1,405 Royalty-Free Audio Tracks for "Domain"

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: crash_hit_ff_loose. Wavinstrument family: percussion - metalsinstrument: cymbalsarticulation: crash-hitlocation: durham, ctroom type: band rehearsal spacemicrophone: 2x sm-57 spaced pairperformer: sam gossner.

Segments of speech concerning the present situation in the world. Captured daily speech updates concerning the health and well being of citizens of the country. All addresses to the general public by politicians are in the public domain and are not copyright protected. May we all see the day when peace, joy, prosperity and health are with us again!"do all the good you can,by all the means you can,in all the ways you can,in all the places you can,at all the times you can,to all the people you can,as long as ever you can. "john wesley.

My floureon bm 800 tends to get a loud buzz when not used for a while. . . And a good old smack literally fixes it. I did this naturally for this sound sample, but i figured it would make an interesting sound to post here. I would very much like to read how you used this sound in the comments, it's fun to see how people use my stuff. Given the cc0 license, you don't have to credit me of course, it is in the public domain after all, but i wouldn't exactly come complaining if you did!.

War of the worlds ( my version) aliens attacking america it sounds like america loses. Features sounds by:http://www. Freesound. Org/people/cormi/sounds/120529/http://www. Freesound. Org/people/udopohlmann/sounds/132877/http://www. Freesound. Org/people/dkmedic/sounds/104439/http://www. Freesound. Org/people/guitarguy1985/sounds/57808/http://www. Freesound. Org/people/burninvernon/sounds/172089/http://www. Freesound. Org/people/blupon73/sounds/171816/http://www. Freesound. Org/people/qubodup/sounds/159622/http://www. Freesound. Org/people/hello_flowers/sounds/31887/http://www. Freesound. Org/people/guitarguy1985/sounds/70936http://www. Freesound. Org/people/vlammenos/sounds/52906/and the national anthem which was public domain.

Greetings people of freesound!. Remember our dear friend herbert boland's "cinematicboomnorm" sound?. A friend and i have carefully re-created a sound very similar to his boom sound from scratch using thor synths and reverb in reason 7 and cubase with some tweaking in soundforge. This one's totally public domain, creative commons, non-attribution pro-commercial use! and it sounds just like herbert's. Remember,. This is not herbert boland's sound. It's just a very similar re-creation. Enjoy the freedom to use this commercially and without attribution!. .

Format: wav - 24 bit, 48khzdescription:a sound-to-image processing using fft. Sounds like aliens communicating in a cave or underwater environment. Added convolution reverb. The image used was a photograph taken by martin popek called "red sprites" attached below is the modified version i used for conversion. . Retrieved from http://spaceweathergallery. Com/indiv_upload. Php?upload_id=117053. -------------. If you like or dislike this sound, please comment on your thoughts :). Reminder:this upload is cc0 and in the public domain, so use to your heart's contempt.

On flac and ogg vorbis audio file formats. I make strange sounds with my mouth. Sounds sticky, icky, slimy and wet. This recording was made with a zoom h2. Http://upload. Wikimedia. Org/wikipedia/commons/e/ec/illustration_from_the_defective_delinquent_and_insane. Jpg. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Regular game sounds 1. -------------------------------------------------------------. You may use these sounds freely ifyou think they're usefull. I made them in nanostudio with the eden's synthsmostly one instrument (the eden) multiple notes some effect(hall i believe) sometimes and here and then multiintstruments. (they are very easy to make in nanostudio (=freeware!))i edited the mixdown afterwards with oceanaudio,to seperate the wav's from the output mixdown, andused a normalise effect for maximum db. If you want to use them for any production or whateverthats ok, they are public domain. 47. Wav sounds. Bye. -------------------------------------------------------------. 20-02-2014lu6np9@kpnmail. Nlhttp://home. Kpn. Nl/lu6np9.

Short sound with scribbles ending on the tap of a pencil. I'll be using this sound as a short notification in-game for when the player triggers an event that adds a new entry to his journal/clipboard/notepad. How about you?. This sound was made in audacity by splicing 2 sounds from fellow freesound. Org uploaders. Sounds used are released under the cc0 public domain license, feel free to use this sound however you want with or without attribution!. The original sounds can be found here:https://freesound. Org/people/tomoyo%20ichijouji/sounds/211247/https://freesound. Org/people/harrypeeks/sounds/339951/.

Zoom h1 / 5 30 am / jan 27. I was camping at this location in guanacaste, costa rica when this beautiful landscape woke me up, can you please comment the animal you think you can hear?. There are sounds like steps, this are some chickens around the mic. And also there are some barks that you can hear the marbella's acoustics. . . Lovely!!!. I hope this might be really useful in the future when ais will domain the world!this is all you need to know in this momento!. Cheers. Joan villaperros.

Recording of my voice, down pitched and edited around to soundmonsterous. A few "words", with a laugh at the end. -----------------------------------------------------------------------. This sound, as well as everything else i have upload here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.

This sound i made with a python script. The script simulates a 2d-network of 13x13 identical masses connected with springs. I 'feed' one mass in a corner of the network with a 'chirp' of 400-2000 hz for one second and the system resonates at its characteristic frequencies. I 'listen' to the resonating system in the adjacent corner. The decay of the sound was build in, but the last half second i edited the volume to zero. The code took a few hours to execute. You may want to change the picture of this sound to the frequency-domain. Yo! awesome! nerd-pride! :-).

Created via milkytracker then edited. A static crackling hiss sound effect, that could be usedfor something with a broken electrical connection. -----------------------------------------------------------------------. This sound, as well as everything else i have uploaded here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 1st Movement: Allegro (2nd Record) Genre(s): Concerti grossi, Concerti grossi by Johann Sebastian Bach Author(s)/(Composer(s): Johann Sebastian Bach (1685 – 1750) Music arranger(s): - Lyricist(s): - Performer(s): Philadelphia Orchestra (Orchestra,1900 - ) Conductor: Leopold Stokowski (1882 - 1977) Place of recording: 1st release date: - 1st recording date: 1 September 1928

1st release date: between 1928 1st recording date: 13 July 1928 Place of recording: C Studio, Small Queen’s Hall, London (United Kingdom) Author(s)/Composer(s): Joseph Haydn (1732-1809) Lyricist(s): none Conductor: John Barbirolli (1899-1970) Performer(s): Guilhermina Suggia, Cellist (1885-1950) Vocal range: instrumental Title/Work: Cello concerto in D major Content: 3rd Movement (2nd Record) Allegro (Part 6) Genre(s): Cello concerto

Title/Work: Messiah (Handel) Content: No.07: Chorus: And He Shall Purify Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 14 July 1946

Title/Work: Messiah (Handel) Content: No.04: Chorus: And the Glory of the Lord Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 12 July 1946

Title/Work: Cavalleria Rusticana Content: Intermezzo Genre(s): Opera terminology Author(s)/(Composer(s): Pietro Mascagni (1863-1945) Music arranger(s): none Lyricist(s): Giovanni Targioni-Tozzetti (1712-1783) and Guido Menasci (1867-1925) (adapted from a play written by Giovanni Verga (1840-1922)) Performer(s): Victor Orchestra Conductor: Walter B. Rogers (1865-1939) Place of recording: Camden, New Jersey (United States) 1st release date: February 1905 1st recording date: 7 November 1904 (B-4050: 18 June 1908)

Title/Work: Messiah (Handel) Content: No.06: Air: But who may abide (Conclusion) Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 14 July 1946

1st release date: 1938 1st recording date: 29 August 1937 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Hugo Wolf (1860-1903) Lyricist(s): Robert Reinick (1805-1852) Music arranger(s): none Conductor: none Performer(s): Tenor: Helge Rosvaenge (1897-1972), Pianoforte: Gerald Moore (1899-1987) Vocal range: Tenor with pianoforte accompaniment Title/Work: Gesellenlied Content: - Genre(s): Tone poem

1st release date: 1910 1st recording date: 26 February 1910 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: El Cimarrón - Cifra, 1a parte Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: trombone_fall_a#2_2. Wavinstrument family: brassinstrument: oldtrombonearticulation: fallnote: a#2midi note: 47location: durham, ctroom type: band rehearsal spacemicrophone: 2x sm-57 spaced pairperformer: sam gossner.

This is a "happy birthday to you" rendition to celebrate the 15th freesound birthday (april 5th 2020). The sound has been made by researchers of the music technology group of universitat pompeu fabra (i. E. Where freesound happens!), and voctrolabs. The sound uses choir synthesis technology developed for the trompa eu project. This means that what you hear are not real singers but synthesized voices generated by a computer! the score adaptation for choir is based on a score published in the choral public domain library. Hope you enjoy it and. . . . Happy birthday dear freesound!.

Title/Work: Meine Seele rühmt und preist (My soul extols and praises), BWV 189 Content: Disc 23B: Part 2: Recitative and aria Genre(s): Cantata Author(s)/(Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Max Meili (1899-1970) Conductor: Curt Sachs (1881-1959) Place of recording: Paris (France) 1st release date: 1935 1st recording date: 1935

1st release date: 1937 1st recording date: 1943 Place of recording: London, United Kingdom Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Conductor: Arturo Toscanini (1867-1957) Performer(s): BBC Symphony Orchestra Vocal range: instrumental Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st Movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Conclusion) Genre(s): Symphonic

Label: His Master's Voice Cat. no.: DB 10083 Order number: OZA 12665 Matrix/StamperID: OZA1265-1 1st release date: 1945? 1st recording date: 1945? Place of recording: Switzerland Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Performer(s): Suzanne Gyr, Piano (1899-1974) Vocal range: Instrumental Title/Work: Piano sonata No. 23 in F minor, Op. 57 'Appassionata' Content: Allegro ma non troppo (Part 1) Genre(s): Piano sonata

Title/Work: Il barbiere di Siviglia Content: Atto 1-Sc 02/03-Recitativo: Ah, ah! che bella vita! (Figaro) Genre(s): Operas Author(s)/Composer(s): Gioachino Rossini (1792-1868) Music arranger(s): none Lyricist(s): none Performer(s): La Scala Theatre Orchestra Conductor: Lorenzo Molajoli (1868-1939) Place of recording: unknown 1st release date: 1929 1st recording date: 8 July 1929

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: ldflute_expvib_a4_v1_1. Wavinstrument family: woodwindsinstrument: flutearticulation: expressive sustainnote: a5midi note: 81midi velocity (center): 63location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pairperformer: linda dallimore.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: psbassoon_a#0_v1_1. Wavinstrument family: woodwindsinstrument: bassoonarticulation: sustainnote: a#1midi note: 34midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-aperformer: p. Sauter.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: psbassoon_a3_v1_1. Wavinstrument family: woodwindsinstrument: bassoonarticulation: vibrato sustainnote: a4midi note: 69midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-aperformer: p. Sauter.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: ldflute_susvib_a4_v1_1. Wavinstrument family: woodwindsinstrument: flutearticulation: vibrato sustainnote: a5midi note: 81midi velocity (center): 63location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pairperformer: linda dallimore.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: ldflute_stac_c4_v1_rr1. Wavinstrument family: woodwindsinstrument: flutearticulation: staccatonote: c5midi note: 72midi velocity (center): 15location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pairperformer: linda dallimore.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: ksharp_a2_mf. Wavinstrument family: stringsinstrument: harpnote: a2midi note: 45midi velocity (center): 63location: boston, maroom type: livingroommicrophone: 2x rode nt1-a spaced pair, at pro 37's closeperformer: k. Smith.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: piccolo_a#4_staccato1. Wavinstrument family: woodwindsinstrument: piccoloarticulation: staccatonote: a#4midi note: 70midi velocity (center): 63location: durham, ctroom type: treated studiomicrophone: 2x rode nt1-a spaced pairperformer: j. Azevedo.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: piccolo_c6_sustain1. Wavinstrument family: woodwindsinstrument: piccoloarticulation: sustainnote: c6midi note: 84midi velocity (center): 63location: durham, ctroom type: treated studiomicrophone: 2x rode nt1-a spaced pairperformer: j. Azevedo.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: llvln_spic_a2_v1_rr1. Wavinstrument family: stringsinstrument: solo violinarticulation: spiccatonote: a3midi note: 57midi velocity (center): 31location: boston, maroom type: livingroommicrophone: 2x rode nt1-a spaced pairperformer: lily lyons.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: llvln_pizz_a3_p_rr1. Wavinstrument family: stringsinstrument: solo violinarticulation: pizzicatonote: a3midi note: 57midi velocity (center): 31location: boston, maroom type: livingroommicrophone: 2x rode nt1-a spaced pairperformer: lily lyons.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: player_dyn1_rr1_002. Wavinstrument family: keysinstrument: upright pianonote: c#1midi note: 25midi velocity (center): 30location: ukroom type: medium roommicrophone: rode nt5 spaced pair (player position)performer: simon dalzell.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: ur1_c2_pp_rr1. Wavinstrument family: keysinstrument: upright nr1note: c2midi note: 36midi velocity (center): 30location: boston, maroom type: practice roommicrophone: 2x rode nt1-a spaced pairperformer: sam gossner.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: xylo_medium_c5_ff_01_far. Wavinstrument family: percussioninstrument: xylophonenote: c5midi note: 72midi velocity (center): 63location: durham, ctroom type: band rehearsal spacemicrophone: 2x sm-57 overheads, 2x sm-57 spaced pairperformer: sam gossner.

Silenced sniper rifle shots. Single shots and modeled bursts by repeating the single ones 0. 1s (not realistic). Expected them to be not so loud? movie mystery solved!. Extracted from a video (http://img. Youtube. Com/vi/3qedlvayit8/2. Jpg) by a us government agency, thus public domain. Find many more military sounds in my military sounds pack, also located on freesound. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Extracted from 4 videos (http://img. Youtube. Com/vi/ibovrwev2q0/2. Jpg, http://img. Youtube. Com/vi/iqgrin3zzx8/2. Jpg, http://img. Youtube. Com/vi/kskweupoqi0/2. Jpg, http://img. Youtube. Com/vi/ebqwljpqt3k/2. Jpg) by a us government agency, thus public domain. Find many more military sounds in my military sounds pack, also located on freesound. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

This is a beat that i made in the audition editing program using two free sounds: a cat purr and a water drop. I have no use for it because it's too slow for the songs i usually write. I would love if you gave credit, but i want to leave it as public domain in case you can't for some reason (using it for a school talent show, in a commercial, ect. ) it's frustrating to find the perfect sound and realize you can't use it for what you want to :) if you want to be kind and credit, my name is misgee dreamerheart.

A sound derived from my "square wave build up" sfx. Edited to sound like traveling through time. -----------------------------------------------------------------------. This sound, as well as everything else i have upload here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.

A sound derived from my "square wave build up" sfx. Edited to sound like traveling through time. -----------------------------------------------------------------------. This sound, as well as everything else i have upload here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.

An sound effect for someone, or something, losingstrength or power. A more "sci-fi" version of myoriginal sound. Created from a sound in milkytracker, and lateredited via sound editing software. -----------------------------------------------------------------------. This sound, as well as everything else i have uploaded here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.

1st release date: 1935 1st recording date: 7 September 1934 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Serge Koussevitzky (1874-1951) Performer(s): London Philharmonic Orchestra Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 2nd Movement (Part 2): Marcia funebre (Adagio assai) Genre(s): Symphonic

I decided to experiment with a metal slinky, with the intention of creating some science-fiction sounds. Here is a string out of what could potentially be used as "laser gun shots". There are a variety of individual shots, and at the latter-half of the clip i attempted to create a cross-fire gun fight. Some editing, including noise reduction may improve what i've done here. *recorded on may 09, 2021 using a sennheiser shotgun mic and a zoom h4n pro (and a shower, of course).

Label: His Master's Voice Cat. no.: DB 2706 Order number: 2RA 858 Matrix/StamperID: 2RA858 -I- 1st release date: 1936 1st recording date: 4 November 1935 Place of recording: unknown Author(s)/Composer(s): Hugo Wolf (1860-1903) Lyricist(s): Eduard Mörike (1804-1875) Performer(s): Herbert Jansen, Baritone (1892-1965) and Michael Raucheisen, Pianoforte (1869-1984) Vocal range: Baritone solo with pianoforte accompaniment Title/Work: Vergangenheit Content: The Hugo Wolf Society Vol. 6 Genre(s): Tone poem Comments: RCM and ELP

1st release date: 1942 1st recording date: 29 August 1942 Place of recording: unknown Author(s)/Composer(s): George Frideric Handel (1685-1759) Music arranger(s): Sir Hamilton Harty (1879-1941) Lyricist(s): none Conductor: Sir Malcolm Sargent (1895-1967) Performer(s): The Hallé Vocal range: instrumental Title/Work: Water Music, HWV 348-350 Content: Suite in F major, HWV 348: Allegro deciso Genre(s): Suites