667 Royalty-Free Audio Tracks for "Compress"

Good day. Minimal electro/breaks/techno loop. Without compression and fx. (creative commons 0)__support project usingpond5 https://www. Pond5. Com/artist/sa_ionovpaypal ionic. Opus@gmail. Compatreon https://www. Patreon. Com/sa_ionov___soundcloud https://soundcloud. Com/sa_ionov/youtube channel https://www. Youtube. Com/channel/ucybirt8eq5ngqazxsjxqnogtwitter https://twitter. Com/sa_ionov.

Striking matches / lighting matches close to mic'. 16 bit, 44,1 khz, mono source & output. No envelope automation, no compression, nothing except a slight hp at 26 hz. Clipping did occur on some transients for a few milliseconds (0-4 ms) on the strike due to mic' proximity (3 inches). Mic' used: samson c01 usb.

Recording of my own fireplace made with a tascam dr-40 (internal mics). I blasted up the lower freqs, kept the mid-range close to 0, then from 5-16 khz went back way up, slowly tapering down to below zero for the highest frequencies. All editing done in audacity, compressed using soundkonverter in linux. This is a good sound effect for either a bonfire or a house burning down, which is what i made it for.

. Wav created from a "save us" image in a frame. . Added and lowered some frequences with some eq. Simple in and out automation low pass filter. Fade with volume. And a bunch of compression. When you use this noise. Just remember, this was created from an image that said, save us.

A hard to describe sound that might be useful for games, in particular pinball machines and similar arcade games. Calf reverb used in audacity. This is a cc0 sound, based on (at time of download) cc0 parrot ar drone 2. 0 take off, flight and landing. This is a flac file. It is lossless like wav but compressed like ogg/mp3. Use audacity or fre:ac to convert quickly to mp3/wav/ogg.

Real recording of an ar15 layered minimally with a kick drum for sub-bass region and trigger sound and processed with some plugins like transient designers, multiband compression and clipping. Eq was used for tonal shaping and frequency cutting here and there for a more polished sound. Single shot recording assembled into a burst fire loop. Made in ableton live. Enjoy.

This track was developed in 2018 via apple's logic pro x on a macbook pro 2017. The home studio employed the usage of the presonus eris e4. 5 near field monitors in east harlem new york city. The project used sample files already included in apple's logic pro x. The mixing process employed only logic pro x plugins (e. G. Compression, equalization). You may find the developer at twitter: @harlemdaw.

Trash drumming at sark roots permaculture festival 2016. Recording of a set of interesting recycled objects mounted on scaffolding in the middle of the festival site. Recorded whilst festival was in full swing around the wildly improvising (mostly) amateur drummers on saturday night. Recorded with a tascam dr-40 portable recorder. Processing: eq, c6 multi-band compression and l3 multi-band limiting.

Hoping this one doesn't have the squeak sounds like with the wav file. My first attempt at ambient guitar. Recorded with my epiphone sg through the walrus slo pedal on 'rise'setting, into the focusrite 2i2 interface and then into reaper. The bass is a squier mini-bass through a behringer bxl1800 amp into the interface and into reaper. I used reverb, eq, compression and pan surround on both instruments. Comments welcome and let me know what you use it for. :-).

I forgot i was recording! in one and a half hour. . . This is from that recording. It's an vcv-rack patch generating suspense music or call it anticipation music. Is there a good word for it. Maybe you interpret the sound in a different way? some sort of back ground noise anyway. . . ?the sound is time stretched, eqed, compressed and i added a little reverb.

Took three instances of https://freesound. Org/people/mjl1551/sounds/620029/ and processed (see imgur): filter, reverb, compression/expansion. I pogo'ed the samples as well. Fx: https://imgur. Com/gallery/4mpem1q. Flp: https://www. Dropbox. Com/s/y8yuf6fqxoo780u/bass. Flp?dl=0.

A semi-automatic rifle, pitched down 3 semi-tones. Made in bitwig, i used 10 different recorded gunshot layers that have been eq'ed and multiband compressed to form a new gun sound. Subbass was synthesized for the super low end. The process i use is to select frequencies using high pass and lowpass filters from a recording for the lows, mids and highs. This forms a "layered sound".

Explosion sound created using a zoom h1 and tempering with metal fibers near the mic capsules. Added verb and pop compression for better flexibility. Recorded at 24bit 96khz, down converted to 16 bit wav. Feel free to use this for what ever you need it. Wouldn't mind some credit, thank you. :) stay tuned for more audio effects. Due note that they will improve.

I used some compression and a bit of eq to make it sound like something you'll hear on a gaming console machine. However, the audio spikes from the high freq took me a while to cut off. Can't figure out why it does that but in my opinion it still sounds good :).

Recorded with zoom h1. Recorded opening and closing of old wooden doors in our basement. Sometimes with keychain. Did some noise reduction and light compression. You are allowed to use these for free for non-commercial and commercial uses. You don't need to credit me, but you can if you want. You are not allowed to reupload, distribute or sell these soundeffects.

I was wondering how to make a glitch soynd since i was downloading a lot of that. Ended up making this beat type thing. ( needs compression). I recorded my self saying "how the f%%k do i make a glitch sound!?" i reversed the f word for censorship. Then it use the mix modulation function in caustic's modular synth to modulate it with a 909 beat & a 8bit synth sound.

A short collision sound of something crashing or some kind of mechanical object being hit and smashed. This is a cc0 sound, based on (at time of download) cc0 parrot ar drone 2. 0 take off, flight and landing. This is a flac file. It is lossless like wav but compressed like ogg/mp3. Use audacity or fre:ac to convert quickly to mp3/wav/ogg.

A collision sound of a vehicle crashing or some kind of mechanical object being hit and smashed. This is a cc0 sound, based on (at time of download) cc0 parrot ar drone 2. 0 take off, flight and landing. This is a flac file. It is lossless like wav but compressed like ogg/mp3. Use audacity or fre:ac to convert quickly to mp3/wav/ogg.

Various short puffs or blows of air from male mouth. Recorded to simulate the sound of a man blowing dust off of a camera lens -- if you find this sound helpful, i'm happy to have a coffee bought for me ☕ (but you don't have too!) >> https://ko-fi. Com/ryank.

This is a background sound i've created designed to imitate the noise produced by a vast collection of typewriters being worked on in a large warehouse environment. All the noises within in have been taken from freesound. There are 8 different typewriters here. On some channels i stuck a lo pass and some big room reverb, and on others i added a little compression to bring them to the forefront. The whole had a hard limiter to -6 on the top.

Beads being shaken to the christmas bells melody often used in movies when santa clause is heard flying overhead. -[ recording info ]-. I used plastic gold christmas tree decorating beads in my hands while in front of the mic. Studio mic: at4033recorded in: adobe audition 3mastered: using eq, compressed, noise gated, and normalized to -. 1. *no credit is ever needed to use my samples!*read my profile for further info.

A description of every word that normally comes out of my mouth. Part of a few test recordings trying to figure out my microphone. The clip has been compressed and de-essed. Not fully happy with the eqing, tho. Still learning. For those interested in the technical stuff, i'm using a rode nt1 (the newer, black one), recorded with a zoom h6 at 96k/24bit, processed and edited in vegas pro at same samplerate.

All this time i´ve been doing a ton of drum samples from almost every edm subgenre, so, i took a transient from a house club kick and a sub bass i made by miself, compressed the hell out of them, distorted the sub bass and added the special sauce, the izotope ozone 8 to make a cool jungle terror kick. Note: you can expect from now seeing drum sampples in this page!!!.

A beatbox we did today while listening to some new dubsludge. Here's a link:. Https://www. Youtube. Com/watch?v=htwhvyrnesg. This beat box is completely original. Recorded through my webcam mic in audition, rex'd in recycle, quantized-unisoned-decayed-compressed-& reverbed in reason. Finalized in audition. 140 or 70 bpm. いくつかの汚泥を蹴ります.

The sound is a guitar drone. Effects used: light distortion > eq > pitch shifter/harmonizer on multi-effect > delay on a second multi-effect > more delay > vibrato > reverb. ) direct to soundcard, edited w/ compression and fading on the beginning/end to hide "loop clicks". Sound is a bit distorted in parts due to peaking from the reverb (i guess). . . Meant to imitate shoegaze-style guitar drones. . . If i had a proper amp it might sound better!.

Simple synth snare + 3 higher speeds. ⸻ "how do you make a classic synth snare, do you just take white noise and go like. . . " *goes like* ". . . Huh" yep you just go like. (going like consists of setting an oscillator to sine with just a release tail and noise + a lowpass snapping up and trailing off gently + compression/distortion of some sort + high frequency shelf snapping down from high gain and then back up).

Acoustic snare sample ripped from the stock fruity loops loop "pendulus" mixed in with a click transient from a free goldbaby sample pack. Resampled and compressed multiple times. Tape saturated. Hope you download! btw if you want, please show me what song you used it in! i'm quite curious to see what magical things people can do with this stuff.

Xw8g+63 porto koufo, toroni, greece22 minutes sound of waves on the gravel recorded in 2017 the port of koufo beach, sithonia, halkidiki, chalkidiki. Having no other recording device, i used my camera, a lumix dmc fz62 that has good microphones and can record decent stereo wav files, without compression.

Here are some drums i made, on the synthesizer again. In order they are: parallel compressed kick, regular kick, snare, closed hi-hat and open hi-hat. The set before the break is mastered, while the set after the break isn't (i did throw a little limiter in there though just to boost 'em up a bit easily, but they're still not mastered). Enjoy. Credit is appreciated but not at all needed, i just like synthesizer-ing.

A pair of sounds depicting a group of musicians bitching after the actor flubs a sung line. No compression, no chorusing, just raw and cleaned. Recorded by a blue snowball mic and cleaned using audacity. If you'd like custom voice sounds, let me know, and i'll come by once a month and record them for you free of charge. You do not have to credit me and there is no charge to use my sounds. Warner bros director, i know the struggle. . .

Recording is a 24 bit stereo wav file. Literally using a "motivational speaker" tape found in a box (full of several more of these god awful things!) while digging through the neighborhood trash to test out and setup a pitch-shifted vocal patch for my noisecore project. Effects used: danelectro fish & chips eq, korg ax3g multi-effect, and alesis nanoverb direct to sound card. Processed in goldwave(compression to reduce peaks and fading on the beginning/end. ).

Electronic snare drum #1. Suitable for dubstep, drumstep, electro, house, electro house, drum and bass, or any other edm genre. Modify/use however you want. Made with massive (fundamental tone), sytrus (stereo white noise), komplete 10, maximus, fl studio 11, & edison. If you use this in anything, please put it in the comments, me and other people may want to check it out!.

Several breakbeats i made using sliced samples of cyberia's breaks. Mostly cut&paste in audacity, so i'm not sure of the bpm, but i normally ignore that anyways. . . Processed with overdrive, chebyshev, and various other distortionate effects, and compressed. I'm somewhat new to making drum breaks, i'm used to making loops, so tell me how i'm doing! any suggestions for improvement appreciated also, thanks, and enjoy the b-b-b-breaks!http://freesound. Iua. Upf. Edu/usersviewsingle. Php?id=164285.

Variation of the loop from:http://www. Freesound. Org/people/maxndee/sounds/106962/. Placed each hit on beat of 125, then put it through a saw tooth transformer, then slight reverb and compression. Other little details like raising one side by 2 decibels to even things out. Also, arranged the rhythm according to a phrase i thought made some more sense, added a couple of variation percs of my own to fill in the gaps. Put either a different eq on them or changed the pitch. Enjoy.

Breathing industrial game: different breathing with some distortion. Sampled into ableton using distortions like trash2, compression using psp compressor2. Recorded using a sm58 mic into ua-25ex. Crazy sounds is what i do. Check out my songs on soundcloud. Com/spankmyfilth :d. .

Broken transmission pads: c2 note, random gabbled modulated sounds using absynth 5. Sampled into ableton with a bit of effects, compression using psp compressor2 and psp warmer. Vocals sounds to try to make it sound like a garbled transmission or something alien. Crazy sounds is what i do. Check out my songs on soundcloud. Com/spankmyfilth :d.

I initially created this snare using lmms ( linux multimedia studio ) and a single instance of the zynaddsubfx plugin. There were many effects and experiments done before exporting as an audio stem. Next i opened this stem ( single snare hit ) in bitwig studio and made a few copies of it and timestretched and chopped and then joined together in a group track the parts i liked to make the whole sound. Final effects included saturation, equalization , sidechain-limiting and compression.

A short collision sound of something crashing or some kind of mechanical object being hit and smashed. Calf reverb used in audacity. This is a cc0 sound, based on (at time of download) cc0 parrot ar drone 2. 0 take off, flight and landing. This is a flac file. It is lossless like wav but compressed like ogg/mp3. Use audacity or fre:ac to convert quickly to mp3/wav/ogg.

Some vocals i did for fun. Obviously good for making tracks, or djs, or whatever you want actually. Recorded this with my laptop screen mic. Processed it in adobe audition. Slight chorus, slight distortion, pitched down a lil, removed hiss, slight high pass, compression and normalize. 楽しんでください、その後再投稿リワーク.

Virtual analog (linplug albino) lead multi-sample with a big and upfront sound. Perfectly suited for uptempo dance music and synthpop. The samples have been processed with the nomad factory blue tubes dr2s overdrive and compressed using the sonalksis sv-315 compressor. Sample resolution is 24 bit, 44. 1 khz. All samples in this multi-sample have looppoints added for sustained notes.

Another explosion i made using wavepad sound editor. This time i used compressed, muffled, and pitched down beer hiss (i used lots of beers and amplified them) and a few small metal parts and rocks. For the first part of the sound, the "bam" it does was mixed beer hiss and a punch i performed on some meat. The rest is just rocks and small metal parts, distorted, softened plus reverb. I used a shure beta 58a microphone to record all those.

A collision sound of a vehicle crashing or some kind of mechanical object being hit and smashed. Calf reverb used in audacity. This is a cc0 sound, based on (at time of download) cc0 parrot ar drone 2. 0 take off, flight and landing. This is a flac file. It is lossless like wav but compressed like ogg/mp3. Use audacity or fre:ac to convert quickly to mp3/wav/ogg.

The putipu'ù is a percussion instrument used in neapolitan folk music and, generally speaking in the folk music of much of southern italy. (an alternative name is "caccavella". ) the name putipù is onomatopoeia for the "burping" sound the instrument makes when played. The instrument consists of a membrane stretched across a resonating chamber, like a drum. Instead of the membrane being stuck, however, a handle is used to compress air rhythmically within the chamber. The air then spurts audibly out of the not-quite-hermetic seal that fastens the membrane to the clay or metal body of the instrument.

This is just a simple four to the floor kick drum pattern at 120 bpm. I created the kick itself by layering various synth timbres in rob papen's albino plugin. Processing was also applied such as compression, eq and using subtle distortion in specific frequency areas to get it sounding like this. For anyone that would like to hear my music:https://soundcloud. Com/mattcmusic.

A simple multi-sampled synthetic spacebass pack, containing 25 samples, derived from 2 octaves of a home made soft-synth patch. The original quality was 24 bits with a sample rate of 88. 2khz, which i converted with a very good src to 16 bits and 44. 1khz. Not that is was that important after all considering the fact that the patch itself has a grainy character in the higher frequencies. . . No compressing, equalizing whatsoever involved, the panning is pretty wide tho, with left and right sounding rather different, but in stereo it still feels pretty balanced i think.

Blip random: c2 note, random short blip sounds from synplant. Sampled into ableton as atonal as possible with a bit of effects, compression using psp compressor2 and psp warmer. Random seeds in synplant, and very little other effects used. Crazy sounds is what i do. Check out my songs on soundcloud :d.

This is a bassline of dnb, got 16 bars on 180 bpm or 8 bars on 90 bpm. I did it with a synth using abletondon't forget there is the possibility of you having to amplifier and compress for give more punch. Feel free for use it!. A tip from me to you is cut the bassline in pieces, explore all the locations where you can use for start a song. . . Use short parts of the bassline and use stretch and pitch techniques. Just explore and imagines freaky ways of change small samplers to a big and nice bassline! :d.

Layered out of an sks, ak47, uzi and a snare drum with a metallic texture. A short decayed 808 kick drum is occupying the sub frequencies. A bolt mechanic layer added before and after the shot transient. Two echo/reverbs were added for the stereo width. Shell eject layer added. All layers grouped together and lightly compressed and saturated. Made in ableton live. Enjoy.

I went for a more realistic gun sound without the hollywood subbass and a lot cleaner than my previous work. Made in ableton live, i just layered an ak47, an m16, an enfield rifle and an acoustic kick drum together with eq and used parallel compression to gel them together. Transient designers were used on the layers to make them snap harder. A bolt slide forward sample and a bolt slide back sample were added to give some mechanical feels to the gunshot. Enjoy.

An almost similar snare sound to that of idioteque in radiohead's 2000 album kid a. Though it is meant for experimental style, i think it would work with any form of electronic music. It was created by resonating noise from audacity, filtering it, fading it out, stretching it and compressing it. It has a characteristic sustain to it. Imagine it as a mix of a gunshot, cymbal, shaker and snare. Feel free to use it in any way you like. If you ever use it publicly or commercially, notify me so that i can hear how you used it.