47 Royalty-Free Audio Tracks for "Chromatic Descent"

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-VI-I.

Created by Hyacinth (talk) 03:09, 23 June 2011 (UTC) using Sibelius 5. [Description from image: From the Minuet of Wolfgang Amadeus Mozart's String Quartet in G major, K. 387. The music this excerpt comes from is public domain. My selection of this excerpt is GFDL.]

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-♭vi-I.

Chromatic hexachord (hexad) on C. Forte no.: 6-1, Martino's letter: A.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-♭III-I.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-III-I.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: i-♯iii-i.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: i-♯VI-i.

Successive (non-overlapping, skips F♮) chromatic hexachords in John Dowland.

Chromatic mediant, A♭ (♭VI), in Brahms Op.90, II, mm.128-134.

Nono- Il Canto sospeso all-interval series, as Midi

Principal forms of Webern's tone row from Variations for piano, op. 27, movement 2.

An OGG file that plays a C chromatic scale

Chromatic run from Chopin's Prelude in C Minor, mm.5-6.

Chromatic scale ascending on C. Created by Hyacinth (talk) 22:25, 7 October 2010 in Sibelius. See: :Image:Chromatische toonladder.png

Low-pitched. Mono. Dry. Descending chromatic scale played on the theremin. Saw-tooth, buzzy, giant robot steps. Recorded dry so you can add the effects you wish.

Grandmother chord (Grossmutterakkord), first used by Nicolas Slonimsky. A G# Bb G B♮ F# C F♮ C# E D Eb = 0 e 1 t 2 9 3 8 4 7 5 6.

Chromatic scale descending on C.

Chromatic mediant from Tchaikovsky's (1840–1893) Chant sans paroles.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

Chromatic scales down, played on a digital piano (Yamahe CLP-470) Chromatische Tonleitern abwärts, gespielt auf einem Digitalpiano (Yamaha CLP-470)

Common-tone modulation between chromatic mediants in Mozart's K. 475, mm. 24-26.

Harmonic Scale chromatic on C.

Thirteenth chord CMA13(sharp11).

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

Chromatic tetrachord in pythagorean tuning. MIDI pitch bend appears to match intervals (0,64; 112,65; 64,61; and 80,64). Created by Hyacinth (talk) using Sibelius 5.

Chromatic fourth in Johann Sebastian Bach's Well-Tempered Clavier (the chromatic fourth is indicated by a red bracket). From Fugue No. 2 in D minor of the second book of Bach's Well-Tempered Clavier (BWV 875). Entered into Finale 2006, with red bracket added in Photoshop. The music this excerpt comes from is public domain. My selection and addition of bracket is GFDL.

A chromatic harmonica recorded in mono with my akg c214 on my stairs.

A medium sized airplane wen right over me with my zoom handy. Couple unwanted noises by my dog on the leash and a car nearby.

A medium sized airplane wen right over me with my zoom handy. Couple unwanted noises by my dog on the leash and a car nearby.

Low-pitched. Mono. Dry. Ascending chromatic scale played on the theremin. Saw-tooth, buzzy, giant robot steps. Recorded dry so you can add the effects you wish.

Chromatic sequence of inverted minor chords played on a digital piano. Panto villain signifier.

Recording of a toy keyboard with cat sounds.

A chromatic scale on a small metal xylophone.

A tuned chau gong from my personal collection. I made these samples long ago and only did one take per gong. So, these sounds are a bit rough, but that should do well to suit the kinds of music that would use these gongs. I have tried loading single samples from this set (especially #4) across an entire keyboard, and playing that one sample as if it were the whole set, and that has worked out well. So, if one of the gongs crashes too much or decays too quickly for your liking, it should be trivial to replace that sound with another, pitch-shifted one.

Metal sound for any genre.

This is a chromatic scale synthesized from musescore, using the piano sound from fluidr3 soundfont. Edited on audacity for changing from stereo to mono 16-bit. The tempo is about 130bpm. The register of notes spans from c4 to b4.

Recorded with a zomm h1 and edited with audacity. Playing a chromatic scale with a marimba.

Chromatic scale on keyboard.

I made a weird sound with my voice, stretched it out in every direction, and looped it to make a cool noise that could be used as the ambient music for a part of a game where there are either giant robots roaming around, or are scary-as-hell creatures.

Chromatic handbells 12 tones. C# tone. File 48khz, 24bit, stereo, no processing. Normalized to -3db. Recorded using a-b stereo technique witch 30 cm spacing between and 50 cm from bell. Microphones: a pair of dpa 4006 microphones with ua0777 nose conesinterface: focusrite saffire liquid 56. Studio room: w:2,5m x d:2. 0m x h:2,8m. Each file contains 3 techniques: single tone, double and ringing bell.

A 4 note bass loop. A little phaser and other processing on top. If anyone makes anything with this feel free to leave a link in the comments. I'd love to hear it.

Embraer 175 initial descent, runway approach, landing and taxiing. Engines cut out at 7:20. Plane lands at 7:23.

Several variations on the classic trumpet "wah wah" effect.

The flea waltz recorded on my keyboard with dsk music box (a free plugin). It's a famous melody everyone has normaly already heard, piano beginer usualy learn this because it's very simple. If you have any suggestion to make for an other similar sound please ask me.

Add 150 ms delay (silence) at the start of the right channel. (typically the tempo is 130 bpm but practically none). Rhodes on the chromatic scale.

Sound demo 'annie is my darling' (simon fraser) by using the akkordica vst plugin, a virtual accordion, harmonica and melodica software that covers a wide range of sounds, by combining the traditional accordion performance and modern digital functionality. Suitable for a wide range of musical styles, be it traditional, popular or classical. Features:. 1. - piano accordion2. - anglo concertina3. - strasser accordion4. - hohner accordion5. - musette accordion6. - harmonica natural7. - harmonica vibrato8. - melodica (pianica)9. - accordina (harmonicon).