1,559 Royalty-Free Audio Tracks for "Johann Sebastian Bach"

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Es ist genug, Schlusschoral der Kantate O Ewigkeit, du Donnerwort BWV 60; Melodie: Johann Rudolf Ahle
Author: Johann Sebastian Bach (MIDI file Rabanus Flavus)
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Title/Work: Cantate No. 189 (BWV 189) Content: Disc 23A: Meine Seele rühmt und preist (Part 1) Genre(s): Cantata Author(s)/(Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Max Meili (1899-1970) Conductor: Curt Sachs (1881-1959) Place of recording: Paris (France) 1st release date: 1935 1st recording date: 1935
Author: Untitled
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04:17
Title/Work: Meine Seele rühmt und preist (My soul extols and praises), BWV 189 Content: Disc 23B: Part 2: Recitative and aria Genre(s): Cantata Author(s)/(Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Max Meili (1899-1970) Conductor: Curt Sachs (1881-1959) Place of recording: Paris (France) 1st release date: 1935 1st recording date: 1935
Author: Untitled
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The subject of Fugue No. 1 in C Major, BWV 846, by Johann Sebastian Bach
Author: Composed by Johann Sebastian Bach, digitally recorded January 6, 2014 by User:Tal Brenev
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The first few bars of Prelude No. 12 in F Minor, BWV 881, by Johann Sebastian Bach
Author: Composed by Johann Sebastian Bach, digitally recorded January 22, 2014 by w:User:Tal Brenev
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Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750) MIDI file of dubious quality.
Author: No machine-readable author provided. Poniol60 assumed (based on copyright claims).
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The first four bars of Fugue No. 12 in F Minor, BWV 881, by Johann Sebastian Bach
Author: Composed by Johann Sebastian Bach, digitally recorded January 24, 2014 by w:User:Tal Brenev
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The first four bars of Prelude No. 1 in C Major, BWV 846, by Johann Sebastian Bach
Author: Composed by Johann Sebastian Bach, digitally recorded January 5, 2014 by w:User:Tal Brenev
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Bach BWV 54 opening
Author: J S Bach
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Bach, Komm, Jesu komm
Author: J. S. Bach
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The first four bars of Prelude No. 2 in C Minor, BWV 847, by Johann Sebastian Bach
Author: Composed by Johann Sebastian Bach, digitally recorded January 29, 2014 by w:User:Tal Brenev
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Bach Air from Suite 3
Author: J.S.Bach
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Bach, St Matthew Passion 19
Author: J.S.Bach
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Bach St Matthew Passion, opening
Author: Bach
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Bach from Cantata 51 bass line
Author: J.S.Bach
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Bach adagio BWV 974 (after Marcello)
Author: J.S. Bach, after Alessandro Marcello
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Bach Canon 2 from Musical offering
Author: J.S.Bach
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Bach, "Sind Blitze, sind Donner" (chorus) from the St. Matthew Passion.
Author: Bach
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00:10
Bach Partita 3 for Violin Prelude
Author: Bach
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Bach Prelude from Cello Suite in G
Author: J.S.Bach
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From J.S. Bach Psalm 51 (after Pergolesi)
Author: J.S.Bach
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Bach, Allemande from Partita 1, bars 13-18
Author: Bach
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Bach Gigue from English Suite in A major
Author: Bach
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Bach St Matthew Passion No 3 Chorale Herzliebster Jesu
Author: J.S.Bach
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Bach Quoniam from Mass in B minor - instrumental introduction
Author: J.S.Bach
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Bach, passage from Duet aria "Herr, du siehst statt guter Werke" in Cantata BWV9.
Author: J.S.Bach
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Bach Minuet from Partita 5 in G bars 1-12
Author: Bach
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Bach Minuet from Partita 5 in G bars 37-52
Author: Bach
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Bach Fugue XXII in B flat minor BWV 867, opening
Author: J.S.Bach
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Bach Air from Suite 3 in D bars 1-2
Author: J.S.Bach
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Bach Canon a 2 'Quaerendo invenietis' from the Musical Offering
Author: J S Bach
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Magyar: Részlet Bach Das wohltemperierte Klavier című művéből, amely Lady Gaga amerikai énekesnő Bad Romance című videójának bevezetőjéül szolgál
Author: Johann Sebastian Bach (előadja: Glenn Gould)
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Look Sharp--Be Sharp, performed by the Boston Pops in 1954
Author: Boston Pops
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Bach, Sinfonia in F minor BWV 795, mm. 1-3, composite rhythm.
Author: Created by Hyacinth (talk) 21:46, 28 April 2010 using Sibelius 5.
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Bach Concerto for 2 violins in D minor, BWV 1043, first movement bars 26-9
Author: Praetorius
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Bach Concerto for Two Violins in D minor first movement bars 22-24
Author: J.S.Bach
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A MIDI recording of the first four bars of Prelude in C Major, BWV 848, by J.S. Bach.
Author: Tal Brenev
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.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Johann Sebastian Bach  (1685–1750)      
Author: user:boeks
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Sound file of opening of en:Toccata and Fugue in D minor by J. S. Bach. Needs replacement recorded on an organ--can anyone provide this? Digital recording produced by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by its creator (known in this context by the pseudonym Opus33) into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
Author: Opus33 at English Wikipedia
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Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  
Author: (See Musopen for author information)
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Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  
Author: (See Musopen for author information)
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An example of how the subtonic serves as a secondary dominant to the mediant (in A minor: G is the dominant of C). From Bach's Chorale Ach wie flüchtig, ach wie nichtig, BWV 26. It is a reduction of the opening of the "Choral" or sixth movement.
Author: Hyacinth
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