85 Royalty-Free Audio Tracks for "Choral"

The Star-Spangled Banner (choral) performed by the Concert Band of the United States Air Force Band. Track 28 from Esprit de Corps (1997).

Fragment from the incipit of a bach's choral; played on ibanez mc924, recorded from direct out of gk bass amp.

Die Könige, aus: Weihnachtslieder Opus 8,3 von Peter Cornelius. Die Klavierbegleitung stellt den Choral Wie schön leuchtet der Morgenstern dar.

A section of Ludwig van Beethoven's Symphony No. 9 in D minor, Op. 125 "Choral"

Orchestral-style organ chorus with distorted piano with gentle melody. Organ chorus through audacity in wav.

Group kmm-this is a recording of conversation in the lobby of the music building during the 10 minute break at the choral union practice. Recorded with a zoom h4 handheld recorder.

Amicus meus by Tomás Luis de Victoria

This is a partial song, short capture, of the st. Thomas lutheran church choir singing on easter sunday, 2014 on the island of st. Thomas, usvi.

Harmonies i had done for a song, but they didn't come out quite right. They are in the key of eb major, but i'm sure that you can sort thatout using software.

Unus ex discipulis meis by Tomás Luis de Victoria

Chorale segment in half-notes. Synthesised soprano, tenor, alto, and bass sing a i-v7/v-v-i progression in c-major. Minor reverb and noise reduction in post.

Short eerie choral 'sting' (want of a better term), can be added to if one wants. Just comment/ message me if interested. Enjoy.

Excerpt of Thomas Tallis's O Sacrum Convivium, public domain edition from Choral Public Domain Library [1]. Created by Hyacinth (talk) 04:17, 31 March 2011 (UTC) using Sibelius 5 after :Image:Tallis-sacrum.png.

God So Loved the World from Stainer's oratorio The Crucifixion

A recording of a kids choir singing the lebanese national anthem. Line level recording from the mixer board mixed with a stereo reverb from a hanging shotgun mic using logic pro. Nov 2014.

The Christian hymn "All for Jesus" from Stainer's oratorio The Crucifixion

Adapted from the hymn tune "Cranbrook" by Thomas Clark, first published 1805.

Português: Gravação ao vivo do Coro do Ceic da música Oração de São Francisco - Composição do Padre Irala SJ com arranjo vocal e regência de Jayme Amatnecks - Gravado no Teatro da FEP-PR Curitiba) em 2001.

Exterior recording of a small rural church mass. Some engine noise in the background. Recorded on /zoom h2n.

A choir singing "well done judas, good old judas". Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.

A choir singing "so long judas, good old judas". Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.

Arguably the most famous musical composition of Clément Janequin. Written circa 1528 to commemorate the French victory over the Swiss at the Battle of Marignano in 1515. Performed by the Cherry Creek High School Meistersingers in 1989 without copyright.

Pavane (Belle qui tiens ma vie) of Thoinot Arbeau (Renaissance composer), played on a grand piano in meantone temperament Vierstimmige Pavane (Belle qui tiens ma vie) des Renaissance-Komponisten Thionot Arbeau, gespielt auf einem Konzertflügel in mitteltöniger Stimmung

Piece of backing vocals from my new song, dropping on soundcloud soon. Key of bm, 80 bpm. Notes are b,a, a, f#.

A gregorian chant melody line with arpeggiated harmony played from digital keyboard into a music maker midi recording. I gave it a whirl with a vst synthesizer voice called men's cathedral, twirled lots of dials and this came out.

A short choir sting, but with a synthesized chorus. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

Three variations on a short choral "aah" 1. Dry. 2. With reverb. 3. With organ and reverb. Upon refelection, i reckon should've hit this a simple a#3. :(. Resynthesis achieved with imageline morphine additive vsti synth. The morphine spectrum was multilayered, fattened by adding flchorus, flreverb2 and soundgoodizer. Flstudio equo and fruity parametric eq2 used as notch filters to eliminate ringing.

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 3 from Spirit of the Land (2001).[1][2][3] Credits: Soprano Patricia Wolfe, soloist Conductor Chad Steffey

Johann Sebastian Bach (1685-1750): Choral prelude for organ ‘’Now comes the gentiles' Saviour’’ (about 1708-1717), BWV 659, Adagio, G minor, transcription for piano (1907-1909) by Feruccio Busoni (1866-1924), dedicated to José Vianna da Motta (1868-1948) in meantone temperament

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 9 from America (2017). Recorded between January 2015 and March 2017 at Rachel M. Schlesinger Concert Hall, Joint Base Anacostia-Boiling, and Bias Studios. Featuring soloist Master Sgt. Emily Wellington.[1]

A live recording of a 100+ choir in rehearsal. Recorded using a matched pair of rode nt5 for the left & right with an additional akg c451 for the centre. The idea of this recording was to capture the way a choirs sound fills a room. Some minor addtional eq has been used in the 35khz range boosting by 1db to give the performance a little oompf.

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 9 from America (2017). Recorded between January 2015 and March 2017 at Rachel M. Schlesinger Concert Hall, Joint Base Anacostia-Boiling, and Bias Studios. Featuring soloist Master Sgt. Emily Wellington.[1]

An example of how the subtonic serves as a secondary dominant to the mediant (in A minor: G is the dominant of C). From Bach's Chorale Ach wie flüchtig, ach wie nichtig, BWV 26. It is a reduction of the opening of the "Choral" or sixth movement.

This is a "happy birthday to you" rendition to celebrate the 15th freesound birthday (april 5th 2020). The sound has been made by researchers of the music technology group of universitat pompeu fabra (i. E. Where freesound happens!), and voctrolabs. The sound uses choir synthesis technology developed for the trompa eu project. This means that what you hear are not real singers but synthesized voices generated by a computer! the score adaptation for choir is based on a score published in the choral public domain library. Hope you enjoy it and. . . . Happy birthday dear freesound!.

guardians of limbo (spectral voices, ethereal sounds, odd vocals) sample of fx preset from magnus choir vsti software. Virtual choir (musical instrument). Software description:. Magnus choir is a vst, vst3 and audio unit virtual instrument which can be used to create natural and synthetic choirs. The male and female choruses combine to form a mixed choir, featuring the classic satb (soprano, alto, tenor, bass) structure: women sing soprano and alto, while men sing tenor and bass. Versatile to generate a wide spectrum of choirs, vocal textures, choral pads and voices with modulation capabilities for a new level of realism in digital sound creation. • 54 preset sounds ready to use, including a vast array of natural and synthetic sounds, from oohs, aahs, men and women in mixed choirs to the celestial choir of angels, reso pads, dark atmos, creepy voices, ambient ghostly and birdsong effects, as well as cinematic and soundscapes. 01. - abbey ghost02. - ad infinitum formant03. - ad libitum chorale04. - aeternus lux lucis05. - alchemical signals06. - angelic vox07. - angels between us08. - apocalyptic chamber09. - astral singers10. - aurum vox pad11. - birds sonic sweep12. - caelestis kingdom13. - celestial choir14. - choral ensemble15. - choralis pad16. - cinematic padilius17. - cosmic odyssey voice18. - cryogenic dimension19. - dark cantus20. - digital voice21. - dystopian chorus22. - elves land23. - enchanted goblins24. - ethereal voices25. - guardians of limbo26. - lost souls in the dark27. - male & female aahs28. - morph dreams29. - morphed vowels30. - mystical vowels31. - nebula dark atmos32. - necromancer summons33. - neo choir34. - octave aahs choir35. - octave vox pad36. - oniric sequences37. - oohs choir38. - psychedelic vox39. - psychomanteum reso40. - quasi spatial voices41. - relaxing paradise42. - restless spirits43. - sanctus holy chant44. - sonorous skies45. - sopranvox c4-c646. - spatiotemporal atmos47. - spectral hell48. - synthetic chorus49. - synthesized vocals50. - underworld embryos51. - vinyl chorus52. - voices in the mist53. - vowelled soundscape54. - vox vocis texture. • low frequency oscillator section: these knobs apply modulation to the selected instrument. By using the lfo to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo. • adsr envelope generator with attack, sustain, decay and release parameters. • pitch bend: the pitch bend knob directly changes the pitch of the selected instrument. • reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces. • filter section: with filter type box for low pass filter and high pass filter. • amplitude range parameters: it controls the loudness, the way in which we perceive amplitude. The sensitivity level is set by the user. • panning potentiometer control. • midi cc automation: implementation of midi continuous controller parameters for use with external hardware control via daw.