22 Royalty-Free Audio Tracks for "Symphonic Works"

A Night on the Bare Mountain, commonly referred to as Night on Bald Mountain.

A 1919 performance of the 1918 song Till We Meet Again by the Nicholas Orlandos Orchestra.

A recording of the Berceuse & Finalé from The Firebird (Stravinski, Igor) arranged by Merle Isaac, performed by the New Mexico All-State Concert Orchestra of 2015.

w:Arthur Sullivan's w:Overture di Ballo, Overtures (1991, track 7)

Camille Saint-Saëns - Danse macabre (Orchestre de l'Association des Concerts Colonne, dir. Louis Fourestier, 17-18 février 1953)

Piano concerto in a minor, op. 16 - iii. allegro moderato molto.

Symphony No. 4 in A major 'Italian', Op. 90 - III. Con moto moderato. IV Symfonia A-dur op. 90 Feliksa Mendelssohna, powszechnie nazywana Włoską, część III Con moto moderato w wykonaniu Skidmore College Orchestra.

Symphony No. 4 in A major, Op. 90, 'Italian', op. 90 - i. allegro vivace. Sinfonie Nr. 4 in A-Dur op. 90, „Italienische“, 1. Satz (allegro vivace). Symfoni nr 4 i A-dur (italienska symfonin) opus 90; 1:a satsen "Allegro vivace"

Danse macabre by Saint-Saëns performed by the Philadelphia Symphony Orchestra under Leopold Stokowski. "Record date is 4/29/1925, with master numbers CVE-27929 and CVE-27930. Also, the subtle "VE" stamp reveals this to be an early electrical recording. It doesn't have quite the brilliance of the 1927 and -28 Victor productions, but still captures the violins nicely. Victor 6505-A and B, concatenated from the original 2 sides."

Title/Work: Symphonic variations for piano and orchestra Content: Part 4 Genre(s): Variation Author(s)/(Composer(s): César Franck (1822-1890) Music arranger(s): none Lyricist(s): none Performer(s): Géza Anda (1921-1976) Conductor: Eduard van Beinum (1901-1959) Place of recording: Grote Zaal, Concertgebouw, Amsterdam (Netherlands) 1st release date: 1944 1st recording date: 17 May 1943

Performer: Philadelphia Orchestra Title/Work: Scheherazade Opus 35 (Rimski-Korsakow) Content: No.01: 1st Movement: Largo e maestoso-Lento-Allegro non troppo (Part 1) Composer: Nikolai Rimsky-Korsakov (1844-1908) Conductor: Leopold Stokowski (1882-1977) Genre: Symphonic poem First recording date: 12 November 1934 First release date: 1935

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 1st Movement (Part 1): Allegro con brio Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 3 November 1937 1st release date: 1938

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 3rd Movement (Part 1): Allegro Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 3 November 1937 1st release date: 1938

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 4th Movement (Conclusion): Allegro - Presto Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 3 November 1937 1st release date: 1938

Performer: BBC Symphony Orchestra Conductor: Arturo Toscanini (1867-1957) Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st Movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Part 1) Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 1937 1st release date: 1937

Performer: BBC Symphony Orchestra Conductor: Arturo Toscanini (1867-1957) Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Conclusion) Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 1937 1st release date: 1937

Title/Work: Symphonie Nr.5 c-moll op.67 Content: Part 1 Genre(s): Symphonic Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): Lyricist(s): none Performer(s): Koninklijk Concertgebouworkest Conductor: Willem Mengelberg (1871-1951) Place of recording: unknown 1st release date: 1941 1st recording date:

Place of recording: London (United Kingdom) Performer(s): London Philharmonic Orchestra Conductor: Serge Koussevitzky (1874-1951) Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 3rd Movement - Scherzo (Allegro Vivace) and Trio Genre(s): Symphonic

1st release date: 1935 1st recording date: 7 September 1934 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Serge Koussevitzky (1874-1951) Performer(s): London Philharmonic Orchestra Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 2nd Movement (Part 2): Marcia funebre (Adagio assai) Genre(s): Symphonic

1st release date: 1937 1st recording date: 1943 Place of recording: London, United Kingdom Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Conductor: Arturo Toscanini (1867-1957) Performer(s): BBC Symphony Orchestra Vocal range: instrumental Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st Movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Conclusion) Genre(s): Symphonic

Performance Conductor: Simon Schindler Ensemble: Fulda Symphonic Orchestra Location: Grosser Saal der Orangerie Fulda Work Composer: .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Broadcast made by the Russian composer Dmitri Shostakovich from the besieged city of Leningrad in 1941. The work he refers to here is Symphony No. 7 in C Major, opus 60, subtitled Leningrad. Transcript: An hour ago, I finished the score of two parts of a large symphonic composition. If I succeed in writing this composition well, if I succeed in completing the third and fourth parts, then it will be possible to call this composition the seventh symphony. Why do I announce this? So that the radio listeners who are listening to me now will know that the life of our city goes on as normal. We are all now doing our military duty. Soviet musicians, my dear friends and numerous brothers-in-arms, my friends! Remember that our art is now in great danger. Let us defend our music, let us work honestly and selflessly! Hace una hora, he terminado la partitura de dos partes de una composición sinfónica de gran tamaño. De tener éxito en escribir bien esta composición, de tener éxito en completar las partes tercera y cuarta, entonces se hará posible llamar a esta composición la sinfonía sétima. ¿Por qué les anuncio esto? Para que los radioescuchas que me están escuchando ahora sepan que la vida en nuestra ciudad prosigue como de costumbre. Todos estamos ahora haciendo nuestro deber militar. ¡Músicos soviéticos, queridos amigos y numerosos hermanos de armas míos, mis amigos! Recuerden que nuestro arte está en gran peligro ahora. ¡Defendamos nuestra música, trabajemos honesta y desinteresadamente! Час тому назад я закончил партитуру двух частей большого симфонического сочинения. Если это сочинение мне удасться написать хорошо, удасться закончить третью и четвертую части, то тогда можно будет назвать это сочинение Седьмой симфонией. Для чего я сообщаю об этом? Для того, чтобы радиослушатели, которые слушают меня сейчас, знали, что жизнь нашего города идет нормально. Все мы несем сейчас свою боевую вахту. Советские музыканты, мои дорогие и многочисленные соратники по оружию, мои друзья! Помните, что сейчас нашему искусству грозит великая опасность. Будем же защищать нашу музыку, будем же честно и самоотверженно работать.