57 Royalty-Free Audio Tracks for "Charles"

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Recording of a king charles spaniel barking. Free to use.
Author: Joviansounds
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Recording of a king charles spaniel barking. Free to use.
Author: Joviansounds
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00:08
Excerpt from the first piece in the Trois grandes études, composed by by Charles-Valentin Alkan
Author: Hyacinth
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03:47
O Devine Redimer by Charles Gounod Columbia Record A-5519 Recorded 15.09.1913
Author: Charles W. Clark (Life time: 1925)
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03:07
Performed by Kelly Harrell.
Author: Kelly Harrell
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02:13
Performed by Mr. L O Smith.
Author: Mr. L O Smith
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04:15
Study in Canon for Organ (1896) by Charles Harford Lloyd, J.B. Millet Company
Author: User:Mike Hayes
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00:37
Tonaufnahme einer Polyphon Lochplatte, abgespielt auf einer Plattenspieldose der Firma Polyphon-Musikwerke-AG. Lochplatte: La fille de Madam Angot, Polka (Charles Lecocq). Recording of the Music box by Polyphon-Musikwerke in Leipzig, Germany. Disk: La fille de Madam Angot, Polka (Charles Lecocq).
Author: unbekannt, tot seit über 70 Jahren
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Charles Ives, 3-Page Sonata, first mvt., first fugal complex. The BACH motif from The Art of Fugue Contrapunctus XIXc is the "'1st Theme'/fugue subject" of Ives' combined sonata-allegro and fugal procedures.
Author: Charles IvesImage created by Hyacinth (talk) 23:23, 17 April 2010 using Sibelius 5.
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Author: Barlow High School Singers, Gresham WA
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04:05
Rendlesham ufo sighting by lt col charles halt and team investigating lights in the sky over woodbridge usaf base 26 december and 28 december 1980.
Author: Spookycustard
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04:17
Aria "Vision fugitive" (Fleeting vision) from Jules Massenet's 1881 opera Hérodiade, sung by Charles W. Clark (1865–1925)
Author: Charles W. Clark
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04:18
It is enough from Felix Mendelssohn's (1809–1847) oratorio Elijah (1846 ), sung by Charles W. Clark
Author: Charles W. Clark
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02:39
Performed by Charles Hart
Author: Charles Hart
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01:34
Iphone voice memo recording from my walk on st charles ave on saturday 12/8/18. For more info on this recording go to:. Http://redchuck. Com/?p=1422.
Author: Redchuck
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05:06
Grand March from La reine de Saba ("The Queen of Sheba", 1862), an opera by French composer Charles Gounod. From the U.S. Marine Band CD From Fife and Drum: Marine Band Recordings 1890-1988.
Author: Performance U.S. Marine Band, under the directorship of LtCol William F[rederick Henry] Santelmann (1909–1984) Compostition: Charles-François Gounod (composer, 1818–1893) Paul Jules Barbier (lyricist, 1825–1901) Michel Carré (lyricist, 1821–1872) This piece, of course, does not contain any lyrics, but the lyricists are given for completeness' sake.
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Ô ma lyre immortelle de l'opéra Sapho composé par Charles Gounod, interprété par Ernestine Schumann-Heink (1861-1936) en 1909
Author: Gounod - Schumann-Heink
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03:39
« Le veau d'or » (Faust, 1859)) de Charles Gounod Aria "Le veau d'or" ("The Golden Calf") from Charles Gounod's 1859 opera Faust, sung by Feodor Chaliapin.
Author: Fédor Chaliapine (1873–1938)
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03:14
Inno e Marcia Pontificale ("Papal Anthem and March"), the national anthem of Vatican City. Composed by Charles Gounod.
Author: Untitled
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Extract from Chalres-Valentin Alkan's 'Esquisses', no. 45, published 1861 in Paris.
Author: Charles-Valentin Alkan
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01:28
Taken in roissy charles de gaulles airport. Reverb, distant voices (children) and typical noises (i. E chains).
Author: Philippe B
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02:60
Inno e Marcia Pontificale ("Papal Anthem and March"), the de jure national anthem of Vatican City; composed by Charles Gounod.
Author: Untitled
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Anchors Aweigh played by the United States Naval Academy Band in 1969.
Author: Untitled
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02:34
Lydfil fra Ruben-samlingen, Valentins bøn; scene 2, akt 2, sunget af Niels Juel Simonsen, ophav Charles Gounod, rolle: Valentin Sound file from Ruben collection
Author: Gottfried Ruben, Ruben-samlingen, Statsbiblioteket
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02:55
A reel for the makenoise morphagene with each splice having two separate sounds with radical or subtle differences on the left and right channels. Great for stereo/split processing, a mix of tonal and atonal sounds made in ableton live with heavy use of madrona labs aalto and kaivo plugins. Additional plugins used:labs soft pianonasty dlasoundhack pitch delay and spectral compandtd tapewormu-he protoverb.
Author: Chrlz
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02:58
Sérénade de Méphistophélès de l'Opéra Faust de Charles Gounod, interprétée par Fédor Chaliapine
Author: Fédor Chaliapine (1873 - 1938)
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02:26
Title: After the ball - Vocal solo with piano. Performer:George Gaskin Composer: Harris, Chas. K. (Charles Kassell), 1864-1930. Year of Release: ca. 1893 Original cylinder in collection of John Levin. Brown wax cylinder. Cylinder recorded by United States Phonograph Company. Catalog number unknown. Titel: After the ball - Vocal solo with piano. Interpret:George Gaskin Komponist: Harris, Chas. K. (Charles Kassell), 1864-1930. Veröffentlichung: ca. 1893 Original-Tonträger brauner Wachs-Zylinder, aufgenommen von der United States Phonograph Company. Katalog-Nummer unbekannt. Original-Zylinder: Sammlung John Levin.
Author: own work
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Enrico Caruso (as Doctor Faust) and Marcel Journet (as Méphistophélès) perform "O merveille! ... A moi les plaisirs" from Charles Gounod's opera Faust (1859), in this 1910 Victor Recording. This is Matrix C-8555, recorded 16/1/1910 in New York, and released under a variety of labels. (http://victor.library.ucsb.edu/matrixDetail.php?id=200008638 full details).
Author: Singers: Enrico Caruso (1873–1921), tenor Marcel Journet (1867–1933), bass Frieda Hempel (vocalist: soprano vocal) Maria Duchêne (vocalist: contralto) Andrés de Segurola (vocalist: bass vocal) Léon Rothier (vocalist: bass vocal) Composer: Charles Gounod (1818–1893)
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02:55
Ah je ris de me voir si belle en ce miroir (air des bijoux) de l'opéra Faust composé par Charles Gounod (1818-1893), livret de Jules Barbier (1825-1901) et Michel Carré (1821-1872) interprété par Nellie Melba (1861-1931) en 1910.Ah je ris de me voir si belle en ce miroir (jewels'aria), Faust by Charles Gounod (1818-1893), performed in 1910 by Nellie Melba (1861-1931).
Author: Charles Gounod (1818-1893), Jules Barbier, Michel Carré, Nellie Melba (1861-1931).
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Sveriges Radios folkmusikinspelningar. Ur radioprogrammet: "…fyran kommer och femman slår - Rallarvisor och sjömanssånger". Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 47/8251
Author: Untitled
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The regular chugging of the electric trolley car motor in new orleans on the st. Charles avenue line. When the car stops, the voices of the passengers remain in jumbled conversations.
Author: Cognito Perceptu
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04:13
O du, mein holder Abendstern from Richard Wagner's opera Tannhäuser
Author: Charles W. Clark
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00:53
Sveriges Radios folkmusikinspelningar. Ur radioprogrammet: "…fyran kommer och femman slår - Rallarvisor och sjömanssånger". Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 47/8251
Author: Untitled
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The end of a jazz song played by the buskers on charles bridge, prague with general street ambience. Minidisc recording june 2007. Part of my prague field recordings sample pack.
Author: Erh
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Ave Maria composed by Charles Gounod. Ave Maria was composed based off of the harmony and texture of Johann Sebastian Bach's Prelude No.1 in C Major from Well-Tempered Clavier Book I (BWV 846).
Author: Composer: Charles Gounod (1818–1893) Contemporary Performer: John Michel, a cello professor at Central Washington University
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Sveriges Radios folkmusikinspelningar. Ur radioprogrammet: "…fyran kommer och femman slår - Rallarvisor och sjömanssånger". Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 47/8251
Author: Untitled
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A recording of the famous Non piu' andrai aria from Mozart's Le Nozze di Figaro. Record quality was not good to begin with (gramophone), underwent a conversion into ogg, and to top it all off the singer was about 20 years past his prime, but hey it's PD
Author: Untitled
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The American Legion March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 67 from disc 1 of Ceremonial Music (2005).
Author: Untitled
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Władysław Tarnowski ps. Ernest Buława „Trois Mazurkas pour Piano” < Trzy Mazurki na fortepian> z dedykacją: „À Monsieur Charles Bärmann” wiedeńskie wydanie przez A. Bosendorfera nie jest datowane, ale z pewnością zbiór wydano za życia Władysława Tarnowskiego. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 13:54, 25 March 2017 (UTC)), marzec 2017. Z podziękowaniem dla Archiv, Bibliothek und Sammlungen der Gesellschaft der Musikfreunde in Wien za udostępnienie mi partytury.
Author: Władysław Tarnowski ps. Ernest Buława
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