2,148 Royalty-Free Audio Tracks for "Classic"

I recorded this little sample for youtube purposes and you can use it for anything you want! i just recerded a few notes, don't even ask for permissions etc. . ! just use it, if you think it's pleasant or usefull ;)to record it i used a samson c03 usb condenser mic.

Music sheet ai generated: payne, christine. "musenet. " openai, 25 apr. 2019, openai. Com/blog/musenetandi rewrote it. Sfx conversion edited: adobe + fxs + mastered. Sound and loops https://freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

[game_over_03. Wav]. Game over. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

A binaural field-recording of the tea's riverside( pontevedra, spain). Sample rate: 96khz. Equipment: soundman okm ii classic/studio solo and tascam dr-100 mkiii. A raw recording (non edited).

Antonín Dvořák - Concerto for Violoncello and Orchestra in B minor, op. 104 - 3. Finale (Pierre Fournier, George Szell, Berliner Philharmoniker, 1962)

The "Introduction and Dance of the Nautch Girls" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

Concerto for Violoncello and Orchestra in B minor, op. 104 - 1. Allegro (Pierre Fournier, George Szell, Berliner Philharmoniker, Germany)

Бетховен Людвиг Ван - Соната 8 для ф-но Патетическая в до миноре, Op. 13 - 2. Adagio cantabile

This is a classic theta brainwave entrainment sound made by two sine waves. The pitch shifts gently to produce some slow variation of the actual speed of the pulse. You can use it as a track and add voice (like relaxation or visualization), or just use as is to promote deep relaxation or trance. The pulses are about 8 hz (cycles per second).

Heavy kick with a low frequency slide. Classic dance music phrasing fx for chorus to build/break transitions. [format: wav][license: cc 0].

Parallel universe track with nice sound. It can be perfectly used in cinematic projects. Track features plucked. Space pad. Plugins omnisphere 2, serum. Bpm 109. Ableton 9. 12 midi channels. Project file here: https://evaluationrecords. Com/shop/ regards, andrew kn.

Sonata in B-flat major, Deutsch catalogue 960 - iii. scherzo (allegro vivace con delicatezza).

The overture Morning, Noon and Night in Vienna (Ein Morgen, ein Mittag und ein Abend in Wien) by Franz von Suppé, played by the U.S. Marine Band at a concert at the Departmental Auditorium in Washington, D.C. in 1973, conducted by band director Lt. Col. Dale Harpham

Piano Concerto No. 3 in C minor, 3rd movement: Rondo – Allegro DuPage Symphony Orchestra (orchestra) Barbara Schubert (conductor) Andreas Klein, piano Performed 17 October 2009. From https://archive.org/details/dso20091017

Drops, track with nice and warm sound. It can be perfectly used in cinematic projects. Warm and sad pad. Plugins sylenth 1, massive, zebra 2. Bpm 70. Ableton 9. 8 midi channels. You will have fun. Project file here: https://evaluationrecords. Com/shop/ regards andrew kn.

A recording made in july around 7:00 at night near a huge man-made lake. The ever-present insects are there, but overshadowed by the peepers. 13 seconds in a dog barks off in the distance and the echo is just incredible. 24 seconds into the recording is the classic call of the red-wing blackbird. Made with samson c0-2 stereo microphones feeding a zoom h4n recorder.

The man doesn't snore, but there really isn't all that much difference. A big chest has big lungs and they take a while to fill. On exhale just a small portion of each breath has a bit of expressive voice. Who knows why? to be fair, it isn't always present when he sleeps. Just often. An older classic movie called legends of the fall features a sleeping grizzly. This reminds me of that.

Claude Debussy: Ariettes oubliées (6), song cycle for voice & piano, L. 60 No. 2 "Il pleure dans mon cœur". Xiaobo Su, soprano; Giorgi Latsabidze, piano. Los Angeles USC Alfred Newmann Concert Hall, 2010. Live Performance Recording.

The galop from the operetta Geneviève de Brabant by Jacques Offenbach, transcribed by John R. Bourgeois, and played by the United States Marine Band under Bourgeois's direction. This piece is an instrumental version of the "Gendarmes' Duet", and formed the basis of the "Marines' Hymn".

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

This is a reverse ricochet accent i made from scratch. I took the classic “h-b cartoon ricco” and modified it to make it look like an approaching bullet is coming to shoot a glass object or hit a hard surface. You can use this sound however you want. Just give me credit!.

Franz Liszt's Hungarian Rhapsody No. 6 in D-flat major (arranged for wind band) performed by "The President's Own" United States Marine Band. Performed by the Marine Band on Jan. 5, 2014, at George Mason University's Center for the Arts Concert Hall. Col Michael J. Colburn, conducting.

MIDI of "Ut Queant Laxis", an 8th century hymn best known for being the basis for Ut-Re-Mi-Fa-Sol-La, later modified to the familiar Do-Re-Mi-Fa-Sol-La-Ti. Each line begins with a note that moves up the scale from Do to La (Ti not being used in music of that period).

I heard a intensed sound from my neighbors tree and i took my shotgun-mic walked over and recorded it :). Eqipment used;recorder zoom h4n promicrophone sennheiser shotgun mke 600rycote classic-softie windscreenwavelab.

The sound can be used with the ben-10 - vehicle force. It is true, this can be a classic fighting scene sound effect to use in the movie. Download it if you can use it in the fighting scenes for grassland transport and vehicles battle and battle at rohan's alley.

Der Tod und das Mädchen (La jeune fille et la mort), lied composé par Franz Schubert, interprété par Ernestine Schumann-Heink (1861–1936) en 1919

Enrico Caruso and Geraldine Farrar sing "Manon! Avez-Vous Peur...On L'appelle Manon", the opening of act 2, scene 1 of Jules Massenet's 1884 opera Manon. Matrix: C 12750-2

Interpret: Jenö Fescay Salon-Orchester Komponist: Johann Strauss (Sohn) Titel: Geschichten aus dem Wiener Wald Erstveröffentlichung: um 1927

Just got bored and felt like doing a sound today that you guys might want to use in one of your techno hits. If you want to use this, feel free to do so; but please use my name in the description for credit!. This short sound byte was made using vegas pro and fruity loops studio; bpm is 120. 000.

w:Sharon Isbin performs w:Enrique Granados' Danza No. 5 (1890) at the White House Classical Music Student Workshop Concert. In the 1 hour session this is from about 7:42-12:50.

Grand Fantasie from the Grand Scenes album (2000), a pastiche with music from Richard Wagner's Die Walküre (The Valkyrie, 1856), recorded June 5–9, 2000, at the Center for the Arts, George Mason University, Fairfax, Virginia, USA.

Piotr Ilyich Tchaikovsky's Overture Solennelle, “1812,” Opus 49 performed by "The President's Own" United States Marine Band on May 26, 2019, at the Wolf Trap National Park for the Performing Arts in Vienna, Va. This concert was part of Wolf Trap's "Summer Blast-Off!" Col. Jason K. Fettig conducting.

Se m'ami ancor; Ai nostri monti, duo de l'opera Il trovatore, composé par Giuseppe Verdi, interprété par Enrico Caruso (1873–1921) et Ernestine Schumann-Heink (1861–1936) en 1913

Claude Debussy: Ariettes oubliées (6), song cycle for voice & piano, L. 60 No. 2 "Il pleure dans mon cœur". Xiaobo Su, soprano; Giorgi Latsabidze, piano. Los Angeles USC Alfred Newmann Concert Hall, 2010. Live Performance Recording.

O Souverain, O Juge, O Pere! from Jules Massenet's Le Cid (1885) sung by Enrico Caruso on 5 February 1916 for the Victor Talking Machine Company.

Antonín Dvořák - Concerto for Violoncello and Orchestra in B minor, op. 104 - 2. Adagio ma non troppo (Pierre Fournier, George Szell, Berliner Philharmoniker, 1962)

Performance Conductor: Simon Schindler Ensemble: Fulda Symphonic Orchestra Location: Grosser Saal der Orangerie Fulda Work Composer: .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Same day as "birds in the forest two" but another place little difference in theambience character similar bird sounds as birds in the forest but today the wind is blowing even here. I recorded it with myrecorder zoom h4n promicrophone sennheiser shotgun mke 600triton audio fethead(no phantom thru)rycote classic-softie windscreenwavelab.

Download and loop. Boom break at 128 bpm 44khz 16bit wav produced in fruity loops using freesound samples and on board generators with customized effects. Freesounds used:. 131770 - bertroff - sub kick169788 - bliss - snaps173164 - bliss - kicks173163 - bliss - snares. All ran through effect chamber, amplitube classic 80's reverb.

Three partsfirst part 11 tones and 4ssecond part 4 tones and 3s (a little unstable sequence. . . )third part 8 tones and 12s. Question. Do i need a modular synth for making meanless things as this. . . Well, yes and no. The parts are related in different ways and theunstableness is nice. Or?all three sequences are made in different ways.

Pronunciation of the original title : Le nozze di Figaro Pronunciación del título original : Le nozze di Figaro Aussprache des Original-Titel : Le nozze di Figaro Prononciation du titre original : Le nozze di Figaro Italiano: Pronuncia del titolo originale : Le nozze di Figaro

Cécile Chaminade's Flute Concertino in D major, Op. 107, performed by the United States Marine Band on October 8, 2012 in Oncenter Crouse Hinds Theater in Syracuse, New York, during its National Tour to the Northeast. Colonel Michael J. Colburn, conducting and MGySgt Betsy Hill, flute soloist. This recording contains quite a bit of extraneous noise.

Nè gustare m'è dato un'ora... from act 3, scene 3 of La forza del destino (1862), by Giuseppe Verdi. Sung by Enrico Caruso and Giuseppe De Luca, I believe for Pearl.

Enrico Caruso and Titta Ruffo's only surving recording together: "Sì, pel ciel marmoreo giuro!" from Giuseppe Verdi's 1887 opera Otello. Recorded 8 January 1914 in New York City for Victor Records (as Matrix C-14272), this was released under a variety of labels (full details)

Grand March from La reine de Saba ("The Queen of Sheba", 1862), an opera by French composer Charles Gounod. From the U.S. Marine Band CD From Fife and Drum: Marine Band Recordings 1890-1988.

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

This is a classic hiphop sample with a kick at the beginning. It may rings a bell to you if you heard some hip-hop golden era tracks. . . Cut taken with cool edit pro 2. 1. As a a classic hip-hop sample, it's de facto public domain. It's been used so many times by so many artists through the years. Here you have a list of some songs those have it (ordered by release date):. · esg - ufo - 1981 (http://youtu. Be/0bss-qq99aq?t=14s)· dj chuck chillout & kool chip - time to rhyme - 1989 (http://youtu. Be/afniprh10z8?t=34m25s)· stezo - it's my turn - 1989 (http://youtu. Be/z8c7g5d7hsc?t=5s)· unrest - u. F. O. - 1991 (http://youtu. Be/glmmvkoklpk?t=3s)· miles davis - fantasy - 1992 (http://youtu. Be/fdbtwbqeq2s?t=18s)· notorious b. I. G. - party and bullshit (original mix) - 1993 (http://youtu. Be/6i5fgro2d38?t=10s)· junior mafia - realms of junior mafia - 1995 (https://www. Youtube. Com/watch?v=hcllk0ic0bw)· j dilla - geek down - 2006 (http://youtu. Be/70swratfghm?t=10s). Some other classic samples has been already uploaded to freesound. Org. You can check, for example, the amen break: if you make a search of "amen break" you'll find about 250 sounds (at the moment i wrote this description, of course), original one (even the four bars of the original track) and variations. - original without kick at 100 bpm: http://www. Freesound. Org/people/bronxio/sounds/238671/.

Klavierstücke, op. 118 - ii. intermezzo, Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

An example sound for the freesound punching sound design dare. Layering together different sounds to make a punch effect, and including the layers. Sound 1: the complete punch. Sound 2: hitting a pork chopsound 3: punching with a boxing glove onsound 4: billowing a teatowelsound 5: cracking celery (classic). Sound 6: the complete punch again.

My grandma recently gifted me a music box that was given to her by her mother, but it unfortunately doesn't work right anymore. It starts and stops unnaturally and can't make a loop, it requires constantly turning the wind-up mechanism to continue playing. This is the 1st of 2 recordings of me trying to get it to play.