42 Royalty-Free Audio Tracks for "Curve"

Curves sound like old cymbal ;).

Sfx recorded in reason.

Atmo from within a suburban train in hamburg. The train takes a sharp curve with characteristic sound. Recorded on a zoom h5 with x/y-head.

Curve by Monplaisir

Wav-file recorded with the zoom h1 with internal microphone, which was lying on a seat in a tram in berlin, germany. The tram stops and starts again, some people are talking. There is a curve and a lot of noise from the tracks. Bonny orbit sound library.

This high quality recording is of a cargo logistics train leaving the port of fremantle, pulling many, at least 50, sea containers on rail-cars through a railway crossing on a bend, curve of the line. You can hear the signal bell on the drop gate with flashing red lights and the steel rail-car wheels screeching on the curved track.

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A sped up sound of a rustling noise. Noise reduction and a filter curve.

Ambient voice back. It's a backward song fragment. From alternative rock 1990 band name: curve.

Sine wave, which amplitude and frequency are controlled by relevant dimensions of bezier curve. Mono 16bit, 44100hz.

Explosion sound with a relatively quick curve made using white noise run through eq's, guitar amp distortion and a chain of reverb/delays. Has.

The sound of the bicycles passing through one curve in the carrer de can llavallol, in vallvidrera. The recorder was situated in a lateral of the road in the interior side of a curve, between the 12:22 and the 12:29, the morning 14 february 2015, in ms mode with an angle amplitude of 150 degrees.

Recorded with behringer b-1 mic into presonus studio 24c interface using audacity. Processing:- audacity's filter curve- audacity's compressor- audacity's noise reduction- airwindows debess.

Generated sound as sinusoid 852hz - 0,8db for 0,5si modified the curve of the sound at the beginning and at end. I suppressed the unmodified part of the sound and i decrease the speed gettin' us some kind of friction.

Clicking the tongue against the roof of the mouth, which changing the openness roundedness of the lips. A low value of the curve represents rounded lips (resulting in a darker click), and a high value represents open lips (resulting in a brighter click).

Slightly better version of sound 678955. This 100-second cymbal roll is done using a hi-hat. Edited in audacity 3. 2. 4 at 48 khz with filter curve effects and fades.

This is the arrival of the class 40 locomotive into bury station on the east lancashire railway. The sound was recorded from bury south signal box as the train rounded the curve into bury bolton st station. This was recorded on the h4n. The date of the recording was 12th january 2013.

Chirp sound, 250hz - 800hz square waveform. Linear interpolation. Wet reverbed and compressed to 3:1 ratio. Equalized with riaa wave curve (top-left to bottom-right). Each chirp lasts 3. 750s. Repeats 4 times layered over itself, including the last chirp without any layered sounds on it.

Tags must contain only letters a-z, digits 0-9 and hyphen. Recorded this when i was about to take a shower. Recorded using macbook pro microphone at 195,000 hz, then rendered with a filter curve applied at 75 hz at 16-bit stereo, 64050 hz wav file. This can be looped every 100 seconds!.

It is a sound of 6 seconds containing a single note of music: si (493. 9 hz) with a amplitude of 1. The sound is sawtooth. Work on the envelope ( the curve) reduced to regular intervals on the first 2 seconds then there is 2 seconds without modifications before the last 2 seconds where there is regular intervals again. This sound like morse.

Made from a tom drum i created with xfer serum in reaper. Rendered the instrument as audio, then, sampled a small section of the tom and looped it infinitely to create a static frequency. Then i added the reapitch vst and created a smooth automation curve down to -24 semitones. Lastly, i added a short fade in and long fade out.

Standing in line at the checkout, neighborhood supermarket, chicago, 7/17/16 at 6:25pm. Occasional voices, clatter of shopping carts and baskets being stacked, sounds of groceries being loaded onto the conveyor, beeping of registers. Recorded with two countryman emw lavaliers in a head-mounted binaural arrangement, into a tascam dr-40 recorder. Processed to remove excessive bass rumble and compensate for eq curve of lavaliers.

I found two melodies in gis_sweden's excellent "you deserve it - friday randomness ii"http://freesound. Org/people/gis_sweden/sounds/362508/. And quantized them into a 92 bpm 4/4 thing. Each melody is presented panned, with and without a beat, then simultaneously. It's sort of an accidental counterpoint. I also messed up his nice analog sound into some harsh digital junk. There's a lot of high frequency energy here so watch it, and apologies to mr. Fletcher, mr. Munson and their daughter, curve.

Standing on the east side of michigan avenue near ontario street, chicago, 7/16/16 at 10:07pm. Lots of passing traffic, squealing brakes, distant voices, distant sirens. A busker in the middle distance is playing his recognizable clarinet licks. Around 3:14 a group of motorcycle riders pass revving their engines. Edited to remove potentially copyright infringing music (captured playing out of passing cars and motorbikes). Recorded with two countryman emw lavaliers in a head-mounted binaural arrangement, into a tascam dr-40 recorder. Processed to remove excessive bass rumble and compensate for eq curve of lavaliers.

Blok modular set to bang on random keys/throw random parameters in various places. Sort of a kind of fm synthesis but i'm pretty sure blok can do a lot of extra things like place filters/waveshapers after the modulator but before the main oscillator. Don't want to give away much else but you can improv random textures by drawing in a waveshaper window/right-click to drag the drawing from one side to another. Also you can use the atan button to scale the notes on some sort of curve by distorting the note values. I could've added delay/reverb/eq/ ambience but i wanted it to be as dry as possible because that's personally what i look for, raw sounds that you can choose to change if you like. No edits aside from normalizing the. Wav file.

We develop iphone app that perform musical analysis on recorded audio from the iphone. Our app implementation make use of the audio queue service to receive raw audio buffers from the audio queue callback. In the first version of our app we had the problem of too much clipping on the recording which degrade the accuracy of our analysis. We also suspected that the noise canceling algorithm in iphone 5 produce distorted sound, which is not much noticeable by human ear but distorted enough to affect our sensitive algorithm. We found that the solution to our problem is to set the audio session mode to kaudiosessionmode_measurement. This session mode is supposed to give maximum freedom for us to control the microphone input, which include turning off the automatic gain control and probably noise canceling as well. The solution works very well except that it introduce a strange waveform pattern in the beginning of all recordings in iphone 5. It is very hard to explain the waveform we get, so i made two recordings at freesound so that you can see it visually. The first recording is made in an almost quite environment, and you can see the weird spike in the beginning of the recording. The second recording (this recording) is made with constant background noise, and you can see that the actual sound wave is offset from the strange curve and gradually increase to its original volume. This waveform only happens on iphone 5 devices that we tested, and there is no problem at all for iphone 4s and older generations. We have tried various settings and the glitch is still unavoidable as long as we set the audio session mode to kaudiosessionmode_measurement. We also find similar glitch in one of our iphone 5 devices, in which the glitch happens even if we try to set just the input gain level without changing the session mode. We are not sure if this is a hardware-related bug in iphone 5, or if it is fixable software glitch in the future version of ios. For the moment we are looking for workaround that can avoid this glitch while automatic gain control and noise canceling are disabled.

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).