49 Royalty-Free Audio Tracks for "Multi Sample"

Multi sample bass using bubblesound oscillator and dr octature filter.

Synth lead samples made with fabfilter twin 2.

Synth bass samples made with fabfilter twin 2.

Synth pad samples made with fabfilter twin 2.

Enjoy.

Virtual analog (linplug albino) lead multi-sample with a big and upfront sound. Perfectly suited for uptempo dance music and synthpop. The samples have been processed with the nomad factory blue tubes dr2s overdrive and compressed using the sonalksis sv-315 compressor. Sample resolution is 24 bit, 44. 1 khz. All samples in this multi-sample have looppoints added for sustained notes.

Syncopated, fast, electronic clicks that pan back and forth twice in about 3 seconds.

Vst: synthmaster 2. 9.

Multi-sampled sound using ableton live and synaptiq effects.

Harmonica ab octave 5 looped note.

Multi-layered synth line i made one morning when i was bored and was practicing writing arpeggios. I believe it's in mixolydian mode.

Shrinking sound with reverb. Made with waves flowmotion.

Synth squelch with additive fx.

Individual patch from another file i uploaded earlier called "sortakinda".

Pack of three drops in c major, major pentatonic and dorian. Free to use, cheers. .

Sample of a hape toy piano. Captured using a røde nt1 microphone with a sound devices mixpre-6. Cut in izotope rx7.

Reaktor - jinrai v1. 1 (fm, sound generator, monophonic synthesizer)recording: 130bpmdate: 10 july 2017.

Made with omnisphere, guitar rig etc. . .

Demo fragment from the kobología project, a kontakt library based on the rsf kobol analog synthesizer.

Three different sounds i have recorded, played together in a software sampelplayer. Sounds recorded with zoom h1.

Heavy impact effect with resonating mid and high frequencies. This sample employs the full range of frequencies and uses multi-band stereo imaging effects.

Samples of the small glockenspiel i started out on as a child. Have fun! :-). Recorded with a zoom h5 and a rode nt2000. Edited in audacity and ocenaudio. It's always nice to hear what projects you use these sounds for. Let me know. ;-).

Something i created for a slightly creepy soundscape and used to replace roomtone. Recorded using external midi on logic pro x.

Excessively reverb-ed synth line i made when i was drunk off my @$$.

Dave smith's mopho analog synthesizer's triangle wave sampled with an mpc through a behringer mixer. 44. 1k 16-bit.

Synth scary note pitch slides down reverb32bit 48khz.

My first upload - have fun!. This audio file contains two cylindrical objects colliding with each other repeatedly, which makes a loud bonk sound.

Dave smith's mopho analog synthesizer's sawtooth wave sampled with an mpc through a behringer mixer. 44. 1k 16-bit.

Sample of the doepfer a-110-1 sine output. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.

Sample of the doepfer a-110-1 triangle output. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.

Sample of the doepfer a-110-1 sawtooth output. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.

A simple multi-sampled synthetic spacebass pack, containing 25 samples, derived from 2 octaves of a home made soft-synth patch. The original quality was 24 bits with a sample rate of 88. 2khz, which i converted with a very good src to 16 bits and 44. 1khz. Not that is was that important after all considering the fact that the patch itself has a grainy character in the higher frequencies. . . No compressing, equalizing whatsoever involved, the panning is pretty wide tho, with left and right sounding rather different, but in stereo it still feels pretty balanced i think.

This was made with kontact and a korg ea-1, mixed with a behringer mixer with light dirt and overdrive. Sampled into an mpc. Left and right are separate channels processed differently. So each sample is actually 2 different sample, 3 if you combine them. 44. 1k, 16-bit.

Patch made with a microkorg and an ea-1. Sounds a little bit like an organ for a few octaves. Lovingly multisampled. 44. 1k, 16-bit.

Sample of the doepfer a-110-1 rectangle output. Pulse width is set to around 50%, so it should roughly be a square wave. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.

Fat square wave sub bass made with z3ta+ and a korg ea-1 mixed through a behringer mixer, recorded with an mpc. 44. 1k 16-bit.

Sample was created by looping a "heavy metal" drum pattern with fills from a yamaha pss-480 keyboard. The drums were processed through various pedals and then looped on a boss dd-20 going into a boss me-30 multi-effect.

Virtual analog synth mixed with analog ea-1 to create this wind like pad. Sampled through a behringer mixer into an mpc 1000. It sounds nothing like a wind section, hence the title broken wind. 44. 1k, 16-bit.

Single-pitch heavy distortion with multi-layer. Mild modulation. Made for a emotionally intense moment in a horror film. Toward the middle you will hear a very quiet rhythmic element. Used a roland groovebox self-sample utility directly to wav, which results in good recordings, though reduced high frequencies.

Hybrid virtual analog and analog mixed together through a behringer mixer into an mpc 1000. Light effect send to warm it up a bit. Doesn't sound like strings, thats just what i was going for, but this is where i ended up. Enjoy44. 1k, 16bit.

Yamaha tx81z initialized with mild adjustments, run through a korg ea-1. Mixed with a behringer, with fx sends going to a chorus pedal and a distortion pedal. Sampled with the mpc. Sounds similar to dirty guitar or an electric violin. 44. 1k, 16-bit.

Faux-synthesized "welcome" spoken by midnight furie demaurisha. (yes, it's her real name. ). Midnight says, "welcome". Processed to sound like a disembodied machine. First word spoken by midnight at the start of one of her guided visualzations. Recorded at shabby road studio in caerphilly, wales. Source audio is clean. This sample has been coloured with a multi-tap delay.

My childhood piano, an old german upright. Recorded using a studio projects b3 condenser mic through a presonus tubepre into an akai mpc1000. Mic'd from the top with the lid up, closer to the bass end. The piano is old and slightly out of tune, with a crack in the soundboard. The only processing was with analogx autotune to tune the samples, which did a very good job. Sampled 3 notes per octave so each sample only needs to be tuned + or - a semitone to span the whole range. It is a dark and moody sounding, a lot of character but in now way "pristine".

2 lengths of 3 different pitches of this low cinematic squelch bass. Played once with a large reverb and again played dry with no fx. This sound is modeled after the inception movie's large horn blast. It is a low multi-voiced saw wave with a specific ring modulation setting to give it it's effect. This sound is rendered as a 44100 sample rate 16 bit wav file. Made with native instrument's massive inside ableton live 9.

A recording of a manual typewriter. The author is inserting paper, typing a paragraph, and then removing the paper. Sound of paper being inserted into the typewriter using the paper platen winder. Then the sound of typing of about 50 words. A small bell sound is heard at the end of each line, then the sound of the platen being pushed back to start the next line, and the platen moving the paper up one line. The sample ends with the sound of the paper being wound through the typewriter and removed. I have tried to avoid clipping of each typed letter. There is a lot of percussive multi pitch sound in each typed letter. There is a mechanical escapement that provides a clicking sound as the platen is moved back for the next line. This sample was recorded direct to the hard drive of this samsung nc10 netbook using audacity set to 44. 1khz and 16 bit in mono. A dynamic microphone was used on a small desk stand about 1 foot (30cm) from the typewriter, the stand being on a different table to the one on which the typewriter was used. The microphone was a fairly cheap make (hitachi hmp606) and was pre-amplified using a maycom mictube preamplifier built into the xlr connector, connected to the mic in port of the samsung nc10 netbook. The mic boost was reduced to zero, and the gain of the maycom preamp was at its lowest setting.

Short multi-saw pannned to the left, could be useful for acid or trance. Part of a pack of samples synthesized in the generic drumsynth application.

One snare out of a bunch of custom snares made by me, combined samples, multi-band compressed and hit to tape. Custom to the point that i layered and re-sampled, layered and resampled. So much mangling and layering and resampling that its impossible to tell you the source to these snares.

Quadruple finger snaps, recorded with a tlm 102. These are performed by alternately snapping with the ring and middle fingers of each hand. The snap samples are arranged from lowest spacing (all snaps happening at the same time) to highest (larger delay between individual finger snaps).

X-act heavy metal drum kit==========================drum kit: tama rockstarsnare: mapex maplecymbals: zildjianall were recorded in studio with a sennheiser e835 microphone plugged into a roland juno-g synthesizer. Cymbals need some 15khz eq increase because of the dynamic microphone's treble roll-off. No copyrights, free for all uses. I recommend using native instruments battery to launch the samples. Each of the battery's cells can accept stacked multi-samples, and the kit can be played through an electronic drum kit through midi. Excellent results. Any comments, contact matias: matias. Reccius@gmail. Com.