20 Royalty-Free Audio Tracks for "Congress"

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This was part of a political speech of g. W. Bush regarding the iraq waran the need of military actions. Recorded directly from radio with ahammerfall-dsp system. It´s ironic!.
Author: M Colon O
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00:11
This was part of a political speech of g. W. Bush regarding the iraq waran the need of military actions. Recorded directly from radio with ahammerfall-dsp system. It´s ironic!.
Author: M Colon O
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00:08
This was part of a political speech of g. W. Bushregarding the iraq war an the need of military actions. Recorded directly from radio with a hammerfall-dsp system. It´s ironic!.
Author: M Colon O
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01:56
An exert of President Barack Obamas State of the Union speech. January 28th, 2010. Very moving.
Author: Barack Obama
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02:10
Public domain recording from the Library of Congress
Author: Ruben J. Baboyan, unaccompanied vocals. Recorded by Sidney Robertson Cowell in Fresno, California
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03:45
public domain recording from the Library of Congress
Author: Carlos Pous (vocals), Art Pages (piano), Ramon Bermudez (drum)
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01:48
from the Library of Congress Piute. Gambling Song.
Author: This file is lacking author information.
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02:07
public domain recording from the library of congress ttb
Author: This file is lacking author information.
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01:45
public domain recording from the Library of Congress "Camino de San Antonio" a corrido from the Library of Congress' John and Ruby Lomax 1939 Southern States Recording Trip; performed by Jose Ararjo on April 27, 1939 at his school near Brownsville, Texas
Author: Jose Ararjo
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00:53
public domain recording from the Library of Congress
Author: uploaded by TUF-KAT at en.wikipedia
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01:55
public domain recording from the library of congress
Author: The original uploader was TUF-KAT at English Wikipedia.
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02:07
John Philip Sousa's "Congress Hall" (1882) as performed by the United States Marine Band. Track 17 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.
Author: Untitled
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02:13
Vess L. Ossman's performance of Tom Turpin's "The Buffalo Rag" (1904). Recorded January 26, 1906. This is Victor Record 16779, Matrix B-3049. (Full details) Sheet music is available at The Library of Congress
Author: Thomas Million John Turpin (composer, 1871?–1922) Vess L. Ossman (performer, 1868-1923))
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02:07
John Philip Sousa's "Congress Hall" (1882) as performed by the United States Marine Band. Track 17 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.
Author: Untitled
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02:01
Urban ambience recorded at can clariana in april 2019 using a zoom h-6 for calidoscopi 2019.
Author: Bitlab Coop
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01:19
Performance of "Patriotic Song" by Glinka at the Second (Extraordinary) Session of the Congress of People's Deputies of the Russian Soviet Federative Socialist Republic,on November 27,1990,at Kremlin.
Author: Untitled
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08:42
President Roosevelt's Pearl Harbor Day message to joint session of Congress asking for a declaration of war with Japan. "The Star-Spangled Banner" is played on this recording after the speech. NARA claims the entire speech to be "Unrestricted"
Author: Recording: Bradley, John G. (John Grover), 1886-1974 (NARA record) Derivative work: Uploaded to Wikimedia Commons by W. Guy Finley.
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01:21
Performance of "Patriotic Song" by Glinka at the Second (Extraordinary) Session of the Congress of People's Deputies of the Russian Soviet Federative Socialist Republic,on November 27,1990,at Kremlin.
Author: Untitled
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00:11
Obama gets called a liar by Republican Joe Wilson at a speech about the nationalization of health care. This is technically public domain since its a presidential speech.
Author: Untitled
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00:45
library of congress recording, and before 1911 -- public domain traditional Omaha Indian song. From here Notes This song was collected by Alice Cunningham Fletcher and Francis La Flesche. It is included on Omaha Indian Music: Historical Recordings from the Fletcher/La Flesche Collection (AFC L71). From the liner notes of the Omaha Indian Music album: Composers of love songs used melody and vocables to convey emotion (1893, pp. 53-54, 146-150; 1911, pp. 319-321). The true love-song, called by the Omaha Bethae waan, an old designation and not a descriptive name, is sung generally in the early morning, when the lover is keeping his tryst and watching for the maiden to emerge from the tent and go to the spring. They belong to the secret courtship and are sometimes called Me-the-g'thun wa-an - courting songs. . . . They were sung without drum, bell or rattle, to accent the rhythm, in which these songs is subordinated to tonality and is felt only in the musical phrases. . . . Vibrations for the purpose of giving greater expression were not only affected by the tremolo of the voice, but they were enhanced by waving the hand, or a spray of artemesia before the lips, while the body often swayed gently to the rhythm of the song (Fletcher, 1894, p. 156). George Miller's probable year of birth is 1852.
Author: Performed by Miller, George (Inke'tonga) (Big Shoulder), Recorded by Alice Cunningham Fletcher and Francis La Flesche.
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