23,941 Royalty-Free Audio Tracks for "Audio Files Of Music By Felix Mendelssohn"

Mendelssohn op. 72,5a

Mendelssohn Wedding March

https://archive.org/details/SpinningSong

Mendelssohn String Quartet 2, 3rd movement (Intermezzo)

A Midsummer Night's Dream Op. 61 Overture (Mendelssohn) European Archive

A Midsummer Night's Dream Op. 61 Wedding March (Mendelssohn) European Archive

A Midsummer Night's Dream Op. 61 Dance of Clowns (Mendelssohn) European Archive

A Midsummer Night's Dream Op. 61 Song with choir (Mendelssohn) European Archive

Mendelssohn; piano concerto no 1 in G minor 1. Molto allegro con fuoco

Mendelssohn; piano concerto no 1 in G minor 2. Andante in E major

Mendelssohn; piano concerto no 1 in G minor 3. Presto—Molto allegro e vivace in G major

IMSLP247106-PMLP27022-String Quartet No. 6 in F minor, Op. 80 - IV. Fuga

IMSLP247105-PMLP27022-String Quartet No. 6 in F minor, Op. 80 - III. Adagio

IMSLP247104-PMLP27022-String Quartet No. 6 in F minor, Op. 80 - II. Allegro assai

IMSLP247103-PMLP27022-String Quartet No. 6 in F minor, Op. 80 - I. Allegro vivace assai

Hebrides Overture, op. 26 by Mendelssohn

A Midsummer Night's Dream, Op. 61 - Nocturne

Mendelssohn; Capriccio Brillant, op. 22

Mendelssohn; Midsummer Night's Dream - Scherzo

A Midsummer Night's Dream Op. 61 Scherzo (Mendelssohn) European Archive

Felix Mendelssohn Bartholdy: Laudate, pueri, Dominum (MWV 39, 2)

It is enough from Felix Mendelssohn's (1809–1847) oratorio Elijah (1846 ), sung by Charles W. Clark

Excerpt from Mendelssohn's Op. 102, No. 3, mm. 47-49. Original work is public domain, image by the uploader.

Symphony No. 4 in A Major, Op. 90 'Italian' - IV. Saltarello (Presto)

Symphony No. 4 in A Major, Op. 90 'Italian' - I. Allegro vivace

Symphony No. 4 in A Major, Op. 90 'Italian' - II. Andante con moto

Symphony No. 4 in A Major, Op. 90 'Italian' - III. Con moto moderato

Wer hat dich, du schöner Wald

Symphony no. 4 in a major 'italian', op. 90 - ii. andante con moto

Felix Mendelssohn Bartholdy, Songs Without Words, Book 2, Op. 30, No. 6, Allegretto tranquillo in F-sharp minor ("Venetian Gondola Song No. 2") Felix Mendelssohn Bartholdy, Lieder ohne Worte, Heft 2, op. 30, Nr. 6, Allegretto tranquillo in fis-Moll, "Venetianisches Gondellied Nr. 2" Piano: Membeth, Dezember 2011

Symphony No. 4 in A major 'Italian', Op. 90 - III. Con moto moderato. IV Symfonia A-dur op. 90 Feliksa Mendelssohna, powszechnie nazywana Włoską, część III Con moto moderato w wykonaniu Skidmore College Orchestra.

Hark! The Herald Angels Sing. 日本語: 天にはさかえ。

Symphony No. 4 in A major, Op. 90, 'Italian', op. 90 - i. allegro vivace. Sinfonie Nr. 4 in A-Dur op. 90, „Italienische“, 1. Satz (allegro vivace). Symfoni nr 4 i A-dur (italienska symfonin) opus 90; 1:a satsen "Allegro vivace"

Joshua Bell, Awadagin Pratt, and Alisa Weilerstein Perform Felix Mendelssohn's Piano Trio No. 1 in D minor, Op. 49 – 4. Finale: Allegro assai appassionato, at the White House Evening of Classical Music on November 4, 2009.

Hark! The Herald Angels Sing is an English Christmas carol which first appears in its modern form in 1850. The original lyrics are adapted from Charles Wesley's 1739 hymn ""Hark! how all the welkin rings", set it to the same tune as Christ the Lord is Risen Today. George Whitefield altered the opening lyrics to the more familiar "Hark! The Herald Angels Sing", and various others also made small alterations in the following years. In the early 1840s, Felix Mendelssohn wrote "Festgesang", a cantata in celebration of the presumed 400 year anniversary of Johannes Gutenberg's invention of the printing press. The tune to the second part of this piece, "Vaterland, in deinen Gauen", was adapted to fit the revised Wesley lyrics in 1855 by William H. Cummings, assembling the hymn tune into its more-or-less final form. It is performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010.

A Tale of Distant Lands (Von fremden Ländern und Menschen), Scenes from Childhood (Kinderszenen), Opus 15

I'll See You In My Dreams on tenor saxophone by Beachcomber. With Band in a Box accompaniment. Gear: Selmer (USA) Liberty TS501L Bronze tenor Sax with Vandoren Optimum TL4 mouthpiece and Rico Reserve #3 reed.

1937 recording of Aleksander Läte's Tütre tänu. Jenny Siimon (voice) and Elsa Avesson (piano).

1928 recording of Aleksander Läte's Kuldrannake. Tallinna Meestelaulu Selts.

1908 recording of Aleksander Läte's Kuldrannake. Tartu Üliõpilaste meeskvartett.

1939 recording of Aleksander Läte's Kiigelaul. Elsa Maasik (voice) and Olav Roots (piano).

1939 recording of Aleksander Läte's Ärka üles, isamaa. Estonia muusikaosakonna segakoor.

Song: "El carretero".- Author: Arturo de Nava (1876-1932).- Interpreter: Singers: Carlos Gardel & José Razzano; Guitars: José Ricardo y Guillermo Barbieri.- Record: Disco Nacional, Odeón, E757, Side A, matrix 18047, Buenos Aires 1922. Tema: "El carretero".- Autor: Arturo de Nava (1876-1932).- Interprete: Cantantes: Carlos Gardel & José Razzano; Guitarras: José Ricardo y Guillermo Barbieri.- Grab.: Disco Nacional, Odeón, E757, Side A, matrix 18047, Buenos Aires 1922.

Song: "Cheating muchachita (Amargura)".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Carlos Gardel- Record: Victor, 89233/1, 1934.

Song: "Pobre mi madre".- Author: José Betinoti (1878-1915).- Interpreter: Singer: Carlos Gardel.- Record: Columbia, T595, Side A, Buenos Aires, 1913. Tema: "Pobre mi madre".- Autor: José Betinoti (1878-1915).- Interprete: Cantante: Carlos Gardel.- Grab.: Columbia, T595, Lado A, Buenos Aires, 1913.

Song: "La mañanita".- Author: Carlos Gardel (1890-1935).- Interpreter: Singer: Carlos Gardel.- Record: 1912; published: Columbia, T594, Side A, Buenos Aires, 1913. Tema: "La mañanita".- Autor: Carlos Gardel (1890-1935).- Interprete: Cantor: Carlos Gardel.- Grab.: 1912; publicado: Columbia, T594,Lado A, Buenos Aires, 1913.

Song: "Claveles mendocinos".- Author: Alfredo Pelaia (1888-1942).- Interpreter: Singers: Carlos Gardel & José Razzano; guitars: José María Aguilar & Guillermo Barbieri (leader guitar).- Record: Odeón 18801 5155/1, Buenos Aires, 31/DEC/1929. Tema: "Claveles mendocinos".- Autor: Alfredo Pelaia (1888-1942).- Interprete: Cantores: Dúo Carlos Gardel & José Razzano; guitarras: José María Aguilar & Guillermo Barbieri (1ra guitarra).- Grab.: Odeón 18801 5155/1, Buenos Aires, 31/DIC/1929.

Song: "Sus ojos se cerraron".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor BVE-89225/1, New York, 19/MAR/1935. Tema: "Sus ojos se cerraron".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantor: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor BVE-89225/1, 19/MAR/1935.

Song: "Una rosa para mi rosa".- Author: Saúl Salinas (1882-1921).- Interpreter: Singer: Carlos Gardel; Guitars Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Record: Odeon, 18901, matrix E7552-1, Buenos Aires, 1933. Tema: "Una rosa para mi rosa".- Autor: Saúl Salinas (1882-1921).- Interprete: Cantante: Carlos Gardel; Guitarras: Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Grab.: Odeon, 18901, matrix E7552-1, Buenos Aires, 1933.

Song: "Recuerdo malevo".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Guitars Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Record: Odeon 18885 7350/1, 22/02/1933 Buenos Aires Tema: "Recuerdo malevo".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantante: Carlos Gardel; Guitarras Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Grab.: Odeon 18885 7350/1, 22/02/1933 Buenos Aires