135 Royalty-Free Audio Tracks for "Chromatic Hexachords"

Chromatic hexachord (hexad) on C. Forte no.: 6-1, Martino's letter: A.

Successive (non-overlapping, skips F♮) chromatic hexachords in John Dowland.

Nono- Il Canto sospeso all-interval series, as Midi

Principal forms of Webern's tone row from Variations for piano, op. 27, movement 2.

Grandmother chord (Grossmutterakkord), first used by Nicolas Slonimsky. A G# Bb G B♮ F# C F♮ C# E D Eb = 0 e 1 t 2 9 3 8 4 7 5 6.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-VI-I.

Created by Hyacinth (talk) 03:09, 23 June 2011 (UTC) using Sibelius 5. [Description from image: From the Minuet of Wolfgang Amadeus Mozart's String Quartet in G major, K. 387. The music this excerpt comes from is public domain. My selection of this excerpt is GFDL.]

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-♭vi-I.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-♭III-I.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-III-I.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: i-♯iii-i.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: i-♯VI-i.

Chromatic mediant, A♭ (♭VI), in Brahms Op.90, II, mm.128-134.

An OGG file that plays a C chromatic scale

Diatonic (major, or Guidonian) hexachord on C: C-D-E-F-G-A.

Chromatic run from Chopin's Prelude in C Minor, mm.5-6.

Chromatic scale ascending on C. Created by Hyacinth (talk) 22:25, 7 October 2010 in Sibelius. See: :Image:Chromatische toonladder.png

Sacher hexachord: E♭ (Es) A C B (H) E D (Re). Created by Hyacinth (talk) 00:13, 1 December 2010 in Sibelius 5.

Chromatic scale descending on C.

Combinatorial all-trichord hexachords from Elliott Carter's Piano Concerto, mm.59-60. Hexachord I: 0, 1, 2, 4, 7, 8 (6-z17A). Hexachord II: 0, 1, 2, 5, 6, 8 (6-z43A).

Chromatic mediant from Tchaikovsky's (1840–1893) Chant sans paroles.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

Chromatic scales down, played on a digital piano (Yamahe CLP-470) Chromatische Tonleitern abwärts, gespielt auf einem Digitalpiano (Yamaha CLP-470)

6-21A hexachord on C

6-26Z hexachord on C

6-30B hexachord on C

6-4ZA hexachord on C

6-16A hexachord on C

6-18A hexachord on C

6-33A hexachord on C

6-3ZA hexachord on C.

6-15B hexachord on C

6-47ZB hexachord on C

6-19ZB hexachord on C

6-23Z hexachord on C

6-37Z hexachord on C

6-5B hexachord on C

6-9A hexachord on C

6-14A hexachord on C

6-25ZA hexachord on C

6-11ZB hexachord on C

6-50ZA hexachord on C

6-24ZB hexachord on C

6-6Z hexachord on C

6-42ZA hexachord on C

6-34B hexachord on C

6-21B hexachord on C

6-14B hexachord on C

6-36ZA hexachord on C

6-43ZA hexachord on C