. Lochplatte: La fille de Madam Angot, Polka (Charles Lecocq). Recording of the Music box by Polyphon-Musikwerke in Leipzig, Germany. Disk: La fille de Madam Angot, Polka (Charles Lecocq).

« Le veau d'or » (Faust, 1859)) de Charles Gounod Aria "Le veau d'or" ("The Golden Calf") from Charles Gounod's 1859 opera Faust, sung by Feodor Chaliapin.

Lydfil fra Ruben-samlingen, Valentins bøn; scene 2, akt 2, sunget af Niels Juel Simonsen, ophav Charles Gounod, rolle: Valentin Sound file from Ruben collection

Sérénade de Méphistophélès de l'Opéra Faust de Charles Gounod, interprétée par Fédor Chaliapine

Ah je ris de me voir si belle en ce miroir (air des bijoux) de l'opéra Faust composé par Charles Gounod (1818-1893), livret de Jules Barbier (1825-1901) et Michel Carré (1821-1872) interprété par Nellie Melba (1861-1931) en 1910.Ah je ris de me voir si belle en ce miroir (jewels'aria), Faust by Charles Gounod (1818-1893), performed in 1910 by Nellie Melba (1861-1931).

Title: After the ball - Vocal solo with piano. Performer:George Gaskin Composer: Harris, Chas. K. (Charles Kassell), 1864-1930. Year of Release: ca. 1893 Original cylinder in collection of John Levin. Brown wax cylinder. Cylinder recorded by United States Phonograph Company. Catalog number unknown. Titel: After the ball - Vocal solo with piano. Interpret:George Gaskin Komponist: Harris, Chas. K. (Charles Kassell), 1864-1930. Veröffentlichung: ca. 1893 Original-Tonträger brauner Wachs-Zylinder, aufgenommen von der United States Phonograph Company. Katalog-Nummer unbekannt. Original-Zylinder: Sammlung John Levin.

Enrico Caruso (as Doctor Faust) and Marcel Journet (as Méphistophélès) perform "O merveille! ... A moi les plaisirs" from Charles Gounod's opera Faust (1859), in this 1910 Victor Recording. This is Matrix C-8555, recorded 16/1/1910 in New York, and released under a variety of labels. (http://victor.library.ucsb.edu/matrixDetail.php?id=200008638 full details).

Władysław Tarnowski ps. Ernest Buława „Trois Mazurkas pour Piano” < Trzy Mazurki na fortepian> z dedykacją: „À Monsieur Charles Bärmann” wiedeńskie wydanie przez A. Bosendorfera nie jest datowane, ale z pewnością zbiór wydano za życia Władysława Tarnowskiego. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 13:54, 25 March 2017 (UTC)), marzec 2017. Z podziękowaniem dla Archiv, Bibliothek und Sammlungen der Gesellschaft der Musikfreunde in Wien za udostępnienie mi partytury.

Władysław Tarnowski ps. Ernest Buława „Trois Mazurkas pour Piano” < Trzy Mazurki na fortepian> z dedykacją: „À Monsieur Charles Bärmann” wiedeńskie wydanie przez A. Bosendorfera nie jest datowane, ale z pewnością zbiór wydano za życia Władysława Tarnowskiego. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 15:07, 29 March 2017 (UTC)), marzec 2017. Z podziękowaniem dla Archiv, Bibliothek und Sammlungen der Gesellschaft der Musikfreunde in Wien za udostępnienie mi partytury.

Władysław Tarnowski ps. Ernest Buława „Trois Mazurkas pour Piano” < Trzy Mazurki na fortepian> z dedykacją: „À Monsieur Charles Bärmann” wiedeńskie wydanie przez A. Bosendorfera nie jest datowane, ale z pewnością zbiór wydano za życia Władysława Tarnowskiego. Mazurek II z 3. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 14:57, 29 March 2017 (UTC)), marzec 2017. Z podziękowaniem dla Archiv, Bibliothek und Sammlungen der Gesellschaft der Musikfreunde in Wien za udostępnienie mi partytury.

Title/Work: Messiah (Handel) Content: No.07: Chorus: And He Shall Purify Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 14 July 1946

Title/Work: Messiah (Handel) Content: No.04: Chorus: And the Glory of the Lord Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 12 July 1946

Title/Work: Messiah (Handel) Content: No.06: Air: But who may abide (Conclusion) Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 14 July 1946

Performed by Mr. L O Smith.

Performed by Kelly Harrell.